In Our Time: Matteo Ricci and the Ming Dynasty

Matteo Ricci was a Jesuit priest who went to China in the 16th Century with the aim of converting the Chinese to Christianity. He wasn’t particularly successful in that goal, but he was influential on European attitudes to China & vice versa. Discussing him and his mission on In Our Time were Mary Laven (University of Cambridge), Craig Clunas (University of Oxford) and Anne Gerritsen (University of Warwick).

Ricci was born in the Papal States and educated by the Jesuits up to university age. He then went to Rome to study to become a lawyer, but soon decided to become Jesuit priest instead. The Jesuits were a fairly new order at the time, part of the Catholic Counter-Reformation. The central difference between them and the other orders was that they were directly obedient to the Pope. They vowed to travel wherever they were sent, making them more mobile than the monastic orders. Their raison d’Γͺtre was to convert the world to Catholicism – as part of showing the superiority of their branch of the faith over the Protestant variant.

The Jesuits saw China as a chance to replicate the success of the conversion of South America, with a hope that perhaps they might even replicate the Spanish conquest of South America. Europeans at the time were aware of China, but it wasn’t a particularly well known country nor was it understood. Before the Ming Dynasty came to power (in 1368AD) there had started to be some trade and contact between Yuan China and Europe (c.f. Marco Polo, who I’m sure we listened to an In Our Time about but I can’t find a post writing about it). However when the Hongzhu Emperor came to power & founded the Ming Dynasty trade with the outside world was forbidden. In practice this didn’t stop contact between China and Europe, but it did reduce it significantly.

Ricci’s over-arching strategy was a tried and tested one for the Catholic Church, although he took some of it to further extremes that his superiors were happy with. His aim was to integrate himself into Chinese society and to make contact with the elite – the idea was that if you can convert the top (the Emperor in this case) then you will convert the whole country. Another part of the strategy was to make accommodations for the current beliefs of the people when explaining Christianity to them, to make it sound not so far from their pagan religion. The theological rationale for this was God had left “hints” in the pagan faiths so that the Catholics would be able to convert the pagans. And then presumably after converting the country the idea would be to tighten up the theology, but Ricci didn’t get anywhere near that far in the process.

When Ricci first entered the country the Buddhist faith seemed like a good point of entry to hook in his audience – so he dressed like a Buddhist monk, and his teaching made analogies to Buddhism. However as he slowly progressed through the country to Beijing he came to realise that Confucianism was more important in Chinese culture, and so began to dress like a Confucian scholar. He learnt Chinese, and invented a romanisation system so that he could write the words down for other Europeans to learn from.

His role as an analogue of a Confucian scholar dovetailed nicely with his purpose as a missionary – he met with Confucian mandarins to discuss philosophy and other learned subjects. One point of entry into scholarly society was his creation of a world map – he tactfully put China in the centre, flanked by Europe and the Americas. This was interesting to the Chinese as they didn’t know much about either Europe or the Americas, and let Ricci start talking about the Pope and Christianity too. He also translated books between Latin and Chinese so that knowledge flowed both ways between the cultures.

Ricci was successful in working his way across the country and in meeting the elite of Chinese society. He eventually was able to enter the Forbidden Palace and “meet” the Emperor – this wasn’t an actual meeting, the Emperor didn’t do such things, but Ricci was able to meet senior officials and courtiers (and eunuchs) several times. From the Emperor’s perspective this was part of the normal diplomatic business – a foreigner arriving to pay his respects to the Emperor and tell him how wonderful he was. There was not the chance that Ricci had hoped for to interest the Emperor in Christianity.

Ricci used the accommodations strategy that the Church endorsed, but took it much further than his superiors would’ve preferred. He wrote a book in Chinese comparing Christianity and Confucianism in order to point out how similar they were. And in this book the life, death and resurrection of Christ were relegated to a sort of footnote – covered in a single paragraph near the end. When the Pope eventually found out about this demotion of such a crucial part of the Christian faith he was not pleased with Ricci.

The biggest stumbling block for the conversion of the Chinese was the Christian insistence on exclusivity – the Chinese culture was very tolerant of multiple religions and generally people would use appropriate rituals from more than one religion during the course of their lives. The Christian idea that you should just worship one God was alien to them. While Ricci did have some small success in converting people (not that many tho) they didn’t always give up their other rituals and observances. Long after Ricci’s death this was to cause tension between the Pope and the Chinese Emperor. The Pope had discovered that Chinese Catholics were still honouring their ancestors in the Confucian fashion, and forbade this. And the Chinese Emperor unsurprisingly saw this as foreign interference in the governance of China.

Ricci remained in China until he died, and was honoured after death by the Emperor granting permission for his burial in Beijing (rather than in the designated foreigners’ graveyard). Whilst he wasn’t the only member of the Catholic mission to China he was the person who had the most influence. His grave has been a tourist attraction in Beijing from the time of his burial through to the present day.

The Spy Who Brought Down Mary Queen of Scots; Churches: How to Read Them

The title of the Channel 5 documentary The Spy Who Brought Down Mary Queen of Scots was a little misleading – it wasn’t about Francis Walsingham (the titular spy) per se, instead it was about the Babington Plot in 1586, Walsingham’s role in that and the consequences for Mary Queen of Scots. That relatively narrow focus also meant that they elided a lot of the background for why Mary Queen of Scots was under house arrest in England in the first place and just opened with her having been so for 18 years. Whilst I’m quibbling about their narrative choices, I shall also note that I didn’t much care for all their stylistic choices for imagery. In particular whenever there was “spy stuff” going on they used very modern imagery (CCTV cameras, racks of networked servers etc) which juxtaposed extremely oddly with their actors dressed up in Elizabethan costume quoting actual letters from the era!

Having said all that, I actually thought it was a rather good programme. First they explained the situation leading up to the Babington Plot – Mary Queen of Scots under house arrest in England, and as a Catholic and a relative of Elizabeth I’s she was a potential focus for rebellion or invasion. There had been previous unsuccessful attempts to assassinate Elizabeth I. Francis Walsingham (as Elizabeth’s spy master) was obviously concerned about communications to & from Mary Queen of Scots, and about the potential for trouble being stirred up by her or on behalf of her. The Babington Plot was the latest in a series of attempts to free Mary Queen of Scots – it began as a conspiracy between a group of disaffected Catholic noblemen, lead by a young man called Anthony Babington. Communications with Mary were routinely intercepted and monitored, so the conspirators recruited an English Catholic priest called Gilbert Gifford who had fled to France. Gifford returned to England and made his way to the brewers who supplied Mary’s household with beer – he devised a method of smuggling messages to her inside the bungs of the beer barrels and so communication was established. In this bit of the programme they also explained how difficult it was to be a Catholic priest in England at the time and showed us several priest holes in a country house of the era.

