Ian Hislop’s Olden Days;

I’m not quite sure what I was expecting from Ian Hislop’s Olden Days but it wasn’t what we actually got! What we got was an interesting (and entertaining) look at how the British think about their history. The first episode of the series looked at two different Kingship myths – Arthur and Alfred. Obviously Alfred has the advantage of being real, but the best known story about him (burning the cakes) is about as truthful as the Arthur mythos. Ian Hislop spent that programme looking at the stories (and history where possible) of both Kings, and tracing their popularity over the centuries. Arthur is more popular during more romantically inclined eras – for instance in late Medieval times when chivalry was an important part of society. Alfred on the other hand is popular in more practically minded eras – particularly the Victorians. He brought laws and valued wisdom and learning, and this fits in well with the Industrial Revolution and the Victorian sense of bringing order and civilisation to The Whole World. Of course this isn’t ever an exclusive “one or the other” situation, and even in the eras I just mentioned both are an important part of the national idea of the perfect monarch.

The second episode concentrated on the paradoxes of the Victorian attitudes to the past. On the one hand this is an era of progress and practicality, bringing new technologies and ways of life to the world. on the other hand, and perhaps because of all the change, this is an era constantly looking back to a better and more perfect past. Not just for nostalgia, although there is plenty of that (like Sir Walter Scott’s Arthur and/or Scottish history themed novels). It’s also rather paradoxically being used to help drive the change. Hislop phrased it like this: The best way to get the British to do something new is to tell them it’s rooted in the old traditions of the country.

And the third and final episode looked at the place The Countryside has in the collective imagination of Britain. He started off by explaining that 1851 was a tipping point in Britain’s history – the census of that year recorded more people living in towns & cities than living in the rural areas, for the first time ever. And ever since the countryside has been idealised and mythologised into a timeless and unchanging rural idyll. So Hislop showed us sentimental Victorian watercolours of rose covered cottages and talked about Cecil Sharp’s great project to track down the True Folk Music of the People. This sort of theme also shows up in places like Tolkein’s Lord of the Rings – it’s The Shire (an idealised version of the village Tolkein spent some of his childhood in) vs. Mordor (which Hislop noted must be Birmingham in that context 😉 ). And even though the Archers started out at a radio show designed to bring new ideas to farmers, it’s turned into another example of mostly urban people idealising the country life.

An interesting look at the British national mythos over history. And unsurprisingly given the presenter rather funny at times.


Other TV watched this week:

Episode 9 of The First World War – a 10 part series covering the whole of the war.

Episode 2 of How to Get Ahead – series about court life during a three different historical periods.

Episode 2 of Precision: The Measure of All Things – series about measurement and the history of measurement.

Don’t Panic – The Truth About Population – part of the This World series this is a lecture presented by statistician Hans Rosling. It’s a very entertaining yet informative look at population growth and poverty throughout the world. It’s the answer to fears about the booming population (we’ve actually reached peak child so growth is already slowing and will top out in the next few decades). And also a look at whether or not we can really pull the third world out of extreme poverty (it’s already happening). He also talked a bit about climate change but was less convincingly reassuring about that!

Episode 1 of Churches: How to Read Them – series looking at symbolism and so on in British churches.

“Plantagenet England 1225-1360” Michael Prestwich (Part 9)

The last two chapters of Part II (Politics and Wars) of this book are about the relationship between England and France during the period the book covers, focusing on the Hundred Years War which starts during Edward III’s reign. I’m lumping these two chapters together because the second one is specifically about the English army of the time, which is a subject that I acknowledge is important but am not that interested in personally.

England and France

Prestwich opens the chapter by noting that although with hindsight we see the Hundred Years War (kicking off in 1337) as a coherent thing that’s different in kind to preceding wars, this wasn’t the case at the time. Before King John (so before the scope of this book) the English Kings had control over vast lands in what is now France but after John’s loss of most of this to France all that was left on the continent for the English King was Gascony and even that was disputed by the French. Prestwich lays out how this duchy wasn’t worth much to the English crown in a monetary sense and it wasn’t terribly culturally similar to England. So its worth was mostly as a point of principle and as a base for re-expanding English control to their “ancestral lands”. There had been various campaigns in France in the early years of Henry III’s reign, with not much success. Then in 1259 the unstable domestic situation – which was building up to civil war (which was talked about in the first chapter of this part of the book) prompted the English to negotiate for a more lasting peace with the French. In return for being allowed to control Gascony Henry III gave up his claims to the rest of the lands, plus agreed to do homage for Gascony. Prestwich notes that given how arrogant Henry III was, this clearly wasn’t seen as humiliating for him at the time otherwise he wouldn’t’ve agreed to it even if it was sensible.

