Tag: Wood, Michael

Shakespeare’s Mother: The Secret Life of a Tudor Woman

Shakespeare’s Mother: The Secret Life of a Tudor Woman was partly a biography of a specific woman – Mary Arden, the mother of William Shakespeare. But there’s not really enough surviving detail about her life to get the full picture from, so the gaps were filled in with more general information about the sorts of lives women (and men) of the time lead. The presenter, Michael Wood, did a good job of stitching the two sorts of information into a coherent whole, so it didn’t feel disjointed or patchy.

Mary Arden is an interesting person to look at the life of, not just because of whose mother she is, but also because of when she lived and what sort of person she was. She lived through a time of great change – she was born around 1537 near the start of the English Reformation, and died in James VI & I’s reign having lived through the whole of the Tudor changes of religion. It’s easy to forget that these changes all took place within a lifetime. Her personal situation also changed a lot over this time, showcasing some of the increased social mobility of the era.

Mary was born the youngest daughter of a relatively well-to-do husbandman, and had seven older sisters. Her family were part of the local gentry so in marrying her John Shakespeare was moving up the social scale. John & Mary Shakespeare were a part of the growing middle class in England. John was primarily a glover, but also involved in other trades. They marry in the 1550s, and begin having children – Mary was to bear eight children in all, of whom 5 survived to adulthood. William was her third child, the first son and the first to survive infancy. The programme used this as a hook to explore the dangers of childbirth in this period for both mother & offspring, and infant mortality (and the effect it would have on the parents).

John and Mary rose in the world both socially and financially during the early years of William’s life. John is a respected member of the Corporation of Stratford upon Avon and eventually even becomes Mayor of the town. They owned land both in the town and outside – Mary had inherited her father’s land when he died. Which is particularly interesting as she was the youngest daughter – perhaps she was his favourite? Perhaps she was the best at the financial management necessary to run the farm? John Shakespeare was also involved in less respectable financial trading. He leant money at interest (strictly forbidden by the church), and also got involved in the illegal wool trade. This was a very lucrative business – all wool trading was supposed to be done through Crown approved channels at Crown approved prices, and paying duty on the trade. So there was money to be made by a middleman who avoided the official routes. Michael Wood speculated that Mary was also involved in the trading – in part because as the person who would be at the house most of the time she’d be the obvious point of contact. And in part because there are indications she was good at financial management.

The wool trading was to be the Shakespeare family’s downfall. There was a clampdown on this illegal activity, and John Shakespeare was one of those who was caught. The family were financially ruined, and spent several years living in fear of their debts being called in. John stopped attending church or the meetings of the town corporation, because those were places where his creditors might find him to demand their money. This, of course, had social consequences for the family. They also had to sell off land to pay back the debts that were called in, and even take young William out of school. The family’s fortunes only turned around after William had moved to London and begun to make a name for himself (and money!) as a playwright and actor. Once he had money he provided for his parents and so Mary lived on into a comfortable old age.

I was mostly interested in the tidbits of information about Mary herself so that’s what I’ve discussed most in this blog post, but the programme also did a good job of covering the social situation & changes of the time. For instance it looked at what the religious and social changes actually meant to the ordinary person of the time. And at some issues specific to women – childbirth in particular as I mentioned. Also how women lived in general – housework, household management etc.

Vikings Live

Last Thursday we went out to the cinema to see a live broadcast from the current British Museum exhibition about the Vikings (which I’ve already written about here). Cineworld Ipswich sadly managed not to switch the screen on in time for the start of the broadcast, but we only missed the first few minutes. The format of the live part of the show was Bettany Hughes and Michael Wood looking at various of the items on display in the exhibition and talking to experts about them (including Gareth Williams, the curator of the exhibition). There were also a couple of segments of chat with the director of the British Museum, Neil MacGregor, about the exhibition and the objects. These live sections were interspersed with pre-recorded stuff – presumably partly to allow presenters and camera crews time to reorganise themselves for the next bit!

It was an interesting counterpoint to the exhibition itself. I felt the exhibition emphasised the non-raiding, non-marauding parts of the Viking story, and was trying to position them more as traders and colonisers. Whereas the broadcast wholeheartedly embraced the raiding and warlike side of the Vikings, while also pointing out their softer, more civilised side (sometimes). It also had more of a sense of fun to it than the exhibition itself – perhaps just because it’s easier to convey that enthusiasm in person than in a museum label.

