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The Making of the Modern Arab World: Episode 3

In the third episode of The Making of the Modern Arab World Tarek Osman looked at the rise of political Islam since the 1970s. He started by reminding us of the context for this, which he talked about more in the previous episode (post). As of about 1966 Nasser was both the leader of Egypt and the most prominent public face of Arab Nationalism. The state and politics were secular in nature, and to some degree so was the general population – women generally did not go veiled, for instance. Islamist groups like the Muslim Brotherhood were repressed, and their leaders and activists imprisoned, brutally treated, and potentially executed. The regime was also fairly left wing, and pro-Soviet. Then in 1967, with the defeat of the Arab armies by Israel, Arab Nationalism lost a lot of face. Nasser died in 1970 and his successor, Anwar Sadat, changed the focus of the state.

Sadat liked to see himself as “the pious President”, and took pains to present himself as a good Muslim. He backed off on the repression of Islamist groups, releasing many of their members from prison and permitting them to openly take jobs at universities. At the same time he was swinging the political compass of the regime towards the right, and towards the USA and capitalism. He also started to shrink the state involvement in the welfare of the poor. As the country embraced capitalism Sadat removed the subsidies that were artificially keeping the price of bread low – after riots from students and workers who could no longer afford food the subsidies were reinstated.

The Muslim Brotherhood and other Islamist groups took advantage of both the perceived corruption of the state, and the gap opening up in care for the poor. Islamist rhetoric held out the hope that if Islam was fully integrated into the state then politics would be more honest & less corrupt. There was also a prominent notion that the reason the war against Israel had failed was that the Arab states had turned away from religion and so God was no longer on their side. The Muslim Brotherhood were also involved in widespread charitable works – providing for the poor who were being failed by the state, which encouraged people to regard them as a viable alternative to the authoritarian state.

1979 was a year containing three events that were to lead to increased support for Islamist groups across the region. One of these was the revolution in Iran – this might’ve been Shia rather than Sunni but it was proof that an Islamist uprising could overthrow a secular state. Another was the signing of a treaty between Egypt and Israel, which was taken as evidence of the state’s corruption and decline. And thirdly the invasion of Afghanistan by the Soviets pitted Islamist forces (such as the Taliban) against the Soviets – by Cold War logic this meant that the US and other Western groups saw the Islamist groups as their potential allies, and hence worth funding and training.

Another growing influence on the Arab region was the Saudi Arabian regime. The balance of political and economic power was shifting away from places like Egypt and towards the oil countries. Many Egyptians and nationals of other countries went to work in Saudi Arabia, and many of them became more religious and more conservative under the influence of the culture they were now living in. When they returned to their native countries after several years they kept contact with people they knew in Saudi Arabia. Along with funding suitable Islamist groups this was a conduit for Saudi Arabian influence in the politics of countries like Egypt.

Osman talked about how over the next couple of decades (the 80s and the 90s) the Islamist groups were struggling against the “near enemy”, i.e. the regimes of their own states. After the end of the Soviet presence in Afghanistan at the end of the 80s many of the groups that had been involved in that jihad felt flush with success – they felt they had brought down the Soviet Union and the time was ripe for success in their own countries. This was not to be. A Muslim Brotherhood led uprising in Syria was brutally dealt with at the cost of hundreds of thousands of lives, and the breaking of the back of the Muslim Brotherhood organisation in that country. The Algerian civil war, sparked after the army overturned the election of an Islamist leader ended in defeat for the Islamist forces, after the loss of many lives. And in Egypt Mubarak had come to power after the assassination of Sadat by Islamist soldiers (in the early 80s), and brutally cracked down on Islamist groups. Violent protest was undertaken by extremist Islamist groups during the 80s and early 90s, but the Luxor Massacre in 1996 actually caused that to die down. Osman said that public opinion, and opinion of mainstream and even somewhat radical Islamist groups, was appalled and shaken by the massacre and the extremists who’d carried it out were denounced.

So towards the end of the 20th Century the radical Islamist groups were failing in their struggle at against the near enemy. Osman said that this is why their attention began to turn to the “far enemy”. The USA and other Western powers were involved in propping up the secular and authoritarian regimes that the Islamists were struggling against. So groups like Al Qaeda turned their attention outwards towards these foreign powers.

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Byzantium: A Tale of Three Cities; Shipwrecks: Britain’s Sunken History

Byzantium: A Tale of Three Cities was a series about the history of Byzantium aka Constantinople aka Istanbul presented by Simon Sebag Montefiore that we watched in December last year finishing just before Christmas. Montefiore seems to be specialising in serieses about holy cities – his previous ones have been about Jerusalem (which we watched before I started writing blog posts) and Rome (post).

Byzantium started out life as a strategically well placed Greek town at the eastern periphery of the Greek (and later the Roman) world. It rose to greater prominence as the centre of gravity of the Roman Empire shifted towards the east, and Constantine moved his capital there at the same time as establishing Christianity as the official religion of the Empire. The Greek pagan past was swept very much under the carpet as the newly renamed Constantinople was positioned as the Christian centre of a Christian Empire which it remained until 1453AD. Something easy to forget from the way the subject was taught to me as a child is that the Roman Empire continued in the East long after the fall of Rome – seamlessly becoming what we now call the Byzantine Empire. Montefiore talked about how Constantinople came to be regarded as associated with and under the protection of the Virgin Mary, one-upping in their minds the association of Rome with St. Peter. And he finished up the first episode with a discussion of the rising tensions between the Western Church and the Orthodox of Constantinople, culminating in the excommunication of the Patriarch by the Pope and the Great Schism.

