Month: June 2014

Warpaint (UEA, Norwich 4 June 2014)

It’s always a little odd going back somewhere you used to go a lot after a gap of several years – and going to UEA (where I used to work) for a gig on 4 June was no exception. It was kinda the same, but not. And gave us a feeling old sensation as we realised how young the students looked 😉 The gig was in the LCR which is quite a nice space for a concert because about halfway back from the stage the floor goes up a bit (with steps) so there’s not so much of a rush to the front – the audience starts equally divided between people near the stage (like us) and people on the steps. However they could do with cleaning the floor a bit more as it was unpleasantly sticky even at the beginning of the gig :/ The audience was really studenty as you’d expect, tho we weren’t the oldest in the crowd. And mostly nice or at least inoffensive, except the troglodyte near us who managed to have about half the audience turn and tell him to shut up & stop being a dick just after the concert started (he did shut up, after a poor attempt to look unconcerned by general opinion).

WarpaintWarpaintWarpaintWarpaint

Warpaint are an all woman four piece band who J has got into recently (one of his favourite bands of the last year or two). I’ve not listened to them much, but what I’ve heard I like – they’re sort of poppy/rocky sort of stuff. (And I’m bad at describing music, as always.) In a way the stage layout/mix of musicians made me think a bit of The Beatles – two at the front, both of whom sang lead and/or played guitar, a bass player and a drummer (both of whom sang backing vocals). This was really a warm-up gig for a festival they were playing at the weekend, so it was just them and no support. I really enjoyed their set 🙂 The video below is from someone who was pretty much just in front of us in the audience:

A Trip to Turin (October 2013)

Back in October of last year J and I spent a few days in Turin – I’ve not been very efficient with processing my photos and so I’m only getting around to writing about it now. The primary reason for our visit was to see the Egyptian Museum in Turin, but we left enough time to see other things as well. I’ve put up an album of my photos on flickr, and some highlights in this post.

Turin Bull Out for a Stroll
Turin StreetTurin Street
Palazzo Madama

The basic plan for our holiday was to arrive on Sunday (12th Oct), and have a look around Turin that evening and the next day. Most of the public buildings are shut on Mondays (which we knew in advance) and so this time was mostly spent wandering about the centre of the city getting a feel for the place and seeing what there was to see. The central parts of Turin are fairly uniform in height – there was an information plaque we saw while wandering about that explained that an 18th Century ruler of the city had decreed that each street should have a facade of a particular style and height. This means that the skyline seen from the top of the few taller buildings isn’t as interesting as it might be in another town. The facades and doorways are more interesting from street level, tho. J took quite a lot of pictures of the doorways and I think when we go back in a few years (it’s inevitable, see below) I’ll do that too, it would make a nice set (I did take a few this time). There is also a photo project there of graffiti and street art.

View from the Top of the Palazzo Madama
Me on a Turin StreetStatue of Amenhotep I
J & Some Coffins

We then spent two days looking at the things in the Egyptian Museum (Museo Egizio). It’s being refurbished and re-arranged at the moment (again we knew this in advance), so it currently has about two-thirds of its objects on display in about a third of the space. It’ll re-open properly in 2015, so I’m pretty sure we’ll be going back in a few years time to see what they’ve done to it. I’m going to write another post about the museum when I’ve processed more of the pictures from it, I’ve only included a representative selection in this album, so I’ll only say a few words here. Because all of the stuff is crammed into a relatively small space it felt a little overwhelming at times. The rooms that were in their intended space were much better – this included the room with all the tomb goods of Kha and Merit, and also the sculpture gallery. The sculpture gallery was the most striking part of the museum, it makes clever use of lighting and mirrors combined with dramatic dark red walls and I think it enhances the impact of the statues. There are also many Sekhmet statues, which was pleasing 🙂

Statue Gallery
Middle Kingdom Coffin of MereruModel of Nefertari's Tomb
Statuette of Kha, On a Chair