Each segment of the broadcast was introduced with a dramatic declamation of (translated) Viking poetry, by a man dressed up as a Viking, followed by a burst of fire revealing the title (like “War” or “Raiding” or “Women”). Obviously these were part of the pre-recorded stuff, I thought they were rather well done. We also got to see the exhibition curator dressed up as a Viking warrior – apparently he does re-enactment as well as museum curation! He was particularly enthusiastic at showing Michael Wood how you could use a long knife from below a shield wall to gut your enemies … And the show piece at the end of the broadcast was some footage of a (re-enacted) Viking ship burial, which I think for me suffered from the amount they’d been hyping that in advance – sadly not quite as spectacular a I was expecting.

As well as all that sort of thing we also got treated to a much closer look at some of the artifacts than was possible in the exhibition itself. In the case of many of the smaller pieces (like the little ship brooch that opens the exhibition) this meant we got to see them at many many times life size and so could really see the detail. One thing that struck me in all the explanations of the objects was that a lot of them have been relatively recently discovered. The ship burial that they had from Scotland, for instance, hadn’t been completely conserved yet (making it incredibly fragile and difficult to display). And there was a tiny silver figurine of a female warrior(? valkyrie?) with a sword that had only been dug up last year!

It’s cool that the British Museum are doing this sort of thing. I think as a broadcast it would work whether or not you had a chance to see the exhibition in person. I’m glad we went to see it, and I think it’s a shame we somehow didn’t go to the Pompeii Live one last year – I’ll definitely keep an eye out for these sorts of tie-in broadcasts in future.

This Week’s TV Including Anglo-Saxons, Jewish History, Dogs & the A303

King Alfred and the Anglo-Saxons

The last episode of Michael Wood’s series about King Alfred & his descendants was about Æthelstan. He was the only of King Alfred’s grandsons to be born while Alfred was still alive, and was the son of Edward who was King of Wessex after Alfred. Yet his ascension to the throne was still controversial. Edward had 14 children, by three different women – two of whom were crowned Queen (consecutively, I imagine, but Wood didn’t say). Æthelstan’s mother wasn’t one of these more important wives, and so Edward’s designated heir was one of his younger sons. However Æthelstan believed himself to’ve been chosen by Alfred (having met the man, and been “knighted” by him). He was brought up in Mercia by his aunt Æthelflæd, the Lady of Mercia, and after Edward’s death he lost no time in taking control of first Mercia and then Wessex. He was crowned in Kingston on the border of the two countries. He didn’t stop there, either – he was the first King of all the English, fulfilling Alfred’s dream. He claimed overlordship of the King of Scotland and the Kings of the Welsh too, although that may’ve looked different from the perspective of those countries than it was represented by Æthelstan in his charters etc 😉 He was a King in his grandfather’s mould – both warrior & learned. He too looked to Rome for a certain degree of legitimacy, and was well read in religious texts. He had no children, Wood suggested that this might’ve been as the result of negotiation with one of his brothers – that Æthelstan would rule, but his brother’s children would inherit.

I enjoyed this series 🙂 One thing I particularly liked which I’ve not mentioned so far is that there was a lot of reading from the original texts in Anglo-Saxon (with subtitles, obviously). I like the way the language sounds, alien yet just on the edge of familiarity.

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The Story of the Jews

In this episode of Simon Schama’s Story of the Jews he discussed the Jews of Eastern Europe & their impact on the world. Schama’s mother’s family were Lithuanian Jews so this was personal history for him. A lot of Jews had moved to Poland during the period where that kingdom was one of the more tolerant places on the continent. After Poland was partitioned between Prussia, Austria & Russia at the end of the 18th Century it became less welcoming to Jews, but many still lived there (of course) – mostly restricted to an area known as the Pale of Settlement. Schama described how finding joy in the harsh environment of the Pale lead to the development of Hasidic Judaism – an ecstatic & less rigid form of the religion than more orthodox traditions.

The harsh conditions, and increasing pogroms, lead to many Jews emigrating from the Pale to the USA – seen by many as a promised land where they could be people rather than outsiders. There they had a large impact on US culture. Schama talked about the lower East Side of New York where many of these emigrants lived, and he talked about the many song-writers who came from that area and wrote some of the memorable songs of early 20th Century US music. Names like Gershwin and Harburg, songs like “Over the Rainbow”, and “Brother, Can You Spare a Dime?”.