Mary was at first very cautious about how she responded to the messages – not just using a cipher and being circumspect with her words, but also being very non-committal about proposed schemes. Gradually, however, she began to trust and to believe that just possibly this time it was going to work and she would not only be freed but also put on the English throne. Finally in a letter she said something that could be taken as endorsement of the plot, and unknown to her this is where it all started to fall apart for her. Walsingham hadn’t been sitting by in ignorance of this plot – instead he’d had a hand in it from almost the start. He’d had his eye on Babington & the other conspirators, and when Gifford had been sent back to England with his first message Walsingham had him seized. He was turned into a double agent, and it was Walsingham who designed the method of getting messages to Mary Queen of Scots. All the letters sent this way were copied by Walsingham’s people and the cipher used in them was broken. When the damning message was sent by Mary Queen of Scots, Walsingham knew he had his evidence to convict Mary of treason – but just to be sure he had his codebreaker & forger add a postscript to the letter to make it more explicit before forwarding it on to Babington.

Walsingham then swooped in and arrested the conspirators. He also lured Mary Queen of Scots into behaving as if she expected a rescue, then arresting her. All were tried and convicted of treason. The men were hung, drawn and quartered but Elizabeth did not sign Mary’s death warrant for some time. Eventually she reluctantly signed, and then tried to countermand it but the warrant had been whisked off to where Mary was being held and Mary was executed within hours. The programme was very much on the side of this being Elizabeth genuinely changing her mind and regretting signing. But from what (little) I’ve read, I’d always picked up the impression of her wanting to have her cake and eat it too – putting on a good show of remorse after the fact but only when the deed was irrevocable.

Overall a good programme, my quibbles aside πŸ™‚


Churches: How to Read Them was a 6 part series of half hour programmes about British church architecture and decoration that we’d recorded ages ago. It was presented by Richard Taylor and covered the history of churches from Anglo-Saxon times to the present day. I wanted to like this more than I ended up doing. Not that I disliked it as such, more that it seemed a bit shallow at times but I can’t really articulate what I would’ve preferred. However it did show a nice selection of surviving examples of the various sorts of architecture & decorations that he was talking about in each episode.


Other TV watched this week:

Episode 3 of Mud, Sweat and Tractors – series about the history of farming in 20th Century Britain.

Episode 2 of The Crusades – series presented by Thomas Asbridge about the Crusades.

Episode 2 of Fossil Wonderlands: Nature’s Hidden Treasures – Richard Fortey looking at three fossil sites that changed our idea of the past.

Monkey Planet; Pagans and Pilgrims: Britain’s Holiest Places

Monkey Planet was a three part series presented by George McGavin about primates – monkeys, apes and lemurs. The first episode in was primarily a survey of just how wide-ranging and varied a group the primates are. The other two looked at aspects of primate behaviour that we tend to think of as particularly human, and showed both how it’s actually primate-wide and more varied than our narrow perspective suggests. The second episode concentrated on social interactions – like social hierarchies, family arrangements, maintaining friendships. And the third episode was focussed on intelligence and learning. That had the most startling piece of footage – a chimpanzee who lives in Iowa in a research institute who was shown going on a picnic with one of the scientists and making a campfire and toasting marshmallows on it. It shouldn’t be startling – I know chimpanzees are intelligent and very closely related to humans (we could be considered a third chimpanzee species). But somehow making a fire to toast marshmallows on was more human-ish than I was expecting.

This was a fun series to watch, even if I haven’t written much – its strength was in the footage of all the different primates being primates (which is hard to write about but good to watch).


Another series we finished watching this week was Pagans and Pilgrims: Britain’s Holiest Places. This covered a lot of the same sort of territory as the recent Neil Oliver series, Sacred Wonders of Britain (post) but where the Oliver series organised things chronologically this one organised them thematically. The six half-hour episodes covered things like “Water” or “Caves” and so on. It was based on someone’s book, but not presented by the author. I’m not sure I was all that keen on the actual presenter – Ifor ap Glyn – whose schtick seemed to be that at the start of the episode he tried to come across as completely without knowledge on the subject, then by the end of the half hour he’d “learnt why these places are so important”. And it wasn’t quite believable either at the start or the end. One thing he was very good at, however, was telling the associated stories for places with the right sense of awareness of the ridiculous nature of them!

A bit shallow, but actually did rather well as a contrasting sort of programme to watch after something more weighty (like The First World War).


Other TV watched this week:

Episode 8 of The First World War – a 10 part series covering the whole of the war.

Episodes 1 and 2 of Ian Hislop’s Olden Days – a series about the British fascination with an idealised past.

Episode 1 of How to Get Ahead – series about court life during a three different historical periods.

Episode 1 of Precision: The Measure of All Things – series about measurement and the history of measurement.

The Stuarts; Bible Hunters

For some odd reason the BBC had a new documentary series about The Stuarts and then only aired it in Scotland. I can see that it was intended to tie in with the upcoming vote on independence but it was straightforwardly a documentary rather than a piece of propaganda. So I’m not really sure why it was kept north of the border. We only spotted it because I’d recorded something else off BBC2 Scotland to avoid a clash, and there was a trailer for The Stuarts.

The presenter was Clare Jackson, who I don’t think I’ve seen anything by before, and her thesis was that the Stuarts were the defining royal dynasty of Great Britain – despite the actual creation of the United Kingdom only happening almost by accident at the end of the Stuart era. She took us through the whole 17th Century (and a smidge beyond) in chronological order. The first episode covered James VI & I, and the early years of Charles I. The accession of James to the English throne in 1603 after Elizabeth I’s death had been a time of optimism – for James and for his new country. James’s dream was to unite the two countries in the same way that the crowns were now united, however he wasn’t able (even with his high degree of political skill) to persuade the English in particular to do this. Jackson also covered the seeds of Charles I’s autocratic leanings – in particular she pointed at his visit to Spain, whilst he was trying (and failing) to negotiate a Spanish marriage for himself. At the court of the Hapsburgs he got a taste of how royalty “should” be treated.