The fourth day, our last full day in Turin, we visited some of the other touristy buildings that we’d seen the outsides of on our first day. I’d particularly wanted to see the Palazzo Madama, which has art and other objects from the whole history of Turin – and some really spectacular interiors. It also had a rather nice & peaceful garden, where we saw several sparrows and lizards basking in the sunshine. Again I’ll write another post about that when I’ve processed more of the pictures. We also visited the Cathedral, and saw the box where they keep the shroud (tho I was more taken with the copy of da Vinci’s Last Supper, myself). We’d been in another church (associated with the Dominicans) on Monday – the interiors are an odd blend of plain and ornate. The overall space in both felt clean and open and dominated by the white-washed walls. But along the side walls there were several places to pray to particular saints and those, the side chapels and around the high altar were very ornately decorated (which somehow didn’t affect that first impression of plainness).

Garden at the Palazzo Madama
Church of San DomenicoA Good Mirror To Take Selfies In
Turin Cathedral

Of course Italy is also well known for food and wine, and we did eat nice food 🙂 We kept our lunches pretty light, and then in the evening we generally had a glass of wine in a cafe/bar followed by dinner somewhere. Despite most places only having Italian menus (requiring much looking up of words in my phrase book) we almost always managed to get something we liked. Only one disaster – but I suspect even if I’d known more Italian I still wouldn’t’ve known I wouldn’t like that particular cheese sauce (and sadly I don’t remember what the cheese was to avoid in future as I didn’t see the menu again after eating!). And of course much ice cream was eaten! 🙂

Ice Cream!
A Nice Glass of Wine Before DinnerIce Cream!
At Dinner

It was a good holiday, nice city and we saw lots of cool stuff 🙂 Do go & look at the rest of the pictures! 🙂

The Spy Who Brought Down Mary Queen of Scots; Churches: How to Read Them

The title of the Channel 5 documentary The Spy Who Brought Down Mary Queen of Scots was a little misleading – it wasn’t about Francis Walsingham (the titular spy) per se, instead it was about the Babington Plot in 1586, Walsingham’s role in that and the consequences for Mary Queen of Scots. That relatively narrow focus also meant that they elided a lot of the background for why Mary Queen of Scots was under house arrest in England in the first place and just opened with her having been so for 18 years. Whilst I’m quibbling about their narrative choices, I shall also note that I didn’t much care for all their stylistic choices for imagery. In particular whenever there was “spy stuff” going on they used very modern imagery (CCTV cameras, racks of networked servers etc) which juxtaposed extremely oddly with their actors dressed up in Elizabethan costume quoting actual letters from the era!

Having said all that, I actually thought it was a rather good programme. First they explained the situation leading up to the Babington Plot – Mary Queen of Scots under house arrest in England, and as a Catholic and a relative of Elizabeth I’s she was a potential focus for rebellion or invasion. There had been previous unsuccessful attempts to assassinate Elizabeth I. Francis Walsingham (as Elizabeth’s spy master) was obviously concerned about communications to & from Mary Queen of Scots, and about the potential for trouble being stirred up by her or on behalf of her. The Babington Plot was the latest in a series of attempts to free Mary Queen of Scots – it began as a conspiracy between a group of disaffected Catholic noblemen, lead by a young man called Anthony Babington. Communications with Mary were routinely intercepted and monitored, so the conspirators recruited an English Catholic priest called Gilbert Gifford who had fled to France. Gifford returned to England and made his way to the brewers who supplied Mary’s household with beer – he devised a method of smuggling messages to her inside the bungs of the beer barrels and so communication was established. In this bit of the programme they also explained how difficult it was to be a Catholic priest in England at the time and showed us several priest holes in a country house of the era.