The second episode covered the period between the Great Schism in 1054AD, and the fall of Constantinople to the Ottoman Turks in 1453AD. This is a period characterised by decline from former glories, punctuated brutally by the 4th Crusade. The Crusades started off because of the worries of the Byzantine Empire over the rise of Islam and how this new faith had conquered vast swathes of territory, including the Holy Land, and were now eyeing up Byzantine lands. They invited the Western Christians to lend their military might to hold off the Muslims, but this was an uneasy alliance. With the added political differences between Constantinople and Venice (supplier of ships for the 4th Crusade) the unease spilt over into outright violence and Constantinople was sacked by the Crusaders. Montefiore had a bit of an air here of an outsider handing out the popcorn while he was discussing the lead up to this disaster, but he sobered up for the discussion of the atrocities afterwards. The programme ended with the final fall of a weakened Constantinople to the Ottomans, after they’d taken over all the surrounding territory.

The third episode covered the whole of the Ottoman Empire’s time in the sun. This was a second golden age for the city, now known as Istanbul – once again the centre of a large secular Empire it also became the centre of another religion. The Ottoman Sultans moved the seat of the Caliphate to Istanbul, and discovered (or moved in some cases) relics of the Prophet Muhammed and those close to him in the city. Montefiore dwelt on different aspects of the Ottomans to the series we watched earlier in the year (post). He didn’t gloss over the institutionalised fratricide of the Sultans as much, and he told us about some of the less successful holders of the title whose incompetance or brutality also shaped the city. He also spent a bit of time telling us about how the Jews were welcomed into the Ottoman Empire after their expulsion from Western Europe. This episode ended with a discussion of Attaturk and the new secular Turkey after the end of the Ottoman Empire.

As always with Montefiore’s serieses I I liked the cinematography as well as being interested in the subject matter. There’s a visual style to the programmes that I like, though I’d be hard pushed to describe it or distinguish it from other things – but that’s me lacking the vocab and knowledge, I think 😉

The other series we finished off over the last few weeks was Sam Willis’s series about Shipwrecks: Britain’s Sunken History . This was a three part series that looked at shipwrecks around the British coast or involving British ships since Tudor times, with the main focus being on the 18th and 19th Centuries. The format was part telling the stories of individual disasters, and part drawing out what effects these disasters have had on British culture and British history. Willis did a good job of making the shipwrecks sound every bit as hideously dreadful as they must’ve been, whilst not overdoing it. And there were lots of interesting tidbits of history – like in the last episode he told us about the first weather forecasting system, the first life jackets, the fight Plimsoll had to undertake to get overloading of merchant ships regulated and several more. An interesting series, worth watching.

Other TV watched over the last couple of weeks:

Calf’s Head and Coffee: The Golden Age of English Food. Disappointing programme about Restoration era English food that couldn’t work out if it was about the history or about the food, and ended up falling short with both aspects.

Planet Ant: Life Inside the Colony – a bit like the series The Burrowers that we watched a while ago (post) but about leafcutter ants not cute fluffy bunnies etc. An ants nest was reconstructed in a lab and science is being done on it (and we got told how the nest worked and about the ants biology etc).

BBC 4 Sessions: The Christmas Session – recorded for Christmas 2011 I think, this featured various folk artists including the Unthanks and was a lot of fun. We watched it on Christmas Day.

Egypt’s Golden Empire – a three part series on one of the Sky documentary channels that we watched at J’s parents’ house. I confess I wasn’t always paying that much attention, but what I did watch seemed like a rather good and thorough overview of the New Kingdom period of Ancient Egypt.

Charlie Brooker’s 2013 Wipe – round up of the big events of 2013 presented by Charlie Brooker (and segments from others, which I felt worked less well).

Jool’s Annual Hootenanny – music and chat from Jools Holland and his guests (and audience). It’s our tradition for welcoming in the New Year when we’re at home – Jools on the telly and whisky to drink. Not the best one there’s ever been, but we still had fun heckling.

2013: Moments in Time – another roundup of 2013, this time of the main news stories of the year shown through the photos that illustrated them. And some discussion of the changing nature of these photos (and the rise of social media’s importance in news).

Episode 1 of Rise of the Continents – series about the geology of the continents and how that’s shaped them and their wildlife (and us) presented by Iain Stewart. This episode was about Africa.

Episode 4 of Tudor Monastery Farm – part re-enactment, part documentary about what life would be like living on and running a farm in 1500.

The Everlasting Flame: Zoroastrianism in History and Imagination (Exhibition at SOAS)

The Brunei Gallery at SOAS housed an exhibition on Zoroastrianism for a couple of months this year (now finished) called The Everlasting Flame: Zoroastrianism in History and Imagination. We managed to fit in a trip at the end of November, a week or two after our visit to the mini-exhibition at the British Museum on a similar theme (post). Sadly no photography permitted but we went to the British Museum briefly afterwards, and I took couple photos of related objects (some of which had replicas in the exhibition) to illustrate this post.

The exhibition started by setting the scene of the various cultures present in the Middle East in the first millennium BC when Zoroastrianism got going. They didn’t just have objects from Iran, but also from other cultures across the region – including an example of the Luristan bronzes. I’d not particularly noticed these before (there are a selection in the British Museum, see below for a badly lit example), but they caught my eye this time. The exhibition was saying that these cultures were replaced by Indo-Aryans migrating from the steppes to the north, and Zoroastrianism was brought by these peoples or developed by them. I think this is based primarily on the language used to write the Zoroastrian scriptures. This is called Avestan and is only known from being written down many centuries later by Zoroastrians. The scriptures themselves are collectively called the Avesta.