The programme was bookended by the Holocaust, so despite the moments of beauty & joy in the middle it was still a sobering piece of viewing.

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The Wonder of Dogs

Having finished off several series recently we started up a new one. When I’d spotted The Wonder of Dogs in the listings we’d not been quite sure about it, so we started watching it soon after recording so that we could cancel it if we wanted to. No need to worry tho, this first episode was entertaining & interesting. In the series Kate Humble, Steve Leonard & Ruth Goodman are talking about all things canine – they are based in a village in England and are using the dogs of the village to illustrate many different aspects of canine biology & history, and also talking to various experts. So in this programme they were mostly looking at the astonishing variety of dogs.. Goodman looked at the history of a few of the different breeds – like chihuahuas, greyhounds and bulldogs. Up until Victorian times dog breeds weren’t really formalised, there were different sorts of dogs for different sorts of jobs (or fashion accessories) but there weren’t defined types. They also looked at the underlying biology of the dog – how the bone structure is always the same, just different in scale or precise configuration. Humble talked to an genetic expert who said that all the variety in modern dogs is down to just 50 or so genes, and that the rest of the dog genome is the same as their wild grey wolf ancestors. Quite a lot of “look at the cute dog” to the programme, but some interesting facts in there too 🙂

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A303: Highway to the Sun

This programme was a one-off that we’ve had sitting on the PVR for months & months and never quite got round to watching. I’m not sure it was quite what I was expecting, but this was rather fun 🙂 Tom Fort (who I’d not heard of before) drove a Morris Minor Traveller along the A303 from start to end, stopping at places with historical significance and covering approximately 5000 years of the history of England. So we had the Amesbury Man for prehistoric stuff as well as Stonehenge, we had some stuff about the Romans where the road runs along the old Roman road, we had some stuff about Alfred (someone’s 18th Century folly on the site of a battle of Alfred’s), and more modern stuff like toll roads and even the many many attempts to shift the position of the A303 away from Stonehenge (which have all failed so far). Fort also met a variety of interesting people … including a man who uses the A303 as the perfect place to collect roadkill for his dinner.

Fun, and worth watching 🙂

This Week’s TV including Cute Fluffy Animals, Roman Women, an Anglo Saxon Queen and Jewish History

The Burrowers: Animals Underground

The second episode of The Burrowers continued with the three main species they were looking at in the artifical burrows – with a main theme of “leaving the nest for the first time”. The rabbit babies had their first trip outside, the water voles got over their dislike of each other & had some babies who then visited the outside, and the badger orphans bonded into a group and took their first trip out.

As well as this they showed us what an actual wild rabbit burrow looks like – by pouring concrete down an abandoned one and then excavating it (which presumably actually happened before they built their artificial one). And Packham also told us about moles. I hadn’t previously realised that moles keep larders of zombie worms. When they catch a worm first they squeeze the dirt out, then they bite the head off and in the process they inject it with their venomous saliva which paralyses the worm. And then they put the still living, paralysed, headless worm in a larder where it stays fresh until they want a meal. o.O

The third episode was set in summer and was mostly wrapping up & talking about what the future holds for the various creatures. The rabbits by this stage had had three litters each – as soon as the female finished giving birth each time the dominant male mated with her. Thus ensuring that all the baby rabbits came out of the nest in waves (presumably there’s some initial way they set up the synchronisation for the first litter) to overwhelm the predators. Only one in ten rabbits normally survives to the age of 1 due to predation, which frankly is just as well given 10 rabbits turned into over 50 in just a few months. They didn’t say on the programme, but that behaviour also means non-dominant males don’t get much of a window of opportunity to impregnate the females. Most of these rabbits were apparently going back to the breeders, but some were staying for future study.

The water voles managed to have another litter as well – almost despite themselves as the breeding pair still didn’t seem to get along peacefully. They’re all being released into the wild in Scotland somewhere as part of a regeneration programme. And the badgers are also being released into the wild. They actually moved out of the pre-prepared sett and started digging their own in their enclosure. The researchers had been testing their response to badger calls by playing sounds in their sett, and they’d provided extra bedding while the badgers were away. So I reckon the badgers moved out coz they thought the old sett was haunted 😉 Noises in the darkness where there were no badgers, randomly appearing plants in rooms you didn’t leave anything in … who’d want to live somewhere like that? 😉

A fun series, although to be honest not much of note beyond “aww, look at the cute fluffy animals”.