The second episode covered the civil wars and the Restoration. In this episode Jackson was keen to stress how the way we’re taught British history today (particularly in England) simplifies and prettifies this collection of conflicts. We’re often presented with it as “democracy vs. autocracy”, and the parts of the war outside England are often ignored. She said it is better compared to modern conflicts like the violence & genocide in the former Yugoslavia in the 1990s. And she emphasised the Irish parts of the Civil Wars, which were not pretty in the slightest and still have repercussions today. Cromwell is a divisive figure – either a hero (from a Protestant point of view) or a villain (from the Catholic point of view). She also pointed out how Cromwell was by the end King in all but name (hardly the champion of democracy that English school history would like to portray him as) and after he died his power and title passed on to his son. Who was sufficiently bad at the job that Charles II was invited back to England.

The last episode could be thought of as the long decline of the Stuarts … we started with the disaster that was about to be James VII & II. Charles II had been fairly astutely focused on remaining King – he might’ve had Catholic leanings and a Catholic wife but he’d stayed a Protestant (until his deathbed, perhaps). His brother James, however, did convert to Catholicism and was fervent about it – he resigned public office rather than give up his Catholicism. Charles never managed to sire a legitimate heir, so James was next in line to the throne. Charles did his best to mitigate the problems with his having a Catholic heir – he had James’s daughters brought up Protestant and married them to good Protestants (like William of Orange, a diplomatic necessity as well as an internal political one). So when James did come to the throne it was seen as a brief blip before Mary & William took over – dealable with. When James’s new wife had a son this changed and it was time for more direct action, William was invited to invade (this is the Glorious Revolution) which he did and by chance he won bloodlessly. William and Mary, and then Mary’s sister Anne after them were childless so after Anne the next possible Stuart heirs were the Catholic descendants of James. And this is what finally brought about the creation of the United Kingdom that had been James VI & I’s dream. England wanted the Protestant Hanoverans to inherit after Anne died, Scotland would’ve preferred the Stuart heir – and so the crowns and thus the countries would part unless Parliament succeeded in passing the Act of Union.

A good series, I really don’t know why it was confined to the Scottish bit of BBC2.


Bible Hunters wasn’t a promising name for a series, but actually it turned out to be pretty good (with some flaws). Jeff Rose took us through the 19th and early 20th Century attempts to find or confirm the truth of the Bible. The first episode focussed on the New Testament, and the efforts of 19th Century scholars and explorers to find early copies of the Gospels. The idea was to show that the Gospels were indeed the inerrant word of God, and that the narrative of Jesus life and ministry was correct. Egypt was the target of these expeditions because of the early monastic tradition in the country dating back to much nearer the time of Jesus life than anything in Europe could do. Some monasteries (like that at Sinai) have been inhabited continuously since at least the 3rd Century AD. What was found shook the certainty that nothing had changed as the Bible was copied and translated over the centuries. In particular the ending of the Gospel of Mark (the oldest of the four Gospels, thought to’ve been written first) was different, and different in an important fashion. The modern end of that Gospel has Jesus seen after his resurrection, and the women who went to his tomb are instructed to go forth and tell people the good news. The 2nd Century version of the text ends with the women finding the empty tomb, being told by an angel that Jesus has risen, and being afraid and telling no-one. The programme built this up as being a cataclysmic blow to the faithful, and certainly it causes a lot of problems if your faith requires the words in the Bible to be literally the whole truth and literally unchanging.

The second episode looked more generally at what expeditions to Egypt showed about both the general truth of the biblical world view and the construction of the canonical texts of the Bible. As the history of Pharaonic Egypt began to be examined it cast doubt on the accuracy of the Biblical stories about the history & age of the Earth. For instance when the Dendera zodiac was found it was thought to be 12,000 years old (now known to be false, it’s Ptolemaic) and how did that square with Usher’s careful calculations about the Earth having been created in 4,004 BC? And other Gospels were found buried near old monasteries – which had been hidden after the official choice of the four we now know as being the canonical books. These included a Gospel according to Mary Magdalene, which gave a bigger role for women in the early church than in later times. And also Gnostic Gospels.

The format of the programme was Rose going to various places in Egypt, and also talking to various academics from a variety of institutions about the history of the people who found these things and the history of the ideas. And it was interesting to watch, but I kept running into things that made me stop and think “wait, is that really true?”. Which then casts doubt on the accuracy of other things that I didn’t already know something about. For example Bishop Usher’s calculation of the age of the Earth was mentioned, and Rose told us that “everyone believed that the Earth was only 6,000 years old” at that time. But as far as I was aware by the time Usher was doing his calculations there were a lot of people (if not most people) who thought the Earth was much older than that – Usher was more of a last-gasp of outdated thought rather than mainstream. I could be wrong, it’s not an area I know much about but things like that let the doubt in. Another example was that the EEF (forerunner of the modern EES) was presented as being solely about proving the truth of the Bible when it started – but when we visited the EES last September (post) we were told that although the biblical links were used to get more funding preservation of the ancient monuments as things in themselves not as “it’s in the bible” was also an important goal. The discrepancy could well be down to spin, but again this lets doubts creep in about the accuracy or spin on the rest of the programme.

I am glad I watched it, but I don’t know if I’d trust it on the details without cross-checking the facts.


Other TV watched this week:

Episode 1 of Henry & Anne: The Lovers that Changed History – two part series about Henry VIII and Anne Boleyn, part dramatised documentary presented by Suzanne Lipscomb.

Episode 2 of Time Traveller’s Guide to Elizabethan England – this was part of the BBC’s Tudor Season in 2013. It’s a series about life in Elizabethan times from the perspective of the differences between now and then, what you’d need to know if you could travel back there.

Robins of Eden and The Rabbits of Skomer – two rather retro-feeling mini nature documentaries, lasting just 10 minutes each.

The Joy of the Single – programme about singles, talking to various music industry people. Covered things like the history of the single as a phenomenon, the physical object of a 7″ vinyl single and the sort of emotional impact that various singles had on these people.

Episode 2 of The Great British Year – series about British wildlife and countryside over the whole year. Lots of gorgeous shots of animals, and timelapse sequences of landscapes.