In hindsight, this treaty of 1259 can be seen as setting up the tensions that would result in the Hundred Years War. But in the medium term it was a stunning success and relations between England and France remained good for over 30 years after this treaty. In 1286 Edward I even did homage to the new French King as he was bound to do by the treaty terms. So far, so friendly. But tensions started rising not long after. Edward I reorganised the government of Gascony in a way that meant he was taking a more active role in it. And this was happening against a backdrop of the French crown being eager to assert their own royal rights wherever possible (for internal political reasons, I think, so again the fact it was Gascony was almost irrelevant).

War broke out in 1294 sparked by rivalries between sailors from English ports (in Gascony) and Breton sailors. Originally the English tried to keep a friendly relationship with France. Edward I’s brother Edmund and the Queen of France (and her mother-in-law) actually negotiated a treaty that Edward considered binding. It had a complicated series of events to follow, but after Edward did his part the French did not follow through with theirs so Edward felt duped. But Prestwich says it’s more likely that the French Queen just didn’t have as much authority and influence as she thought she did – so she was acting in good faith but wasn’t actually able to make a binding treaty.

Unlike Henry III, Edward I had an actual plan for his war with France. The main goal was to keep Gascony, but it was easier to actually campaign in Normandy. And Edward also masterminded a grand alliance pulling in various other European courts on his side – Flanders, Germany, Brabant, Holland, Guelders. But even having a plan didn’t guarantee success and the English were lucky that the French King was both cautious and fooled into thinking their army was larger than it really was. A truce was agreed in 1297, but peace treaty negotiations dragged on until 1303. In the end what was agreed was that everything should revert to the pre-war situation and friendly relations should be cemented by marriages between Edward I and the French King’s sister, and the future Edward II and the French King’s daughter.

However, you can’t realistically pretend that a war didn’t happen and tensions remained between the two countries. The legal status of Gascony meant that technically nobles there could appeal against the English King’s judgements to the French King, and they were encouraged to do so. Edward II also kept putting off the whole “paying homage” thing. So in 1324 war broke out again – a war that the English didn’t really want and the French weren’t terribly enthusiastic about. Peace was negotiated by Isabella, Edward II’s wife and sister of the current French King, mostly because she had personal reasons for wanting peace. Again the treaty was a restoration of the prior status quo, and Isabella’s son, the future Edward III, came to do homage on his father’s behalf for Gascony. And again this was more part of Isabella’s personal political manoeuvring than done on behalf of her husband – this is the jumping off point for the invasion of England by Isabella and Mortimer that results in the removal of Edward II from the throne.

For the first 10 years of Edward III’s reign there is an uneasy peace, and in 1329 when the first Valois King of France takes the throne Edward did homage to him for Gascony. Relations break down gradually over the early to mid 1330s. As well as the issue of Gascony the interference of France in Anglo-Scottish relations and of England in Franco-Flemish relations was important. There was also a failed crusade that Philip VI of France was going to lead – the Pope cancelled it because peace in Europe could not be guaranteed. Philip thought this was Edward’s fault. There was also the question of who was the rightful King of France. By French succession laws descent via the female line was invalid, so Edward III had no claim to France. By English succession laws he had a better claim (as the past King’s nephew) than Philip VI did. However by doing homage for Gascony he’d tacitly abandoned his claim. In 1337 he changed his mind and in 1340 he altered his coat of arms to include the French coat of arms. When writing to Continental rulers he started to call himself “Edward by grace of God King of France and England and lord of Ireland” (when referring to himself in English correspondence he put England first…). Prestwich suggests that this isn’t necessarily all because Edward wants the French throne – it’s more about getting the Flemish onside, if they can claim to be supporting the legitimate King of France then their position is much stronger than it is if they are rebelling. It’s also about asking for more than you necessarily want in the hopes when you negotiate it’s only down to your true position.

The first phase of the Hundred Years War runs from 1337 to 1340. This was fought much like Edward I’s war in the 1290s, expensively and with the help of allies. The English are a bit more successful however, in particular winning a naval battle at Sluys that did a lot to secure the English coast from French raids. The treaty of Esplechin in September 1340 was the end of this phase, with both sides promising a 9 month truce in all arenas including Scotland and Gascony.