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Mothers, Murderers and Mistresses: Empresses of Ancient Rome

The last episode of Catharine Edward’s series about powerful Roman women covered more ground & more women than the first two. The themes linking them together (other than “these are the rest of them”) were that these women were generally outsiders to the aristocratic Roman culture that the women of the first two episodes came from, and they mostly wielded their power more overtly. Edwards started by telling us about Caenis, who had been a slave to a member of the Imperial family (Antonia, mother of Claudius). Caenis had had an affair with Vespasian long before he was Emperor (and when she was still a slave). She was given her freedom, and after Vespasian’s wife died the two resumed their relationship – however her low social status meant that he could not marry her. Once he became Emperor she continued to live as his wife in all but name, and exerted quite a lot of influence over him including some degree of control over access to him. Next up was Berenice who provides an object lesson in how Roman Emperors weren’t as all powerful as they might hope. The Emperor Titus (son of Vespasian) had formed a relationship with the Jewish Queen, Berenice, while he father was still alive. Once he became Emperor he was forced to bow to public pressure & to set her aside – she was too old (i.e. past child-bearing age) and too foreign.

The next three women were all foreigners, and all related. The wife of the Emperor Septimus Severus was a Syrian woman called Julia Domna. She wielded power alongside her husband much more openly than previous Empresses, and was popular & respected when doing so. After Septimus’s death their son’s inherited jointly, which ended badly as one might imagine. Despite never forgiving her older son for murdering his younger brother she still helped to run the empire, and was grief-stricken at his death (although mostly because she wouldn’t have power any more after that). The next two Emperors were both put on the throne by female relatives of Julia Domna. Sadly the first of these teenage boys was utterly useless as Emperor, and despite the best efforts of his mother Julia Soaemias to rule through him he was overthrown by his aunt Julia Avita and her son Alexander. Alexander might’ve made it as a decent Emperor, but his mother forgot the cardinal rule of keeping the army onside and got stingy with their pay – with the obvious result.

Last of the powerful Roman women was Helena, who can’t really be missed out – mother of Constantine and discoverer of the True Cross (amongst other pious things). Edwards credited her as a major influence on Constantine’s move towards Christianity, and of his changing imperial policy to make the Empire Christian.

A good series, Edwards managed to make it both informative & fun. We did at times wonder how the Roman Empire had got anything done or lasted as long as it did – so many of the Emperors seemed useless or overly concerned with their own debaucheries at the expense of the Empire.

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King Alfred & the Anglo-Saxons

The second episode of Michael Wood’s series about the Anglo-Saxons was mostly about Æthelflæd, the daughter of Alfred the Great. Alfred was succeeded by his son Edward in Wessex, and his daughter Æthelflæd was married to the King of the Mercians. The main political crisis of the time was caused by Alfred naming Edward his heir. Alfred had succeeded his elder brother and re-taken Wessex from the Viking’s who’d killed his brother. His nephew Æthelwold had in many ways a better claim to the throne than Edward, but was cut out of the succession by Alfred. So once Alfred died Æthelwold rose up in rebellion, with the help of the Vikings who still ruled East Anglia & Northumbria. He was eventually beaten back by an alliance of Wessex & Mercia led by Edward & Æthelflæd.

Æthelflæd is known as the Lady of the Mercians, and after her husband’s death she ruled on her own. Unusually for the time there is documentary evidence for her power & rule – the “official” record of the Anglo-Saxon Chronicle doesn’t refer to her much, but there is a chronicle written detailing the same events from her perspective (in the sense of she’s the main figure of the chronicle not in the sense of a first person account). She is recorded as acting as a King – she leads armies, she plans military campaigns, she acts as a diplomat. Wood tells us that without Æthelflæd & her leadership of Mercia there would not have been England as we know it. Æthelflæd was even succeeded by her daughter, the only time this has happened in English history, but she was removed from power by her uncle (King Edward of Wessex) and he ruled Mercia as King of the Anglo-Saxons.