Blink: A Horizon Guide to the Senses – programme presented by Kevin Fong about the senses. Not much new footage, instead it made use of the last 40 years of Horizon to pull out illustrative bits and pieces from the archives. Some neat things to see, but in other ways it felt a bit shallow.

Baroque! – From St Peter’s to St Paul’s; Guilty Pleasures

Baroque! – From St Peter’s to St Paul’s was a three part series presented by Waldemar Januszczak about Baroque art and architecture. The three programmes moved in geography (covering Italy, Spain & the Netherlands, and Britain respectively) and forwards in time. He started off with the story of how baroque art has its roots in the Counter Reformation – basically intended to propagate the “right” Christian message via eye-catching art. In particular as a response to the more austere Protestant sensibility, a sort of “you say we have too much art? we’ll show you too much art!”. As the movement took off in Spain (via Naples – a Spanish colony) the religious subject matter became darker and more visceral. Baroque artists also became the court painters of the era. Januszczak was entertainingly dismissive of the Hapsburg rulers of Spain & the Spanish Netherlands (and to be fair, there’s a lot there to to be dismissive of) while extolling the virtues of their taste in art. The Spanish court paintings were one of the vectors that introduced baroque art & architecture to England – Charles I’s visit to Spain when he was hoping to marry a Spanish princess brought him into contact with the court culture and painting. This wasn’t to be the baroque movement’s first jump to a Protestant nation – that was the Netherlands. Once the baroque took a hold in England it was given extra space to grow because of the Great Fire of London – about half of the last episode of this series was about the various churches (including St Paul’s) which were rebuilt in a baroque style after that disaster.

I’ve found it hard to write about what was in the programmes, because a lot of the point was (unsurprisingly) the visuals – Januszczak showed us a lot of paintings and buildings both well known and not. The style of the programme was gloriously over the top, as befits the subject matter. Well worth watching πŸ™‚


This week we also watched both parts of a series that we’ve had on the PVR for ages – Guilty Pleasures. This series was about how modern attitudes to luxury have been shaped by our cultural roots. It was presented by Michael Scott, who’s a classicist, so it’s no surprise that the first episode was about the influence of the Ancient Greeks; the second episode was about the influence of medieval Christianity. In Ancient Greece he followed three strands of Greek attitudes to luxury – the first of these was the Athenian democracy that spent time and legislation on trying to prevent ostentatious private luxuries by channeling the urge to consume into public luxuries. And tried to tie society together by having ritual communal luxuries – like sacrificing large numbers of cows which would then give every citizen some meat. The Spartans in some ways had their downfall through unsuccessfully navigating this tension between public & private luxury. As prominent Spartan citizens began to gather wealth to themselves rather than live in the spartan communal fashion their society began to decline. And the last society he touched on in that episode was the Macedonians who embrace luxury (for the ruler) much more than the Athenians or Spartans – they use their wealth as a propaganda tool and to enhance the division between the ruler and the ruled (unlike the more egalitarian principles of Athens or Sparta).

By the middle ages luxury has become a sin. Having contact with luxurious things is supposed to lead you into ever worse sin – fine foods, fine clothing is just a precursor to other indulgences. Scott also talked about how the Black Death actually led to increased luxury for the people who survived. People at the lower reaches of society in particular gained land and better pay because there was a lack of labour available. Which increased the feelings of guilt around luxury. Another factor was that the plague was seen as God’s punishment on people, and so at higher levels of society people took a second look at their lives and came to the conclusion that God was not pleased about their sinfulness (including their luxuries).

And Scott tied it together at the end by thinking a little about modern attitudes to luxury, in particular in the wake of the 2008 banking crisis. The Greek influences can been seen in how we generally react to conspicuous consumption as divisive, and the medieval influences are most obvious in the very idea of a “guilty pleasure”.


Other TV watched this week:

Episode 2 of The Stuarts – a series about the Stuart Kings of England & Scotland, presented by Clare Jackson, and about how they shaped the United Kingdom and how they were shaped by it. Broadcast on the Scottish version of BBC2 only.

Episode 1 of Bible Hunters – series about the search for early texts of the Bible in Egypt.

Episode 1 of Time Traveller’s Guide to Elizabethan England – this was part of the BBC’s Tudor Season in 2013. It’s a series about life in Elizabethan times from the perspective of the differences between now and then, what you’d need to know if you could travel back there.

New Secrets of the Terracotta Warriors – Channel 4 one-off programme about the terracotta army found buried near the Emperor Qin’s grave in China. Partly about the history of Qin era China (the first unification of the country in c.200BC, and partly about the techniques currently being used to learn more about the terracotta soldiers. A little shallow.

Episode 1 of The Great British Year – series about British wildlife and countryside over the whole year. Lots of gorgeous shots of animals, and timelapse sequences of landscapes.

Britain’s Most Fragile Treasure – Janina Ramirez programme about the East Window in York Cathedral. How it was made, who made it, how it’s being conserved, and what the various scenes and stories are.

Pilgrimage with Simon Reeve; Survivors: Nature’s Indestructible Creatures

Pilgrimage with Simon Reeve was a three part series that was partly a travelogue and partly about the history of Christian pilgrimage across Europe and the Holy Land from medieval times through to the modern day. Reeve made it pretty clear several times that he’s not a Christian himself, so this was an outsider’s view on the subject. He did, however, talk to several people who do pilgrimages for religious purposes today, so we got both sides of the subject represented. The first episode started in Lindisfarne and made its way down to Canterbury and mostly talked about medieval experience of pilgrimage. Then the second episode went through France and Northern Spain to Santiago de Compostela, and then across the alps to Rome. The third episode went from Istanbul to Jerusalem (via Bethlehem).

Reeve seemed focussed primarily on the question of what people get out of pilgrimage. His conclusions were that as well as the visiting of spiritually significant sites the journey itself has spiritual benefits for the people who do pilgrimages. They have a time to step outside of their daily lives and reflect on how they’re living and what they’re doing with their lives. Be that in a religious sense or a purely spiritual sense, various of the modern pilgrims he talked to weren’t people who called themselves Christian.