The next room of the exhibition was a circular space with verses from the Gathas, a key Zoroastrian text which is traditionally believed to be Zarathustra’s own words, on the walls in Avestan and translated into English. This was complemented by audio of these verses being read out. From there the exhibition moved to a very brief description of some of the key principles of Zoroastrianism, for instance the division of the world into 7 classes of things (like fire, water etc), and there were several Zoroastrian texts displayed. I read none of the scripts that these books were written in, let alone the languages, so this section felt rather heavy on texts with too little explanation. Some parts that stick in my mind, however, were firstly the way that the annotations for the rituals would be written in a different writing system to the main text – and upside down. Avestan is written right to left, and the Gujarati annotations are written left to right – so if they’re upside down then they run right to left just like the main text. Also written upside down wherever it occurred was the name of the evil principle, Ahriman. As well as the texts there were illustrations of the Zoroastrian funeral arrangements in this section – because the elements of the world are holy they should not be polluted by the dead body. This means that cremation and burial weren’t regarded as viable ways of dealing with the body (although these days they may be). Instead the bodies are exposed to vultures (sometimes in circular towers known as dhakma) – modern changes in tradition are in part due to a decline in vulture population.

The next section of the exhibition looked at the spread of Zoroastrianism along the Silk Road through Central Asia to China. The objects here consisted of more texts (some of them some of the earliest extant Zoroastrian texts dating from the 9th Century BC) and some ossuaries. The other side of this room showed representations of Zoroastrianism in the Christian world. Not just the Three Wise Men but also Zarathustra shows up in medieval texts as an ancient philosopher and magician – the very word “magic” derives from the Zoroastrian word for priest (Magus). A prime example of how things get garbled as they travel between cultures.

Downstairs the centre piece of the exhibition was a replica Fire Temple. Non-Zoroastrians aren’t permitted in real Fire Temples so this is really the only way to see what one is like. As well as an impression of the building they had a (fake) fire in a ritual cauldron and examples of many of the implements used during rituals. There was a video of a priest and his assistant carrying out the daily ritual of the temple – which involved not just the fire but also water and plants. These days a priest has just one assistant, but they had a book from pre-Islamic times which showed where the 9 different assistants should be positioned during this ritual, so clearly it was once much more elaborate. I think this room was my favourite part of the exhibition, and certainly the most striking.

The rest of the downstairs was divided into two sections – one was Zoroastrianism in Persia and one in India. The Persian side was dominated by a rather fine glass etched replica of the sculptures from the Palace of Darius in Persepolis – the photo above left is of the plaster cast replica in the British Museum. The centre text of that relief is a cuneiform inscription extolling the virtues of King Artaxerxes III who had this staircase added to the palace. It also calls for the Zoroastrian gods to protect him and his country. Other objects in this section included a replica of the Cyrus Cylinder (the photo above right is of another replica in the British Museum, the original is out on tour). This details Cyrus’s conquest of Babylon and again has Zoroastrian themes. One of the interesting bits of information in this section was that it was a Persian Zoroastrian priest who really pulled together the religion into a coherent whole, several centuries after it was originally founded. Prior to him the different cults in different places had their own flavours of Zoroastrianism, but he set down a proper way to do things and enforced it. The other half of the room was Zoroastrianism in India, sadly it seemed to me to lose focus and to devolve into a collection of portraits of notable Indians in (British) court dress – mostly from the Tata family. It is presumably no coincidence that one of the listed sponsors of the exhibition is TATA Enterprises …

Upstairs there were some more modern pictures of Zoroastrians around the world – there are now communities in many countries including Britain. And there was some art with Zoroastrian themes, most of which was not really my cup of tea.

Overall I think it was an interesting exhibition, and I’m glad I went. However, it did suffer from a lack of focus (not just in the Indian section, but that was the worst) and I wasn’t always sure why things were included. And sadly by the time we visited (only a little over a month after opening) the labelling on the cases was beginning to wear off – and particularly downstairs some of the cases were lit in such a way that the labels were pretty much unreadable. We did buy the book, so when I get a chance to read that hopefully the essays will elucidate some of the things I missed!

The Making of the Modern Arab World: Episode 1

The Making of the Modern Arab World is a new Radio 4 series about the causes and recent history of the current political situation in the Middle East. It’s presented by Tarek Osman, an Egyptian author, along with several interviews with historians or the descendents of notable figures – his focus is on Egypt and Syria in particular. The first episode looks at the development and decline of Arab liberalism. Osman started by talking about the parallels between the 2011 uprising in Egypt and the 1919 Egyptian uprising against the British colonial government, and about how during the early 20th Century there was a period that could be seen as a golden age of liberalism in the Arab world. He then began to trace the rise of this liberal ideology, and the flowering of the Nahda – the Arabic renaissance.

Osman traced this story back to the invasion of Egypt by Napoleon in 1798. This shook Arabic culture out of a sense of complacency about its place in the world. In this pre-European-colonial-empires time there weren’t the same tensions between “the West” and “the Middle East” that there are now. Scholars and intellectuals from Egypt and other parts of the Arab world visited European countries and investigated European philosophy & science, with an eye to taking what ideas they could and integrating them into their own Arab way of life & their Islamic religion. This lead to a period called the Nahda, often translated as the Arab renaissance. This wasn’t seen as Europeanising, but more as modernising and regaining the place in the world that they used to have (back when Europe was in the “Dark Ages” and the Islamic world was the centre of intellectual development).

However the drive to modernise came at a cost. The economies of the Egypt and other Arab countries weren’t set up to generate enough money to buy the new modern industrial infrastructure that they were putting in. So they got in debt to the European nations, in particular Britain and France. When economies collapsed, or there were popular uprisings against the governments, the British or French would step in and directly rule the country concerned. But the Nahda continued, and there was a growing elite with more liberal values than the traditional conservative society of these countries. This elite was encouraged by the colonial authorities via diplomacy during and after the First World War to consider themselves a potential stepping stone to self-rule for their countries.

As always comes up in the modern history of the Middle East the First World War is where Britain and France really sow the seeds of the current political conflicts both internally to the countries concerned and between the Arab world and Europe. To get the various past and current constituent countries of the Ottoman Empire on the side of Britain and France in the war they were all promised self-rule and lands of their own. And in addition the Jews were promised territory in Palestine. Several of these promises were contradictory, but that isn’t even the worst bit about the situation – after the war most of the promises weren’t kept at all. Britain and France divided up the former Ottoman Empire between themselves, and the Arab states didn’t get self-rule.