Mary was at first very cautious about how she responded to the messages – not just using a cipher and being circumspect with her words, but also being very non-committal about proposed schemes. Gradually, however, she began to trust and to believe that just possibly this time it was going to work and she would not only be freed but also put on the English throne. Finally in a letter she said something that could be taken as endorsement of the plot, and unknown to her this is where it all started to fall apart for her. Walsingham hadn’t been sitting by in ignorance of this plot – instead he’d had a hand in it from almost the start. He’d had his eye on Babington & the other conspirators, and when Gifford had been sent back to England with his first message Walsingham had him seized. He was turned into a double agent, and it was Walsingham who designed the method of getting messages to Mary Queen of Scots. All the letters sent this way were copied by Walsingham’s people and the cipher used in them was broken. When the damning message was sent by Mary Queen of Scots, Walsingham knew he had his evidence to convict Mary of treason – but just to be sure he had his codebreaker & forger add a postscript to the letter to make it more explicit before forwarding it on to Babington.

Walsingham then swooped in and arrested the conspirators. He also lured Mary Queen of Scots into behaving as if she expected a rescue, then arresting her. All were tried and convicted of treason. The men were hung, drawn and quartered but Elizabeth did not sign Mary’s death warrant for some time. Eventually she reluctantly signed, and then tried to countermand it but the warrant had been whisked off to where Mary was being held and Mary was executed within hours. The programme was very much on the side of this being Elizabeth genuinely changing her mind and regretting signing. But from what (little) I’ve read, I’d always picked up the impression of her wanting to have her cake and eat it too – putting on a good show of remorse after the fact but only when the deed was irrevocable.

Overall a good programme, my quibbles aside 🙂

Churches: How to Read Them was a 6 part series of half hour programmes about British church architecture and decoration that we’d recorded ages ago. It was presented by Richard Taylor and covered the history of churches from Anglo-Saxon times to the present day. I wanted to like this more than I ended up doing. Not that I disliked it as such, more that it seemed a bit shallow at times but I can’t really articulate what I would’ve preferred. However it did show a nice selection of surviving examples of the various sorts of architecture & decorations that he was talking about in each episode.

Other TV watched this week:

Episode 3 of Mud, Sweat and Tractors – series about the history of farming in 20th Century Britain.

Episode 2 of The Crusades – series presented by Thomas Asbridge about the Crusades.

Episode 2 of Fossil Wonderlands: Nature’s Hidden Treasures – Richard Fortey looking at three fossil sites that changed our idea of the past.

In Our Time: The Bluestockings

I’d always thought that “bluestocking” was just a Victorian pejorative for a woman who preferred learning to socialising, and that the term derived from the perceived frumpiness of said women. But the In Our Time episode that we listened to this Sunday disabused me of that notion. The Bluestockings were an influential intellectual “club” in late 18th Century England, which bore some resemblance to the French salons of the same era, involving both men and women. Only later did the term become gendered and pejorative. The three experts who discussed it were Karen O’Brien (King’s College London), Elizabeth Eger (King’s College London) and Nicole Pohl (Oxford Brookes University).

The Bluestockings were not originally conceived of as a movement, instead it grew organically out of informal gatherings hosted primarily by three London society hostesses for the purpose of rational conversation. In the 18th Century the term “rational conversation” meant something along the lines of “improving conversation” – it was about learning and educating each other. And this is in some sense in opposition to the normal etiquette of the time which frowned upon talking about anything you knew more about than the person you were talking to – particularly if you were a woman. The meetings happened about once a month, and members also corresponded by letter and published essays. Very unusually for the time women were not just permitted to attended, they were also heavily involved in organising these meetings and over time came to dominate them. The name Bluestocking, however, was derived from the male attendees – as the gatherings were informal some of the men would wear their everyday blue stockings rather than their court silk stockings.

One of the important hostesses at the beginning of the movement was Elizabeth Montagu. She was born a member of the gentry, and married into the aristocracy. She was a very intelligent woman, who took over running her husband’s coal business when she married and made her family incredibly wealthy. The experts explained that she opted out of the court social circle of the time – as it was stultifyingly boring, particularly for ladies in waiting. Instead she hosted her own gathers – which became meetings of the Bluestockings. She wrote many many letters and also published essays, including an influential one about Shakespeare. This was in reply to an essay by Voltaire, and Montagu was writing to restore Shakespeare’s reputation as an important playwright. The experts pointed out that this is period when Shakespeare isn’t all that well regarded – classical authors and classical styles are still held up as being inherently better than anyone writing in English could be. Montagu’s essay is an important part of overturning this consensus.