It wouldn’t be a Simon Reeve programme if it didn’t also look at the less uplifting parts of the subject! In the last episode there he was travelling through the West Bank (as one has to, if one’s visiting Bethlehem), and took the opportunity to contrast the modern political situation with the spiritual significance of the region to so many people. Another example was his visit to a very modern cult centre – the town where Padre Pio lived, who died in 1968. This has a massive new cathedral, a TV station of it’s own (run by monks), lots of fancy hotels in the town for all the touristspilgrims. And various rumours of how he kept his stigmata open during life by the judicious application of carbolic acid … He was canonised, but Reeve implied that was more an attempt by the Vatican to keep it in house so’s to speak. The cult was growing up anyway, so he was officially made a saint.

An interesting series πŸ™‚ And in a piece of serendipity the first episode overlapped in subject matter with the end of Neil Oliver’s recent series about Sacred Wonders of Britain that we’d just finished watching (post). The second episode had some overlap with the second episode of Waldemar Januszczak’s series about Baroque art which we’re also watching at the moment. The three presenters have very different styles so it was interesting to get the various perspectives all so quickly together!


The other series we finished watching this week was Survivors: Nature’s Indestructible Creatures – a three part series about species that didn’t die out in mass extinction events presented by Richard Fortey. Each episode covered a different extinction event, and Fortey tracked down 10 species that survived it through to modern times. The first one was about the Great Dying (which occurred 252 million years ago) which is the most significant extinction even with the greatest die-off of species. For this one he looked at things like horseshoe crabs, sea cucumbers and lampreys. The second covered the KT boundary – i.e. death of the dinosaurs, so had an emphasis on birds, mammals and crocodiles. And the third one looked at the Ice Age and at the cold adapted species that made it through to our own times.

This was definitely more my sort of thing than J’s. I thought it managed to combine a bit of geology, a bit of evolutionary biology and a bit of modern day travelogue into an interesting whole (even tho I think I knew of most of it before, it’s nice to actually see things sometimes). Fortey was an engaging presenter, who was also pretty entertaining as he tried to handle live specimens with varying degrees of success and comfort. I had a great deal of sympathy with that as someone who’s significantly worse at handling live animals than he was yet is still a biologist πŸ™‚ Oh, and it also had a running theme of Fortey eating some of these survivors & telling us how they taste, which was a slightly odd (but fun) addition.


Other TV watched this week:

The Coffee Trail with Simon Reeve – one-off programme about coffee growing in Vietnam. Vietnam is the main supplier of coffee for the instant coffee trade, and it’s as exploitative a trade as you’d expect. The regime in Vietnam isn’t particularly nice either.

Episode 2 of Baroque! From St Peter’s to St Paul’s – gloriously over the top series about Baroque art and architecture, presented by Waldemar Januszczak.

Episode 1 of The Stuarts – a series about the Stuart Kings of England & Scotland, presented by Clare Jackson, and about how they shaped the United Kingdom and how they were shaped by it. Broadcast on the Scottish version of BBC2 only.

Nigel Slater’s Great British Biscuit – a similar programme to Slater’s previous one on sweets (post), part nostalgia, part history of biscuits. Lots of “oh I remember those” moments πŸ™‚

Greek Myths: Tales of Travelling Heroes – programme presented by Robin Lane Fox about the early Greek myths about the origins of their gods. Also looking at the links between the mythological stories and the landscape the Greeks knew, and also the links to Hittite mythology. We both had quite a lot of deja vu watching it, and figured out eventually that we’d watched it before about 3 years ago and had just forgotten (brief post on my livejournal). Interesting & worth watching, even for a second time πŸ™‚

Byzantium: A Tale of Three Cities; Shipwrecks: Britain’s Sunken History

Byzantium: A Tale of Three Cities was a series about the history of Byzantium aka Constantinople aka Istanbul presented by Simon Sebag Montefiore that we watched in December last year finishing just before Christmas. Montefiore seems to be specialising in serieses about holy cities – his previous ones have been about Jerusalem (which we watched before I started writing blog posts) and Rome (post).

Byzantium started out life as a strategically well placed Greek town at the eastern periphery of the Greek (and later the Roman) world. It rose to greater prominence as the centre of gravity of the Roman Empire shifted towards the east, and Constantine moved his capital there at the same time as establishing Christianity as the official religion of the Empire. The Greek pagan past was swept very much under the carpet as the newly renamed Constantinople was positioned as the Christian centre of a Christian Empire which it remained until 1453AD. Something easy to forget from the way the subject was taught to me as a child is that the Roman Empire continued in the East long after the fall of Rome – seamlessly becoming what we now call the Byzantine Empire. Montefiore talked about how Constantinople came to be regarded as associated with and under the protection of the Virgin Mary, one-upping in their minds the association of Rome with St. Peter. And he finished up the first episode with a discussion of the rising tensions between the Western Church and the Orthodox of Constantinople, culminating in the excommunication of the Patriarch by the Pope and the Great Schism.

The second episode covered the period between the Great Schism in 1054AD, and the fall of Constantinople to the Ottoman Turks in 1453AD. This is a period characterised by decline from former glories, punctuated brutally by the 4th Crusade. The Crusades started off because of the worries of the Byzantine Empire over the rise of Islam and how this new faith had conquered vast swathes of territory, including the Holy Land, and were now eyeing up Byzantine lands. They invited the Western Christians to lend their military might to hold off the Muslims, but this was an uneasy alliance. With the added political differences between Constantinople and Venice (supplier of ships for the 4th Crusade) the unease spilt over into outright violence and Constantinople was sacked by the Crusaders. Montefiore had a bit of an air here of an outsider handing out the popcorn while he was discussing the lead up to this disaster, but he sobered up for the discussion of the atrocities afterwards. The programme ended with the final fall of a weakened Constantinople to the Ottomans, after they’d taken over all the surrounding territory.

The third episode covered the whole of the Ottoman Empire’s time in the sun. This was a second golden age for the city, now known as Istanbul – once again the centre of a large secular Empire it also became the centre of another religion. The Ottoman Sultans moved the seat of the Caliphate to Istanbul, and discovered (or moved in some cases) relics of the Prophet Muhammed and those close to him in the city. Montefiore dwelt on different aspects of the Ottomans to the series we watched earlier in the year (post). He didn’t gloss over the institutionalised fratricide of the Sultans as much, and he told us about some of the less successful holders of the title whose incompetance or brutality also shaped the city. He also spent a bit of time telling us about how the Jews were welcomed into the Ottoman Empire after their expulsion from Western Europe. This episode ended with a discussion of Attaturk and the new secular Turkey after the end of the Ottoman Empire.