The sense of betrayal in Egypt, Syria and other Arab countries was profound. Osman discussed the uprisings in Egypt (in 1919) and Syria against the colonial governments. Some initial amount of success – limited self-rule in Egypt after 1919, and a backing off of the French authorities in Syria (after the initial brutal crackdown) – lead the liberal elite to believe they had begun to achieve their goals. But the lack of results with Britain and France still holding onto the powers they wanted damaged the creditability of this elite with the rest of the population. Osman finished the programme by talking briefly about the movements that grew out this disillusionment with the liberal Westernised elite. One of these is the Arab nationalist movement, in particular the Ba’ath party in Syria, and the other is Islamism, in particular the Muslim Brotherhood which was founded in Egypt. These movements are the subject of the next couple of episodes.

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“Wise Men from the East: Zoroastrian Traditions in Persia and Beyond” Vesta Curtis (Talk at the British Museum Members’ Open Evening, 11/11/2013)

The second of the two talks we went to at the British Museum Members’ Open Evening the other week was about the small exhibition of Zoroastrian and related pieces that has recently opened at the BM. This is in some ways a related exhibition to the larger Zoroastrian exhibition at SOAS which finishes soon (we went to see it the other day so I shall be writing that up soon). In this post I’m going to talk about both the exhibition and the curator’s talk.rather than split them into separate posts. My photos are up on flickr here.

The curator, Vesta Curtis, started by telling us that she herself is Iranian, and her professional interest is in royal iconography on pre-Islamic Iranian coins. She’s taken advantage of interest generated by the other Zoroastrian exhibition to draw people in to look at her coins. The other strand of the exhibition is to look at how the Zoroastrian iconography has influenced both modern Iran and the Western world (hence the “Wise Men from the East” bit of the exhibition title).

The Zoroastrian religion is named (by outsiders) after its prophet Zoroaster or Zarathustra. He lived somewhere between 1800BC and 600BC (amusingly one of the audience at the talk thought Curtis meant he lived that long, but no she meant the much more plausible fact that his dates are unknown). The primary god is Ahura Mazda, sometimes shown as a winged figure. This same iconography can be used as representation of the concept of Kingly Glory, and it’s not always clear which it is in a given context. The Zoroastrians see the world as a battleground between good and evil forces, and see the role of humanity as working to aid the good force. Curtis said in some ways it’s an eco-friendly religion, as one of it’s precepts is that a good person should not pollute the natural elements (like water, fire, earth).

The religion started in Iran and spread to India. Curtis had displayed a selection of coins and seals which depicted Zoroastrian iconography from across the region and across time from c.400BC through to the 1600s AD. In modern Iran the winged figure of Ahura Mazda or the Kingly Glory has become a secular national symbol. Curtis was telling us that a lot of people, in particular the younger generation, in Iran have some piece of jewellery or accessory with this figure on it – even non-Zoroastrians. It’s a symbol that emphasises the long history of Iran, and to go with this theme in the exhibition there were some stamps released in 1970 to celebrate 2500 years of the Persian Empire.

The impact on the Western world is via Christianity. The three Wise Men who bring gifts to the infant Jesus are generally depicted in Persian dress. Even the name we use for them – the Magi – derives from the Persian word for a Zoroastrian priest. From the word Magi we also get “magician” and “magic”. One of the Magi is possibly an Indo-Parthian King called Gondaphares, his name is corrupted to Caspar or Jasper in the Christian texts. I admit I’m not clear if there was more evidence than just the name to link the two or not.

This was an interesting talk and exhibition, but I think it was a little unfocused for such a small collection. Coins were clearly Curtis’s thing, and I think in trying to give it a broader appeal it ended up with a few too many only tangentially related things. Still, I likely wouldn’t’ve gone to look if it had all been coins (because they’re not really my thing), so it did the job right in that sense 🙂

In Our Time: The Book of Common Prayer

The Book of Common Prayer was written during the English Reformation as the new reference for the services & ceremonies for the new Church of England, and it’s still in use in many churches today. Discussing it on In Our Time were Diarmaid MacCulloch (University of Oxford), Alexandra Walsham (University of Cambridge) and Martin Palmer (Director of the International Consultancy on Religion, Education, and Culture).

Prior to the break with the Roman Catholic Church all church services were in Latin, and the forms of the services came from several different books depending on what sort of service it was and so on. Even though the English Church’s break with Rome was driven by Henry VIII’s desire for a divorce from his first wife there were genuine supporters of the European flavour of Reformation involved in the process. A key figure amongst these was Thomas Cranmer, Archbishop of Canterbury, who not only orchestrated the original split from Rome but was also (in Edward VI’s reign) responsible for the original versions of the Book of Common Prayer. This was designed to be the single book that contained all the necessary prayers and ceremonies for the Church of England – each parish church had a copy, and used it for its services. The first version was to some degree a compromise between those who wanted a fully Reformed Church and those who wanted a more traditional Catholic theology (with or without the Pope as the head of the Church). As such a contemporary of Cranmer’s (who wasn’t as keen on Reformation as Cranmer) demonstrated that it could quite easily be interpreted in line with traditional Catholic theology. The second edition, again written by Cranmer, was published in the closing months of Edward VI’s reign and it was more hardline Protestant. Edward’s death & his sister Mary’s ascension to the throne returned the country to the Catholic Church and so the Book of Common Prayer was sidelined for a while. When Elizabeth I came to the throne she had the Book of Common Prayer republished, in much the same form as the second edition, and it was again the official prescribed version of the services.