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The Story of the Jews

The third episode of Simon Schama’s series The Story of the Jews covered the promise of integration of the early Englightenment, and the subsequent dashing of those hopes with the rise of a particularly anti-Semitic form of nationalism. At the start of the Enlightenment a spirit of toleration was growing – that put forward the idea that a Jew could be a person who just happened to follow the Judaic religion and should be treated like any other person. Many Jewish families in Germany & France began to integrate into the culture of the country they lived in, becoming members of society & even notable members of high society. Moses Mendelssohn was one of the first examples of this. Although some of his descendants (like Felix Mendelssohn the composer) were baptised, other families like the Beer family remained true to their Jewish religion & heritage. One of the prominent members of the Beer family was Giacomo Meyerbeer (who started life in Berlin as Jacob Beer, changing his name when he moved to Italy) who was a very popular composer of operas in Paris. He was an early patron of Wagner’s – encouraging him and providing him with opportunities to stage his own operas. Schama had other examples, including banking families & others – the common thread was that they generally thought of themselves as German or French or whatever people who happened to be Jewish, rather than Jews who happened to be living in whatever country it might be.

Sadly this promising mood of integration & an end to prejudice against the Jews didn’t last. Wagner as mentioned above might’ve had a Jewish patron initially, but he published anti-Semitic rants against Meyerbeer late. He took the stance that “true art” had much to do with nationalism and roots in a country and that Jews by definition could not be a part of that and so could not produce any real art – which frankly is wrong on so many levels it’s hard to know where to start to shake one’s head at it. This nationalistic stance was common in the late 19th Century, and incidents like the disgrace of Alfred Dreyfus, a French Jew in the French Army, for allegedly passing state secrets to the Germans hardened this anti-Semitism. The propaganda was that Jews could only be loyal to each other first, and their “adopted” countries second … along with the usual collection of prejudices dating back medieval times. And the rising anti-Semitism lead to a change in Jewish attitudes too and the rise of Zionism. Instead of integration into other countries & cultures many Jews now wanted their own country where they were already the culture.

The programme ended where one would expect – with the rise of the Nazis in Germany, as the extreme towards which that anti-Semitic strain of nationalism was tending. A sombre end to a period which had begun with such hope.

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This Week’s TV Including Tigers, Jewish History, the Indian Ocean & King Alfred

Tiger: Spy in the Jungle

Having been to the zoo last week & seen the tigers there, we decided to watch the series about tigers narrated by David Attenborough that we’d recently been recording. It’s a relatively old series (2008), but we hadn’t seen it before. The tigers in a national park in India have been filmed using cameras carried by elephants, or motion-sensing cameras left at spots the tigers frequent. As the tigers aren’t bothered about having elephants around (even ones with cameras & people sitting on top of them) this allowed the programme makers to film the tigers’ natural behaviour.

The three programmes followed a litter of tigers cubs from a few weeks old through to maturity. So it started with four cute fluffy little tiger kittens plus mother, and went through to having a pack of five tigers wandering about (just before the family split up). And lots of footage of young tigers failing to hunt in a variety of amusing ways. Also some footage of the other animals they shared the national park with (and not just their prey animals) – including a selection of monkeys, some jackals, leopards, and peacocks.

A good series 🙂 Although I did find it a bit annoying that the narration constantly said things like “The elephants decide to move on”, because I’m sure it was the mahouts who decided to move on …

The Story of the Jews

This is a new series, presented by Simon Schama, about the history of the Jews. He’s positioning it very much as his way of telling the story of the Jews, rather than a definitive “one true history”. In the intro to the first episode he talks about how Jews are spread through the world and don’t share a common culture, or language, or skin colour, or even common beliefs – but what they have in common is the shared story of their heritage, and the words of their bible.

The bulk of the episode covered the history of the Jews from when they arose as a religion/tribal group through to the destruction of Jerusalem in 70 AD. Firstly he covered some of the biblical stories that are possibly more metaphorical than actual – ie the Exodus with Moses (although there is no archaeological evidence for any of that story), which is still an integral part of the Jewish ritual calendar. And also the fight between David & Goliath, which is probably a story personalising a much longer lasting border conflict between the Jews & the Philistines. He visited a site which has some of the earliest archaeological evidence for Jews following Jewish practice – a fort on the border between Israel & the Philistines where there is evidence that the population didn’t eat pigs (lots of other butchered animal bones, no pig bones), and that their temple had some similar features to later Jewish temples.