Montagu’s gatherings might’ve been informal, but they were still organised – she arranged the chairs in her room in a semi-circle and so everyone was talking to everyone (I think). Another of the society hostesses involved in these was even more informal – she dotted the chairs around the room in little groups before the guests arrived, this meant there would be many clusters of conversations going on. The informality of the English Bluestockings was a contrast to the French salons of this same era – they had topics decided in advance and were more formalised with some degree of rules about who could speak. Another contrast between the French & English models was that the French salons were politically and religiously radical – the Bluestockings as they began were not.

As the first generation of Bluestockings gave way to the next the movement began to become more restricted to women, and to become tarred with the association of the French salons with radicalisation. This is during a period where the establishment was particularly concerned about any hints of political radicalisation, because the French Revolution was an example of where that sort of thing could lead. On the other side of the coin the Bluestockings were seen as too conservative by the new generation of female thinkers – women like Mary Wollstonecraft. So the movement began to fade away, however it had the legacy of having promoted the concept of women as the intellectual equals of men at a time when that was practically unthinkable.

An interesting programme about something I knew nothing about before. I’d quite like to read a biography of Elizabeth Montagu, but a quick google suggests there’s no such thing. A shame, but the further reading list for the In Our Time episode lists several books about the Bluestockings so perhaps I’ll pick up one of them at some point 🙂

“Crown of Renewal” Elizabeth Moon

Crown of Renewal is the fifth & final book in Elizabeth Moon’s Paladin’s Legacy series and so, as she says in her Author’s Note at the beginning, it’s really not an entry point if you haven’t read at least the four other books in this series (and preferably the other 5 in this world). I’ve got them all, and I’ve been looking forward to this instalment in the series since I read the fourth one last autumn (post). And as with that one I’ve read this through at a gallop (not quite in one sitting this time but only because I had other things to do). It’s a satisfying conclusion to this series, and also ties up some of the loose ends from the earlier two series.

To recap a little – these books are secondary world epic fantasy, set in a universe that owes a debt to the Tolkein-esque & D&D flavours of fantasy. There are elves, there are gnomes, there are dragons, there are paladins, and so on. But Moon has taken these archetypes and made them into something her own. I particularly like her gnomes – these are humanoid and live in stone & work with it. And they have a society based around a very strict Law. Moon has managed to make them feel very alien, and very much their own thing. The first series set in this world was the Deed of Paksenarrion, which followed the life of Paksenarrion from her early life as a sheep farmer’s daughter who signs up with a mercenary company, through to her becoming a Paladin of Gird. The next series was a duology set much earlier in this world’s history – about the human life of Gird before he became a sort of demi-god. This current five book series starts not long after the end of the Deed of Paksenarrion, and deals with the events that Paks set in motion – nothing is without consequences after all. Another thread of the story is about why there are such differences between Gird’s teachings and life as we see them in the duology about him, and in the “now” of Paksenarrion’s time. It’s not just a case of chinese whispers across the centuries, although there’s some of that too.

Moon’s antagonists tend to be less nuanced than her other characters – they are generally flat out evil. In some ways this is a weakness in her writing, but I also feel that she does it deliberately as part of portraying a comforting faith in humanity. Her non-antagonist characters (in particular the secondary characters) can be mistaken, misguided, irritating, wrong, and do bad things. But that doesn’t mean they’re bad people – where you step across the line is when you know something is wrong and then do it anyway. These books have a fairly black & white morality and a Good vs Evil struggle, but you don’t have to be perfect to be on the side of light you just have to be doing your best. Which is a comforting way of looking at the world. Even Moon’s paladins aren’t avatars of perfection, they have flaws and make missteps.

This is still one of my favourite worlds to read books in 🙂 It’s a shame this book means no more for a while (if ever) but it was good to get another 5 books series after I’d thought the story was over.