By the time Elizabeth died the book which had once been regarded as “too Protestant” was regarded as “too Catholic” for hardline reformers. There was hope that Elizabeth’s successor would bring about a proper Reformation of the English church – after all James VI & I had been brought up in the Scottish Kirk. Sadly for the reformers James rather liked the ceremony of the English Church, and wasn’t fond of the dour Scottish Kirk – and in particular he liked the hierarchical nature of the English Church which reinforced his sense of his divinely anointed authority. So the Book of Common Prayer (and the concept of bishops) lived on. After the Civil Wars, while Oliver Cromwell was Lord Protector the Book of Common Prayer was again abolished – this time replaced with a much more Puritan form of worship. The Restoration of the Monarchy was also the restoration of the Book of Common Prayer – revised another few times subsequently, but the definitive version is the 1662 revision. This was used throughout the British Empire as it grew, and is still used in some churches today.

As well as the history of the Book of Common Prayer they also talked about the language of it in the programme. Obviously it’s in English – and this was one of the important features of the new service book. An important part of the Reformation was the idea that everyone should understand what was going on – both in having access to a bible in their own language and in having services in their own language. The actual phrasing of the book is also important – it has had a significant impact on the sort of language we use today. They were keen to stress on the programme that it was written with its use in mind – in that the same words are to be used time and time again, so the prayers were constructed to be repeatable. Not florid prose that might sound foolish after a while nor witty or full of punchlines that might sound lame the umpteenth time you heard them. For much of the century or so of the reformation process in England there was a requirement to attended Church of England services that used the Book of Common Prayer. This ensured that the words and their underlying theology sunk in, over time, and that all children were properly indoctrinated.

One thing that they mentioned several times in the programme is something that always strikes me when learning about the Reformation in England – how very odd it was compared to the rest of Europe. The English Church tried (and mostly succeeded) in navigating a third way between catholicism and protestantism. A lot of the theology was reformed as compared to the Catholic church (like transubstantiation), and obviously the Pope is no longer head of the C of E. But the C of E still has bishops and a hierarchy, and even though it’s been austere at various times and places it has also still had ceremony and pomp at various times and places. So it didn’t really make either of the extremes happy – and the way the Book of Common Prayer was discarded once for being too Protestant and once for being too Catholic within the space of a century sort of sums that conflict up.

Wild Shepherdess with Kate Humble; The Most Dangerous Man in Tudor England

The second episode of Wild Shepherdess with Kate Humble was all about alpaca farming in Peru. In the first half of the programme she stayed with a family who herd alpacas in a traditional way. To feed themselves they grow potatoes and keep guinea pigs. The guinea pigs have free reign of the house & are fed on the potato greens so they’re combination pet, recycler & dinner. According to Humble they taste like dark chicken meat. The alpacas are kept for their fibre – it’s not wool apparently, but that’s a technical distinction of some sort because it’s the equivalent of wool in all ways. The family shear the alpacas by hand with a kitchen knife, and then keep some of the fibre for themselves to spin and then make the very brightly coloured cloth that the region is famous for. The rest of the fibre is sold to a middleman who sells it on to the cloth industry. Because their herd is not pure-bred alpaca they don’t get much money for the fibre. In general their lives are hard, but they prefer it to moving to a city where the standard of living would in some ways be lower.

The second half of the programme took us through the way that the alpaca cloth industry in Peru is moving from this traditional style herding into the modern world. Humble started with a cousin of the subsistence farmers she’d been staying with. He’s both a collector (one of the middlemen who buy the fibre) and a farmer. Having seen where the fibre is sold to & the requirements he realises that the sort of herds that he & his cousin have aren’t the best – so he’s bought himself a pure-bred male alpaca & is gradually breeding his flock to have better quality fibre. Next Humble visited a man who herds alpacas in a large scale way. His ranch has thousands of alpacas (instead of the 60 or so that the first family have), and they are a particular breed that has very high quality fibre. Instead of just letting the animals mate as & how they choose he selects his best males & best females & breeds those. And being a large scale ranch owner I guess he also sells direct to the cloth industry rather than through a collector.

She then visited a cloth making factory. The cloth they make is mostly exported with China being the biggest buyer. They are particularly interested in helping to improve the herd quality of all their suppliers (including small farmers like the first family) because places like China & the US are starting to herd their own alpacas, so Peru’s advantage in the market will be in having the best quality fibre. And so Humble then went to visit an alpaca breeding research centre which is part funded by this cloth manufacturer. They’re working on developing artificial insemination techniques for alpacas with the idea that small farmers might not be able to afford a pure-bred male, but might be able to afford the semen to produce better quality offspring for their female alpaca. So the alpaca industry is just at the point where it’s optimising for the modern world and a global market, but it’s not quite there yet.

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Translating the Bible into English doesn’t seem like a big deal in the modern world – I think I own 3 different English translations (plus a New Testament in Scots) – but in Tudor England it was heretical and punishable by death. One of the programmes in the BBC’s recent Tudor Court Season was The Most Dangerous Man in Tudor England, which was a biography of William Tynedale presented by Melvyn Bragg. Tynedale’s English Bible eventually formed the basis of the King James Bible, but Tynedale himself was regarded as the most dangerous man in England for producing it and executed for heresy.

Tynedale was born on a farm in Gloucestershire near the village of Slimbridge, which is still a working farm today. He was educated at Oxford – first in Magdalen College School, at the age of 8 in the early 1500s, then at Magdalen College. Bragg used this introductory bit to set the scene for Tynedale’s later translation. At the time the Bible was only available in Latin – the language of the Church and of scholars (the two groups overlapped to a high degree). The Catholic Church had built up over the centuries a collection of doctrines & traditions that weren’t actually in Bible (like Purgatory, the requirement for confession & penance to save one’s soul etc), and the hierarchy of the Church was positioned as necessary to save the souls of the congregation. Tynedale (and other Reformation thinkers) saw the way the Bible was only available in Latin as a power play on the part of the Church – keep the congregation from reading the actual text & you keep them reliant on the priests to explain it. And you keep anyone from noticing that the Church has these non-Biblical traditions.