Moving on to more solidly historical events he talked about the exile in Babylon and how that shaped the cultural identity of the Jews. While the elite of their society were in Babylon they spent time editing & refining the words of the Jewish Bible into what they considered the definitive version. So on return to Jerusalem those who’d remained behind had to be dragged up to the right standard (presumably much to their dismay). Schama also told us about the Jews who’d fled back into Egypt, to Elephantine Island, when the Babylonians had conquered Jerusalem. Their faith & practice had begun to take a different course, much to the disgust of the new purists in Jerusalem. Including setting up a Temple where they performed animal sacrifice in their town, which was against the rules (the only Temple in which animal sacrifice was permitted was the one in Jerusalem). But this offshoot didn’t flourish – disputes with the other non-Jewish inhabitants of the town resulted in the destruction of their Temple, which removed their local focus of worship.

As obviously this is about the Jews he skipped over Jesus with a mere mention, spending more time talking about Herod and dwelling on the mystics who lived near the Dead Sea (and wrote the Dead Sea Scrolls that are visions of the apocalypse they believed was coming). And Schama finished up by talking about the ill-fated Jewish rebellion against the Romans that led to the destruction of the Temple. He mentioned he’d been brought up to regard the historian Josephus as a traitor to his people, and that attitude was still very clear 😉

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Indian Ocean with Simon Reeve

The fifth episode of Simon Reeve’s series about the Indian Ocean took us from Sri Lanka to Bangladesh & was quite thoroughly depressing. In Sri Lanka the focus was on the aftermath of the civil war with children in the north of the island being taught how to identify mines & shells and what to do (Don’t Touch, Find an Adult). And in the capital Reeve talked to a man who runs a newspaper that is critical of the government. His brother (and co-owner) was murdered, equipment has been destroyed and current staff get death threats – the government does not like being criticised.

In India & Bangladesh he looked at the destruction caused by the demand for prawns. He went out on a trawler with some fishermen dredging for prawns, and it was shocking how little they caught in their nets. Dredging for prawns results in a lot of fish being killed because they’re not wanted. Reeve then visited prawn farms in Bangladesh … great idea, right? Unfortunately, no. To farm prawns you flood your land with sea water & then it’s contaminated with salt so you can’t ever move back to growing rice, fruit & veg. The water also contaminates your drinking water supplies, and your neighbours’ land. So a whole area will end up farming prawns as the only thing their land will support and having to buy all their food & water.

And lastly container ship recycling takes place in Bangladesh – another great idea in theory that kinda fails in execution. The workers who break down the ships are not safe – 8 die a month, many more are injured. And the oil & other waste products contaminate the ocean.

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King Alfred & the Anglo-Saxons

We also started watching a recent series presented by Michael Wood about the Anglo-Saxons. He is setting forth the idea that three of the most influential kings of England were Anglo-Saxon – King Alfred & his successors. The first episode covered King Alfred’s reign. Alfred wasn’t originally going to be a King – he was a younger son of the King of Wessex (one of the four Anglo-Saxon kingdoms in 9th Century). While he was a young man, and his brother was King, the Vikings conquered all the Anglo-Saxon kingdoms. Alfred’s brother was killed, and Alfred himself fled into the marshes of Somerset. Here he re-grouped over the next few years, and gathered warriors – he then pushed the Vikings back from Wessex & Mercia. He was referred to as the King of all the English kin, but by the end of his life the Vikings still ruled in Northumbria & East Anglia.

The programme didn’t just follow the military side of his life (via the records in the Anglo-Saxon chronicle), but also looked at the ways that he was a good peacetime King. He reformed the economy, and the coins that were minted after he re-took the two kingdoms were much higher quality than previous. He also laid the foundations of south & west England’s towns & cities – many burgs were founded during his reign. These were partly military garrisons to stand ready against any future Viking incursions, but they also became the economic centres of their areas (because they were safer places to conduct your business). One of these burgs was London – it already existed, obviously, but there are references to Alfred re-laying out the streets, or re-founding it (the Anglo-Saxon word is hard to translate).

Alfred was also involved in the translation of “all the important books that a man should read” into Anglo-Saxon – mostly religious texts & commentaries. He was keen to return the country to a state of wisdom & learning, like he believed it had been before the Vikings came. And because the education of people had been interrupted by the decades of war he thought that the books should be translated from Latin into a language they understood.