As always with Montefiore’s serieses I I liked the cinematography as well as being interested in the subject matter. There’s a visual style to the programmes that I like, though I’d be hard pushed to describe it or distinguish it from other things – but that’s me lacking the vocab and knowledge, I think πŸ˜‰


The other series we finished off over the last few weeks was Sam Willis’s series about Shipwrecks: Britain’s Sunken History. This was a three part series that looked at shipwrecks around the British coast or involving British ships since Tudor times, with the main focus being on the 18th and 19th Centuries. The format was part telling the stories of individual disasters, and part drawing out what effects these disasters have had on British culture and British history. Willis did a good job of making the shipwrecks sound every bit as hideously dreadful as they must’ve been, whilst not overdoing it. And there were lots of interesting tidbits of history – like in the last episode he told us about the first weather forecasting system, the first life jackets, the fight Plimsoll had to undertake to get overloading of merchant ships regulated and several more. An interesting series, worth watching.


Other TV watched over the last couple of weeks:

Calf’s Head and Coffee: The Golden Age of English Food. Disappointing programme about Restoration era English food that couldn’t work out if it was about the history or about the food, and ended up falling short with both aspects.

Planet Ant: Life Inside the Colony – a bit like the series The Burrowers that we watched a while ago (post) but about leafcutter ants not cute fluffy bunnies etc. An ants nest was reconstructed in a lab and science is being done on it (and we got told how the nest worked and about the ants biology etc).

BBC 4 Sessions: The Christmas Session – recorded for Christmas 2011 I think, this featured various folk artists including the Unthanks and was a lot of fun. We watched it on Christmas Day.

Egypt’s Golden Empire – a three part series on one of the Sky documentary channels that we watched at J’s parents’ house. I confess I wasn’t always paying that much attention, but what I did watch seemed like a rather good and thorough overview of the New Kingdom period of Ancient Egypt.

Charlie Brooker’s 2013 Wipe – round up of the big events of 2013 presented by Charlie Brooker (and segments from others, which I felt worked less well).

Jool’s Annual Hootenanny – music and chat from Jools Holland and his guests (and audience). It’s our tradition for welcoming in the New Year when we’re at home – Jools on the telly and whisky to drink. Not the best one there’s ever been, but we still had fun heckling.

2013: Moments in Time – another roundup of 2013, this time of the main news stories of the year shown through the photos that illustrated them. And some discussion of the changing nature of these photos (and the rise of social media’s importance in news).

Episode 1 of Rise of the Continents – series about the geology of the continents and how that’s shaped them and their wildlife (and us) presented by Iain Stewart. This episode was about Africa.

Episode 4 of Tudor Monastery Farm – part re-enactment, part documentary about what life would be like living on and running a farm in 1500.

In Our Time: The Book of Common Prayer

The Book of Common Prayer was written during the English Reformation as the new reference for the services & ceremonies for the new Church of England, and it’s still in use in many churches today. Discussing it on In Our Time were Diarmaid MacCulloch (University of Oxford), Alexandra Walsham (University of Cambridge) and Martin Palmer (Director of the International Consultancy on Religion, Education, and Culture).

Prior to the break with the Roman Catholic Church all church services were in Latin, and the forms of the services came from several different books depending on what sort of service it was and so on. Even though the English Church’s break with Rome was driven by Henry VIII’s desire for a divorce from his first wife there were genuine supporters of the European flavour of Reformation involved in the process. A key figure amongst these was Thomas Cranmer, Archbishop of Canterbury, who not only orchestrated the original split from Rome but was also (in Edward VI’s reign) responsible for the original versions of the Book of Common Prayer. This was designed to be the single book that contained all the necessary prayers and ceremonies for the Church of England – each parish church had a copy, and used it for its services. The first version was to some degree a compromise between those who wanted a fully Reformed Church and those who wanted a more traditional Catholic theology (with or without the Pope as the head of the Church). As such a contemporary of Cranmer’s (who wasn’t as keen on Reformation as Cranmer) demonstrated that it could quite easily be interpreted in line with traditional Catholic theology. The second edition, again written by Cranmer, was published in the closing months of Edward VI’s reign and it was more hardline Protestant. Edward’s death & his sister Mary’s ascension to the throne returned the country to the Catholic Church and so the Book of Common Prayer was sidelined for a while. When Elizabeth I came to the throne she had the Book of Common Prayer republished, in much the same form as the second edition, and it was again the official prescribed version of the services.

By the time Elizabeth died the book which had once been regarded as “too Protestant” was regarded as “too Catholic” for hardline reformers. There was hope that Elizabeth’s successor would bring about a proper Reformation of the English church – after all James VI & I had been brought up in the Scottish Kirk. Sadly for the reformers James rather liked the ceremony of the English Church, and wasn’t fond of the dour Scottish Kirk – and in particular he liked the hierarchical nature of the English Church which reinforced his sense of his divinely anointed authority. So the Book of Common Prayer (and the concept of bishops) lived on. After the Civil Wars, while Oliver Cromwell was Lord Protector the Book of Common Prayer was again abolished – this time replaced with a much more Puritan form of worship. The Restoration of the Monarchy was also the restoration of the Book of Common Prayer – revised another few times subsequently, but the definitive version is the 1662 revision. This was used throughout the British Empire as it grew, and is still used in some churches today.

As well as the history of the Book of Common Prayer they also talked about the language of it in the programme. Obviously it’s in English – and this was one of the important features of the new service book. An important part of the Reformation was the idea that everyone should understand what was going on – both in having access to a bible in their own language and in having services in their own language. The actual phrasing of the book is also important – it has had a significant impact on the sort of language we use today. They were keen to stress on the programme that it was written with its use in mind – in that the same words are to be used time and time again, so the prayers were constructed to be repeatable. Not florid prose that might sound foolish after a while nor witty or full of punchlines that might sound lame the umpteenth time you heard them. For much of the century or so of the reformation process in England there was a requirement to attended Church of England services that used the Book of Common Prayer. This ensured that the words and their underlying theology sunk in, over time, and that all children were properly indoctrinated.