Tynedale had always had the ambition to translate the Bible into English so that everyone could read it, and his education had only served to reinforce that. Bragg was telling us that when the students studied the Bible they only looked at verses in isolation, rather than reading the whole Bible & getting a feel for the overall text. During this time Tynedale learnt of the ideas of Erasmus who promoted the idea of reading a text in the original language to get the best handle on the text. For the Bible this would be Hebrew (for the Old Testament) and Greek (for the New) and Tynedale learnt these and other languages.

After Tynedale had graduated & been a priest for a little while he came into conflict with other clergy over his emphasis on the Word of God rather than the Church traditions. Bragg quoted from a description of an argument where another clergyman said that it was better to do without “God’s law than the canon law”, to which Tynedale reacted angrily – declaring that he would “cause the boy that driveth the plow to know more of the Scriptures than thou dost!”. This crystallised his desire to translate the Bible, and his first step was now to go to London to visit the Bishop of London & try and get backing for his project. This was the first of a few naive sounding things that Tynedale did in his life. The Bishop of London at the time was Cuthbert Tunstall, and Bragg described him as being a part of the Church orthodoxy & a close associate of people such as Thomas More. Unsurprisingly he didn’t back the heretical project that Tynedale proposed.

Realising that this would not end well, Tynedale eventually left not just London but also England and moves to Germany to work on his translation. Just to orient ourselves in the wider history I should point out that by this stage Martin Luther has started the Reformation in Germany, and it’s spreading through Europe. Henry VIII is on the throne of England, and had written his defence of the Catholic Church that earnt him the title of Defender of the Faith. So in moving to Germany Tynedale is aligning himself with the Protestant Reformation, and against the English Crown as well as the Catholic Church.

Tynedale completed his translation of the New Testament, and sought out a publisher in Cologne. Cologne was Catholic, but nonetheless he found someone who would produce the book and plans were made to print a few thousand copies & to smuggle them into England. Unfortunately for Tynedale his publisher was also contracted to work on a text for a member of the Catholic orthodoxy from England (Bragg told us who this was, but I’ve forgotten the name :/ ). The plans for the English New Testament were discovered & Tynedale had to flee with the project incomplete. He moved to Worms, and found himself another publisher so that he could restart the project. Tynedale’s life work wasn’t over with the printing of the New Testament, he continued to work on translating the Old Testament – going back to the Hebrew. Before his death he finished the first five books, which were also printed & subsequently distributed in England.

Bragg took the time at this point in the programme (and later on, near the end of it) to wax lyrical about Tynedale’s translation. He didn’t just translate it into English any old how, it was vivid & poetic language which sticks in the mind and has flavoured the whole of modern English – as much as Shakespeare did. Turns of phrase that Tynedale employed are still a part of our idioms today. But Tynedale didn’t just choose his words for maximum impact & memorability he also picked them to advance his Protestant ideas. So a word that was traditionally translated as “priest” became “elder”, and one that was traditionally translated as “Church” became “congregation”.

The authorities in England were obviously on the lookout for Tynedale’s Bible’s arrival in England, but several thousand copies still made their way into the hands of the more Protestant-minded members of the public. Bishop Tunstall preached against the English Bible, saying that it had errors and was heretical & blasphemous, and he presided over a bonfire outside St. Paul’s burning copies of Tynedale’s Bible. This didn’t quite go all the Bishop’s way – even those who might not’ve read the Tynedale text themselves weren’t entirely comfortable with burning the Word of God even if it was a potentially heretical version of it.

Thomas More led the hierarchy’s campaign against Tynedale’s work. There was a very amusing segment of the programme here where there were two Braggs on either side of a church aisle reading passages from More & Tynedale’s publications where they held forth on how dreadful and corrupt the other was. This had developed into a personal feud, not just an academic & political difference of opinion, and More at least started to resort to very vitriolic & foul-mouthed tirades against Tynedale. Including writing things like “You have kissed the ass of Luther and are now covered in shit”.

When Henry VIII was seeking to divorce Catherine of Aragon it looked like Tynedale would come into favour in court. This was because with the Pope refusing to grant the annulment Henry was searching for other ways to get what he wanted. Tynedale had published a treatise called The Obedience of a Christian Man, which was primarily arguing for everyone to read or hear the Word of God directly (so vernacular translations of the Bible are required so that the congregation as a whole can understand). But as part of it he said that Kings should not be subservient to the Church authorities – that God has anointed the King as the secular authority over a country and so the King should answer to God, not the Pope. Obviously Henry liked the sound of that, and used this as a plank in his splitting of the Church of England from Rome. But Henry still found the rest of Tynedale’s theology heretical (like the idea of an English Bible), and Tynedale went on to publish other treatises that didn’t sit as well with Henry including one opposing Henry’s divorce on the grounds that Henry’s use of scripture to justify it was an incomplete summary of the scriptural references to marrying one’s brother’s widow.

So Tynedale was still considered heretical, and Thomas More (amongst others) was still violently against Tynedale & all he stood for. Eventually Tynedale’s downfall was engineered by an agent of the English. This man, Henry Phillips, wormed his way into Tynedale’s good graces – he pretended to be a great admirer of Tynedale’s and to be interested in his theology. He then set up a trap – he came to Tynedale saying he had no money and got Tynedale to take him out for dinner. He then persuaded Tynedale to lead the way along a particular narrow secluded alleyway, and straight into the hands of soldiers of the Holy Roman Empire. Tynedale was imprisoned, and sentenced to death for heresy. Thomas Cromwell tried to intercede on Tynedale’s behalf, but was unsuccessful.