I already had an idea of the rough outline of Alfred’s story, but the next couple of programmes cover people I don’t have even that much knowledge of, which will be interesting 🙂

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Time Team: The Hollow Way; Michael Wood on Beowulf

We decided to watch a couple of programmes that we’ve had on our PVR for 3 or 4 years and somehow never got round to actually watching before. First was an episode of Time Team about a medieval village that used to exist around a farmhouse at Ulnaby, County Durham. Obviously being Time Team they only had 3 days to do a fairly superficial excavation of a handful of areas around the site. But what they did manage to discover was that the peak of the occupation seemed to be around the 13th to 14th Centuries – finding pottery & house walls, and also references in documents. The original assumption had been that it had been deserted in the Black Death (1348) or as land use throughout the country was re-organised in the 15th Century with many villages evicted. However their digging found evidence of occupation up to the 17th Century (lots of tobacco pipes) and there was also documentary evidence for the village up till then as well (names of people pardoned for being involved in the Rising of the North in 1569 (by supporters of Mary Queen of Scots against Elizabeth I). So their conclusion was that it had petered out gradually around & after that time.

And not really much else to say about it – Time Team tends to be fairly superficial, but it’s normally fun to watch.

Another programme we’d had sitting around for a while was Michael Wood on Beowulf. This was partly a retelling of the Beowulf story and partly about the poem & the world the poem was written for. The retelling part of the programme featured Julian Glover reciting/acting a modern English translation of the poem to an audience of Anglo-Saxon re-enactors in Kent who were all dressed up in their reconstruction royal hall, and had just had a feast. So that was very much “as it would’ve been” (except cleaner, lighter, politer & less drunk, I expect! 😉 ).

For the parts of the programme about the world of the Anglo-Saxons & the origins of the poem Wood spent a lot of time in East Anglia, where the earliest Anglo-Saxon kingdoms in England were. As he said, the Anglo-Saxon presence here was an immigrant one, and the poem looks back to their ancestral homelands in Denmark & Sweden. He compared it to tales of “the Old Country” told by Irish-Americans or Italian-Americans these days. He visited Sutton Hoo (of course) and talked about how there are ship burials in the poem and that’s what was famously discovered at Sutton Hoo. The King who was buried there was probably Rædwald who was not just a local King but was overlord of all the Anglo-Saxon kingdoms in Britain. And he & his lineage (and subjects) were probably the target audience for the original incarnation of the poem. Wood told us that there are references to ancestors of Rædwald at various points in the poem, so it seems likely the original poet was well informed about Rædwald’s genealogy (and wanted to associate him with the heroes of old).

One of the things that is interesting about Beowulf in context is that the world it was composed for was a Christian world, but the world it was about was a pagan world. So the hero Beowulf & his companions are all presented as old pagan heroes, but there is some interestingly Christian imagery & crossover. For instance the monsters, Grendel & his mother, are referred to as the seed of Cain (so the descendants of Adam’s son Cain who kills his brother Abel). Wood visited Northumberland to talk about Bede’s Ecclesiastical History of the English People, which is a very Christian & Anglo-Saxon history. And also to tell us about The Dream of the Rood, which is an Anglo-Saxon poem which is overtly Christian & about a dream about talking to Christ on the Cross. It has a certain amount of pagan imagery, in a sort of mirroring of the Christian imagery in Beowulf. Wood was explaining this sort of cross fertilisation between the pagan & Christian worldviews as being part of the conversion of the Anglo-Saxons to Christianity and of fitting the new religion into their history.

So the programme has visited areas near where we currently live and areas near where J grew up, and in discussing the relationship of the Anglo-Saxons to the history of the world around them Wood visited Weyland’s Smithy which is in Oxfordshire which completed the set (as it’s an area near where I grew up). What Wood was talking about here was that the Anglo-Saxons knew they lived in an old world – they saw the Bronze Age monuments & burial mounds in the landscape & peopled them with gods & heroes. And it is this old world that Beowulf fits into & explains.

The poem was written down around 1000AD, but was probably composed some time earlier & passed down orally. Despite being an East Anglian work (probably) the version that’s survived is written in a West Saxon dialect, as part of a compilation of “texts about monsters”. Wood visited the British Library to see the original manuscript, which was damaged in a fire in the 18th Century and is very fragile.

A good programme, I’m glad we kept it. I do have one quibble about the filming of it – all the exterior shots were very heavily processed & vignetted. Sometimes that worked (particularly on shots of bleak fenland while Wood was telling parts of the Beowulf story), but often it felt overdone.