One thing that they mentioned several times in the programme is something that always strikes me when learning about the Reformation in England – how very odd it was compared to the rest of Europe. The English Church tried (and mostly succeeded) in navigating a third way between catholicism and protestantism. A lot of the theology was reformed as compared to the Catholic church (like transubstantiation), and obviously the Pope is no longer head of the C of E. But the C of E still has bishops and a hierarchy, and even though it’s been austere at various times and places it has also still had ceremony and pomp at various times and places. So it didn’t really make either of the extremes happy – and the way the Book of Common Prayer was discarded once for being too Protestant and once for being too Catholic within the space of a century sort of sums that conflict up.

A Short Trip to the V&A

While at the V&A for the Treasures of the Royal Court exhibition (post) I also managed to have a look at a couple of other galleries before & after the exhibition. Sadly train times meant I didn’t get long there overall (otherwise I’d’ve had to pay the peak time fare) but I did get some photos!

The photos are up on flickr (here), with some highlights in this post.

I started out in the Medieval & Renaissance Europe galleries, and the first couple of rooms I went into had a strong religious theme. The first room actually reminded me a bit of the Pergamon Museum in Berlin (which I still haven’t written up a post about) because it was dominated by a piece of monumental architecture nicked from another country:

Choir Screen from 's-Hertogenbosch

In this case the Choir Screen from ‘s-Hertogenbosch in the Netherlands. This room was mostly pieces of sculpture, and the next one I went into was full of altarpieces. These were all spectacularly ornate, like one from France (the Troyes Altarpiece) which had not just the main subject in each carved scene but smaller incidental details behind.

The Troyes AltarpieceThe St. Margaret Altarpiece16th Century Italian Altarpiece

Moving on to more secular art (and I think forward in time) one of the pieces that particularly stuck out to me was a tapestry showing scenes from the Trojan War. One of these was the Amazon Queen Penthesilea kneeling before King Priam of Troy – when I went to the museum we’d only just listened to the In Our Time episode about the Amazons (post), so they were particularly in my mind. Also in this section they had one of Leonardo da Vinci’s notebooks, which I somehow found unexpected.

Tapestry, Part of a Set Showing the Trojan WarLeonardo da Vinci's Notebook

After I’d been to the exhibition I went and looked at the British galleries – starting from the Tudors and moving on the Stuarts. I didn’t have long before I had to leave (only an hour or thereabouts) so I was quite brisk, just looking at & photographing things that caught my eye rather than everything they had. This included the Great Bed of Ware, mentioned by Shakespeare in one of his plays – and probably constructed to be a talking point for the inn in question to drum up trade. I also took several photos of the clothing they had on display (and tried to get some of the panelled rooms, but sadly those mostly failed to come out right).

Bust of Henry VIIThe Great Bed of WareWoman's Embroidered Jacket16th Century Gentleman's Cloak

Definitely going back for a longer visit sometime, with the big camera too πŸ™‚

Wild Shepherdess with Kate Humble; The Most Dangerous Man in Tudor England

The second episode of Wild Shepherdess with Kate Humble was all about alpaca farming in Peru. In the first half of the programme she stayed with a family who herd alpacas in a traditional way. To feed themselves they grow potatoes and keep guinea pigs. The guinea pigs have free reign of the house & are fed on the potato greens so they’re combination pet, recycler & dinner. According to Humble they taste like dark chicken meat. The alpacas are kept for their fibre – it’s not wool apparently, but that’s a technical distinction of some sort because it’s the equivalent of wool in all ways. The family shear the alpacas by hand with a kitchen knife, and then keep some of the fibre for themselves to spin and then make the very brightly coloured cloth that the region is famous for. The rest of the fibre is sold to a middleman who sells it on to the cloth industry. Because their herd is not pure-bred alpaca they don’t get much money for the fibre. In general their lives are hard, but they prefer it to moving to a city where the standard of living would in some ways be lower.

The second half of the programme took us through the way that the alpaca cloth industry in Peru is moving from this traditional style herding into the modern world. Humble started with a cousin of the subsistence farmers she’d been staying with. He’s both a collector (one of the middlemen who buy the fibre) and a farmer. Having seen where the fibre is sold to & the requirements he realises that the sort of herds that he & his cousin have aren’t the best – so he’s bought himself a pure-bred male alpaca & is gradually breeding his flock to have better quality fibre. Next Humble visited a man who herds alpacas in a large scale way. His ranch has thousands of alpacas (instead of the 60 or so that the first family have), and they are a particular breed that has very high quality fibre. Instead of just letting the animals mate as & how they choose he selects his best males & best females & breeds those. And being a large scale ranch owner I guess he also sells direct to the cloth industry rather than through a collector.

She then visited a cloth making factory. The cloth they make is mostly exported with China being the biggest buyer. They are particularly interested in helping to improve the herd quality of all their suppliers (including small farmers like the first family) because places like China & the US are starting to herd their own alpacas, so Peru’s advantage in the market will be in having the best quality fibre. And so Humble then went to visit an alpaca breeding research centre which is part funded by this cloth manufacturer. They’re working on developing artificial insemination techniques for alpacas with the idea that small farmers might not be able to afford a pure-bred male, but might be able to afford the semen to produce better quality offspring for their female alpaca. So the alpaca industry is just at the point where it’s optimising for the modern world and a global market, but it’s not quite there yet.


Translating the Bible into English doesn’t seem like a big deal in the modern world – I think I own 3 different English translations (plus a New Testament in Scots) – but in Tudor England it was heretical and punishable by death. One of the programmes in the BBC’s recent Tudor Court Season was The Most Dangerous Man in Tudor England, which was a biography of William Tynedale presented by Melvyn Bragg. Tynedale’s English Bible eventually formed the basis of the King James Bible, but Tynedale himself was regarded as the most dangerous man in England for producing it and executed for heresy.

Tynedale was born on a farm in Gloucestershire near the village of Slimbridge, which is still a working farm today. He was educated at Oxford – first in Magdalen College School, at the age of 8 in the early 1500s, then at Magdalen College. Bragg used this introductory bit to set the scene for Tynedale’s later translation. At the time the Bible was only available in Latin – the language of the Church and of scholars (the two groups overlapped to a high degree). The Catholic Church had built up over the centuries a collection of doctrines & traditions that weren’t actually in Bible (like Purgatory, the requirement for confession & penance to save one’s soul etc), and the hierarchy of the Church was positioned as necessary to save the souls of the congregation. Tynedale (and other Reformation thinkers) saw the way the Bible was only available in Latin as a power play on the part of the Church – keep the congregation from reading the actual text & you keep them reliant on the priests to explain it. And you keep anyone from noticing that the Church has these non-Biblical traditions.