“Dust” Hugh Howey

Dust is the last book in Hugh Howey’s post-apocalypse trilogy. I read the first two last year (Wool and Shift) and had to wait till this year for the final book because the reservations list at the library was that long. Wool introduced us to a post-apocalyptic society living in an underground bunker after some unspecified disaster had made the Earth uninhabitable – and as the book went on it was clear that there was something rotten at the core of that society. Shift then took us back to the beginning to a near future world, and showed us how we get from there to the world of Wool. By the end of Shift we get to see the events of the end of Wool from a different perspective. So having got both narratives up to the same place we now move forward in Dust.

It’s really difficult to talk about this particular book without giving away the various reveals and I think that would spoil a lot of the pleasure of it. So much so, in fact, that I’m not sure how much re-read potential these have. In Dust Howey continues to reveal exactly what is rotten at the centre of this world, and manages to bring the story to a satisfying ending, with just enough hope for the future combined with doubt about the long term success (and loose ends).

The trilogy as a whole feels very well constructed. As I just said a lot of the pleasure in reading it comes from the unfolding story of what is really going on. There’s a constant stream of revelations, but each feels obvious in retrospect (this is a good thing) – you get there and it’s a sense of “oh of course that’s what those bits meant earlier”. I also liked the characters. The protagonists were interestingly flawed, and the mistakes and missteps they made felt like inevitable consequences of the sort of person they were & the situations they were in. The antagonist is actually mostly the world/society itself but we do get to see something of the man who conceived of it and set it up – and I did get the sense that if he was telling the story then he’d be the hero of it, if you see what I mean. He’d feel he’d made difficult choices and sacrifices for the greater good – it’s just that from our perspective both his intentions and his methods are very much not good.

Overall I’d say it’s a good trilogy, and I’d recommend it. But I don’t think I’ll be re-reading them because most of the draw for me was finding out what was going on.

A Very British Murder with Lucy Worsley

A Very British Murder with Lucy Worsley was a three part series about the peculiar relationship of Victorian & Edwardian Britain with murder. It was half about the real life crimes that shocked (and enthralled) the nation during the era – including such notable villains as Jack the Ripper and Dr Crippen as well as others I’d not heard of before. This strand of the programme also looked at the changing face of crime detection and reporting during this era – the very idea of police detectives was come up with in Victorian times. The British fascination with murders also got a boost from cheapening newspapers and rising literacy.

Worsley was also talking about fictional murders – and the blurry line between dramatised stories of real life crimes and purely fictional crimes. Particularly in Victorian times an especially juicy story might get turned into the plot of a melodrama or for a travelling puppet theatre show. People would also write in to New Scotland Yard with their own ideas for how to solve high profile unsolved murders – and Worsley tied this to the beginning of the detective novel.

Purely fictional murder sensational novels and detective stories rose in popularity through Victorian and Edwardian times, reaching their highpoint with the Golden Age of detective fiction between the two world wars. This is the time of Agatha Christie, Dorothy L. Sayers etc and in their fiction murder has become very sanitised, and detection a parlour game. Figuring out “whodunnit” before you got to the reveal at the end of the book had much the same appeal as doing a crossword, and those were also rising in popularity at the time.

This was a TV series with a sense of fun – Worsley dressed up in period costume, and acted out snippets of melodramas and so on as they fitted into the story she was telling us. Including a bit of the transformation scene from the stage production of Jekyll & Hyde!

Other TV watched this week:

Episode 2 of Mud, Sweat and Tractors – series about the history of farming in 20th Century Britain.

Episode 1 of The Crusades – series presented by Thomas Asbridge about the Crusades.

Episode 1 of Fossil Wonderlands: Nature’s Hidden Treasures – Richard Fortey looking at three fossil sites that changed our idea of the past.

Martin Amis’ England – a one-off programme featuring Martin Amis talking about what he thinks it is to be English and about modern society. The BBC blurb for it sounds a lot more negative than I thought it actually was.

Hidden Histories: WW1’s Forgotten Photographs – one-off programme about the photographs taken by ordinary soldiers during WWI. Particularly featuring two photographers, one German and one British, whose descendants met up as part of the programme.