Tynedale was burnt to death, the typical punishment for a convicted heretic. As an act of mercy he was strangled before the fire was list, but this strangulation was incompetently carried out. Tynedale revived during his burning, but witnesses say he was stoic & silent as he died. (Which seems somewhat unbelievable.)

His Bible translation did not die with him, and Tynedale regarded that as more important than his own life. Cromwell eventually persuaded Henry VIII to endorse an English Bible, and the text of this was primarily that of Tynedale’s translation. Tynedale wasn’t credited, however, because he was still regarded as a heretic (and Henry still carried a grudge against him for not approving of the divorce). The Henry VIII Bible fed into the King James Bible translation, and so Tynedale’s words and work still lived on.

In Our Time: Prophecy

Prophecy is an important facet of all three Abrahamic religions, but the interpretation of the role of prophecy (& who the prophets are) is different in each. The experts who talked about it on In Our Time were Mona Siddiqui (University of Edinburgh), Justin Meggitt (University of Cambridge) and Jonathan Stökl (Leiden University).

For the modern incarnations of the three religions the bulk of the prophets are those attested to in the Hebrew Bible. Stökl was the expert on Judaism on the panel and so he talked most about these prophets. Prophets are divinely inspired and are in communication with God without being divine themselves. Nowadays when we think of prophecy we think of predicting the future, but this was only one of the sorts of messages that prophets could pass on from God. They also provided more general advice for the rulers about matters that the divine had some bearing on. They pronounced on the validity of old texts, they advised the King when to or when not to undertake campaigns, they’d advise him if God wasn’t happy with how the country was being run. Stökl was also saying that some figures in the Bible were retroactively designated as prophets – that Moses, for instance, was a charismatic leader and then later in Judaic history when prophets are more important he’s designated a prophet.

In terms of predicting the future most if not all of the descriptions of this in the Old Testament or Hebrew Bible were written after the events that were predicted – so “prophesying” after the fact. (And actually there are no written texts dating before 200 BC, which means we don’t know how it evolved before this.) It was a win-win situation for the prophets anyway – if they got it wrong, then either they had misunderstood what God told them or God had some reason for telling them the wrong thing. Not that they weren’t a prophet, or that God had got it wrong. Jeremiah was the example here – God told him to tell the people something that turned out to be false & this was because it set up the punishment that God was going to visit on the people for previous wrong doing. There are warnings in the texts about false prophets and discussions of punishments for this, but there are actually no records of this ever happening.

Meggitt was the expert on Christianity & he talked about the way that early Christianity used the Jewish prophets to legitimise their belief that Christ was the Son of God. Obviously the Christian tradition is that prophets weren’t really getting the message across, so God himself had to come to earth in the person of Christ. The way the Christian Bible has ended up being structured means that the Old Testament ends with prophecies that Elijah is going to return and proclaim the day of the Lord. Although this is in the Hebrew Bible the way it is structured means that this isn’t where the book ends. Meggitt was saying that there’s a strong sense that the authors of the New Testament were looking for the prophecies in the Old Testament and then making sure they could find a bit of the life of Christ to fit them. The narrative being created to reflect the prophecy rather than the prophecy predicting the narrative.

In the early church there were still people being referred to as prophets, but as the Church became more institutionalised the role of the prophet diminished & then vanished. Meggitt was saying this was because lone self-selected divinely inspired people don’t really fit in well with a hierarchical organised Church. Bragg brought up the Pentecostal Church which is a modern Christian tradition which has prophets – so it’s not something that’s completely absent from Christianity. Just that as with Judaism the bulk of the religion thinks that prophecy stopped some time ago.

Siddiqui talked about Islam & the role of prophets in that religion. She told us that from an Islamic perspective all the prophets including Mohammed were given the same message or revelation from God. This message is about the oneness and truth of God, and has needed to be repeated because people fall away from it or fail to understand it. The differences in what was passed on or written down by each prophet & their followers are due to the interpretation of the prophet themself & their cultural blinders & ability to understand the message. Mohammed was able to properly understand and pass on God’s revelation, so there’s no need for any more prophets after him. Siddiqui also mentioned a distinction between prophets and messengers in Islam – I think she was saying that all messengers are prophets, but not all prophets are messengers. There’s some debate about whether the Virgin Mary is a prophet in the non-messenger sense because she is sinless, and this is one of the criteria for a prophet.

The way I’ve written this up it looks a little disjointed, but actually they followed the usual round table format & drew out the comparisons between the three strands as well as the differences. Although at times I felt like Siddiqui wasn’t quite having the same conversation as everyone else.

In Our Time: Gnosticism

Gnosticism was part of the growth of secret knowledge cults in the first few centuries AD, flourishing in the 2nd & 3rd Centuries. Although not necessarily associated with Christianity it is best known as a different interpretation of Christianity, and the mainstream Christian Church reacted against what they regarded as heresy in ways that are still part of Christianity today. The three experts who talked about this on In Our Time were Martin Palmer (International Consultancy on Religion, Education, and Culture), Caroline Humfress (Birkbeck College, University of London) and Alastair Logan (University of Exeter).

This was a programme that constantly threatened to runaway with itself – I think there were three times that Melvyn Bragg had to stop some tangent (often that he’d started) by saying it was a topic for another programme. And they ended a little abruptly having pretty much run out of time. The jumping off point for the programme was that in 1945 a set of documents were found buried in Egypt, and whilst some were burnt for fuel some made their way to scholars. These documents turned out to be Gnostic “gospels” and this revolutionised scholarship about Gnosticism as prior to this time it was mostly known through the writings of Christians explaining how terrible it was.

So first they talked about what Gnosticism was. Which isn’t quite as easy to pin down as all that – it wasn’t so much an organised religion as a collection of revelations and beliefs that share commonalities. And that’s part of the point. One of the commonalities is that they saw the world as divided into the material world (bad) and the spirit world (good), and the route to salvation or enlightenment was to awake from the cares of the flesh to a more spiritual awareness. It spread across a lot of Europe & Asia, and was banned by many authorities both religious & secular, but the experts mostly discussed it in the context of its interactions with and reactions to Christianity (I think that might be where Gnosticism in general is centred, but I’m not sure if that’s the case or if that’s just where they chose to focus).