Tynedale had always had the ambition to translate the Bible into English so that everyone could read it, and his education had only served to reinforce that. Bragg was telling us that when the students studied the Bible they only looked at verses in isolation, rather than reading the whole Bible & getting a feel for the overall text. During this time Tynedale learnt of the ideas of Erasmus who promoted the idea of reading a text in the original language to get the best handle on the text. For the Bible this would be Hebrew (for the Old Testament) and Greek (for the New) and Tynedale learnt these and other languages.

After Tynedale had graduated & been a priest for a little while he came into conflict with other clergy over his emphasis on the Word of God rather than the Church traditions. Bragg quoted from a description of an argument where another clergyman said that it was better to do without “God’s law than the canon law”, to which Tynedale reacted angrily – declaring that he would “cause the boy that driveth the plow to know more of the Scriptures than thou dost!”. This crystallised his desire to translate the Bible, and his first step was now to go to London to visit the Bishop of London & try and get backing for his project. This was the first of a few naive sounding things that Tynedale did in his life. The Bishop of London at the time was Cuthbert Tunstall, and Bragg described him as being a part of the Church orthodoxy & a close associate of people such as Thomas More. Unsurprisingly he didn’t back the heretical project that Tynedale proposed.

Realising that this would not end well, Tynedale eventually left not just London but also England and moves to Germany to work on his translation. Just to orient ourselves in the wider history I should point out that by this stage Martin Luther has started the Reformation in Germany, and it’s spreading through Europe. Henry VIII is on the throne of England, and had written his defence of the Catholic Church that earnt him the title of Defender of the Faith. So in moving to Germany Tynedale is aligning himself with the Protestant Reformation, and against the English Crown as well as the Catholic Church.

Tynedale completed his translation of the New Testament, and sought out a publisher in Cologne. Cologne was Catholic, but nonetheless he found someone who would produce the book and plans were made to print a few thousand copies & to smuggle them into England. Unfortunately for Tynedale his publisher was also contracted to work on a text for a member of the Catholic orthodoxy from England (Bragg told us who this was, but I’ve forgotten the name :/ ). The plans for the English New Testament were discovered & Tynedale had to flee with the project incomplete. He moved to Worms, and found himself another publisher so that he could restart the project. Tynedale’s life work wasn’t over with the printing of the New Testament, he continued to work on translating the Old Testament – going back to the Hebrew. Before his death he finished the first five books, which were also printed & subsequently distributed in England.

Bragg took the time at this point in the programme (and later on, near the end of it) to wax lyrical about Tynedale’s translation. He didn’t just translate it into English any old how, it was vivid & poetic language which sticks in the mind and has flavoured the whole of modern English – as much as Shakespeare did. Turns of phrase that Tynedale employed are still a part of our idioms today. But Tynedale didn’t just choose his words for maximum impact & memorability he also picked them to advance his Protestant ideas. So a word that was traditionally translated as “priest” became “elder”, and one that was traditionally translated as “Church” became “congregation”.

The authorities in England were obviously on the lookout for Tynedale’s Bible’s arrival in England, but several thousand copies still made their way into the hands of the more Protestant-minded members of the public. Bishop Tunstall preached against the English Bible, saying that it had errors and was heretical & blasphemous, and he presided over a bonfire outside St. Paul’s burning copies of Tynedale’s Bible. This didn’t quite go all the Bishop’s way – even those who might not’ve read the Tynedale text themselves weren’t entirely comfortable with burning the Word of God even if it was a potentially heretical version of it.

Thomas More led the hierarchy’s campaign against Tynedale’s work. There was a very amusing segment of the programme here where there were two Braggs on either side of a church aisle reading passages from More & Tynedale’s publications where they held forth on how dreadful and corrupt the other was. This had developed into a personal feud, not just an academic & political difference of opinion, and More at least started to resort to very vitriolic & foul-mouthed tirades against Tynedale. Including writing things like “You have kissed the ass of Luther and are now covered in shit”.

When Henry VIII was seeking to divorce Catherine of Aragon it looked like Tynedale would come into favour in court. This was because with the Pope refusing to grant the annulment Henry was searching for other ways to get what he wanted. Tynedale had published a treatise called The Obedience of a Christian Man, which was primarily arguing for everyone to read or hear the Word of God directly (so vernacular translations of the Bible are required so that the congregation as a whole can understand). But as part of it he said that Kings should not be subservient to the Church authorities – that God has anointed the King as the secular authority over a country and so the King should answer to God, not the Pope. Obviously Henry liked the sound of that, and used this as a plank in his splitting of the Church of England from Rome. But Henry still found the rest of Tynedale’s theology heretical (like the idea of an English Bible), and Tynedale went on to publish other treatises that didn’t sit as well with Henry including one opposing Henry’s divorce on the grounds that Henry’s use of scripture to justify it was an incomplete summary of the scriptural references to marrying one’s brother’s widow.

So Tynedale was still considered heretical, and Thomas More (amongst others) was still violently against Tynedale & all he stood for. Eventually Tynedale’s downfall was engineered by an agent of the English. This man, Henry Phillips, wormed his way into Tynedale’s good graces – he pretended to be a great admirer of Tynedale’s and to be interested in his theology. He then set up a trap – he came to Tynedale saying he had no money and got Tynedale to take him out for dinner. He then persuaded Tynedale to lead the way along a particular narrow secluded alleyway, and straight into the hands of soldiers of the Holy Roman Empire. Tynedale was imprisoned, and sentenced to death for heresy. Thomas Cromwell tried to intercede on Tynedale’s behalf, but was unsuccessful.

Tynedale was burnt to death, the typical punishment for a convicted heretic. As an act of mercy he was strangled before the fire was list, but this strangulation was incompetently carried out. Tynedale revived during his burning, but witnesses say he was stoic & silent as he died. (Which seems somewhat unbelievable.)

His Bible translation did not die with him, and Tynedale regarded that as more important than his own life. Cromwell eventually persuaded Henry VIII to endorse an English Bible, and the text of this was primarily that of Tynedale’s translation. Tynedale wasn’t credited, however, because he was still regarded as a heretic (and Henry still carried a grudge against him for not approving of the divorce). The Henry VIII Bible fed into the King James Bible translation, and so Tynedale’s words and work still lived on.