Humfress told us about the creation myth that (with variations) is common throughout Gnosticism. In this there is an unknowable divine God from whom are generated various emanations of this divinity, the number varies between tellings of the myth. The last of these emanations was Sophia – Wisdom – and she desired to see the divine without his permission or knowledge. Her efforts to do so created a rent in the spiritual world and through this rent or veil is created the demiurge Yaltabaoth who creates the material world. Yaltabaoth is pretty definitely associated with the god of the Old Testament, and is pretty definitely cast as evil (the material world is Bad). This was the point where J & I were saying “oh so that’s why it was banned in lots of places” 😉 Once Adam was created he had no soul, so Sophia sent her daughter Zoey to be Eve and to tempt Adam to eat of the tree of knowledge. All humans as descendents of Adam & Eve have a spark of the divine within them, their soul, and if they awake to this knowledge then they will join with the divine unknowable God.

They were keen to stress the point that in mainstream Christian tradition one is saved and redeemed from one’s own sins – guilt is an important part of the deal. You did do wrong, and Jesus died to save you from the consequences. But the Gnostic tradition is about salvation through awakening to knowledge of your true self. You aren’t guilty of sin, your previous behaviour was the result of the demiurge who made you part of the material world. And once you are awakened it’s like you were drunk and are now sober & see how the thoughts you had before weren’t profound but were the result of the state you were in.

Gnosticism involved secret knowledge & initiation into the mysteries, but once you were initiated & anointed you were a Christ and you were an equal of anyone else who’d been anointed. This is very different from the hierarchical order that was developing within mainstream Christianity. And in fact the reaction against the Gnostics was part of what strengthened that heirarchy – making themselves different from the “heretics”.

They also talked about the impact that discovering Gnostic texts had. In academia it had a profound impact on how people interpreted the Gospels that made it into the canonical texts. And lead to re-interpretations of early Christianity (or “Christianities”). And in the more popular world it’s also had an impact. They were saying how it has influenced New Age thought & philosophies, but also the interpretation of the place of women in the Church. Particularly in light of the Gnostics having a trinity that consisted of Father, Mother & Christ, and I think they were implying that part of the Church sidelining women was reacting against the Gnostics.

It was definitely an programme where you could see that the 45minutes just skimmed the surface of the subject.

Howard Goodall’s Story of Music; The Dark Ages: An Age of Light

The third episode of Howard Goodall’s Story of Music covered about a hundred years – from 1750 to 1850. This takes us from Haydn to Chopin via Mozart, Beethoven and more. Goodall’s two themes for the period were the changing social status of the composer, and the turn to simplicity in musical structure after the complexity of Bach etc.

At the start of the period composers were effectively servants – you found a rich patron and wrote him the music he wished. I’d guess it wasn’t that simple in reality, but that was the social status of the composer. Over this time period composers began to work freelance, and so their revenue stream also began to depend on the tastes of the paying audience. But it increased their social status, brought them above the salt so’s to speak.

The complexity of Bach’s fugues, and the moral uprightness of his & Handel’s work gave way in this era to the simpler forms of symphonies, and an emphasis on pleasant & entertaining music (having not much to do with the turbulent political times, that included the French & American Revolutions). Goodall talked about how the music became simpler both in overall structure and in harmonic structure. Simple is not being used as a value judgement here, incidentally. So in terms of overall structure he was saying that a lot of symphonies can be summed up as – take a short theme, repeat the same note pattern starting on a different note, finish with a phrase as long as the first two put together that brings us back to a satisfying conclusion. Then do it again. Which leaves a lot of room for different sorts of phrases and themes, and satisfying conclusions, but still gives an overall simple structure that the piece is constructed around.

In terms of harmonic structure he was saying that the numbers of different chords used in a single piece of music narrowed considerably – most of a piece of music now would be constructed on the first, third and fifth chords (for the key the music was in). He demonstrated with a couple of examples that this could be the sole chords used for about three quarters of a piece of music – all the other possibilities now only took up a relatively small proportion of the music. And then they had a short segment of a string quartet & singer all dressed up in 18th Century style playing what sounded like chamber music of the time, and then you realised the words the woman was singing were the words for Rockin’ All Over the World … which lead into a joke about how these three chords are “still the status quo in much music of today” *groan* 🙂

Goodall also talked about how Beethoven’s Pastoral Symphony inspired other composers to use their music to paint pictures in sound (Mendelssohn was his example of one of these composers). And he talked about the single voice & piano songs of composers like Schubert – and compared them with the novels of Jane Austen with which they’re approximately contemporary, and pointed out that Schubert’s emotional maturity etc come off rather poorly compared to Austen. This was another point where the long-lasting nature of the music of this period was pointed out – we first had a man singing a Schubert love song, which was juxtaposed with a clip of Adele singing Someone Like You. Definitely felt like they were both a part of the same tradition.

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Waldemar Januszczak moved on to discuss the art of Islam in the third episode of his series about the art of the Dark Ages.

And somehow I haven’t ended up with much to say about this one. I’m not sure why – I think I ended up approaching it as more “look at the pretty things” than anything else.

Januszczak visited several places where you find Islamic art (mostly but not all mosques), and discussed not just the beauty of the mosaics, buildings etc but also the religious symbolism behind some of it. (And hopefully got it right – a lot was stuff I hadn’t heard before). Throughout the programme he also placed quite a strong emphasis on how modern more fundamentalist traditions of Islamic art aren’t the only ones – there was figurative art from early on, not just “decadent princes” decorating palaces with things they shouldn’t, but also in art that was intended to represent paradise and to have religious worth.

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