The next phase of the war runs from 1341 through to 1355. War restarted using a succession crisis in Brittany as an excuse with the French and English backing different candidates. This was important as it gained Edward III more allies in French territory and access to more landing sites on the French coast. In 1346 Edward III himself undertook an extraordinarily successful campaign starting near Barfleur in Normandy and marching via Caen to the Seine (indeed nearly to Paris itself) and then north to the Somme eventually meeting the French in battle at Crécy. Pitched battles were actually rare, although Edward did have some reason to court them as winning a battle would be regarded as proof that God was on his side. The success of this campaign was very important, but wasn’t followed up – in part because of the crisis of the Black Death in 1348. However the English definitely had the upperhand in the bits & pieces of fighting that followed over the next several years even if there weren’t many more set piece victories.

In 1353 there was some attempt to negotiate a peace but both sides felt they still had more to gain if they kept on fighting, so nothing was worked out. The next phase of the war started in 1355, and Prestwich titles this “The Black Prince’s War” – Edward III’s son & heir lead the most succesful campaigns of this five year period, mostly raiding expeditions through southern France from Gascony. The major victory of this period was in 1357 at Poitiers when the French King was captured. For 2 years after this there were attempts to negotiate peace and ransom of the French King which didn’t really go anywhere. A final campaign by Edward III in 1359-60 ended this phase of the war. The English desire to continue was damaged by a disasterous storm that devasted the campaigning army, which meant they entered negotiations in a more concessionary mood than previously. Peace was negotiated in May 1360 at Brétigny – Edward III got Gascony, Poitou and several surrounding areas in full sovereignty in return for giving up his claim to the throne of France.

1360 is the end of the scope of this book, so to finish up the chapter Prestwich just notes that the peace lasted only 9 years. And mostly foundered on the actual implementation of the treaty.

The Armies of Edward III’s French War

The most surprising thing about this first section of the Hundred Years War both from a contemporary perspective and with hindsight is how competent the English army was, even compared to the start of Edward III’s reign. In part this is down to experience – the Scottish wars during the 1330s meant that there were men who knew how to command, knew how to organise logistics etc. And also had learnt lessons about which tactics had worked and which hadn’t.

Prestwich goes into a lot of detail about recruitment for the war. It was a worry for the crown initially, so the offered pay was higher than in previous wars. The bureaucracy was simplified too with explicit contracts between crown and commanders that set out how many men they were to bring of what sorts in return for how much in fees. Pay wasn’t the only motivator – the chance of capturing a noble Frenchman who you could then ransom was another form of motivation. And general looting, pillaging and “living off the land” was encouraged on these campaigns. This last also reduced the burden on the English domestically as there wasn’t as great a need to supply the army with food etc as there had been on the Welsh & Scottish campaigns.

When considering the tactics used by the English Prestwich starts off by discussing contemporary explanations for the successes achieved. The English mostly put it down to divine approval, which Prestwich notes is marginally more believable than the French thinking that their failure is down to wearing short-cut clothes … There isn’t much if any written evidence of English introspection about their tactics, but clearly it must have happened as lessons learnt in the Scottish wars are successfully implemented (often by the same commanders) in the French campaigns. However experienced troops and high morale were perhaps as important as the specific tactics used.

Chivalry was important in the 14th Century, and this may account for much of the enthusiasm for the French wars of Edward III. It’s not clear if Edward III was deliberately encouraging the culture of chivalry for this sort of purpose, or if he actually just liked it himself. Prestwich also notes that our association of the 14th Century with a golden age of chivalry is partly just because of what texts etc have survived. For instance the Order of the Garter was founded in 1348 and survives to this day, but it was one of several such things and it’s not clear how notable it actually was at the time. And as always the reality doesn’t live up to the ideals – wars of this era weren’t notably more chivalric in practice than any other era. Looting, pillaging and so on still happened, brutality still happened, and the practice of high ransoms for nobles doesn’t seem to square with the honour & glory rhetoric either.

Prestwich devotes the last two pages of this chapter to the economic effects of the war between 1337 and 1360. There is no clear consensus on whether the war was profitable or detrimental to the English economy. Prestwich concludes that the costs of the war were high in terms of the increased taxation needed to pay for it, and were probably not entirely counterbalanced by income from plundering and ransom high though that was.

Monday Link Salad

The tomb of Alexander the Great might’ve been found – if that turns out to be true, that’s kinda cool 🙂

New game on the way from the guy who was lead developer for Civ IV, RTS and economics based rather than units/war based. Rock Paper Shotgun has part one of an interview up, they mention boardgames in it although not specific ones so that’s probably why the resource trading is making me think of Settlers of Catan.

TV I set recording this week:

Monkey Planet; Pagans and Pilgrims: Britain’s Holiest Places

Monkey Planet was a three part series presented by George McGavin about primates – monkeys, apes and lemurs. The first episode in was primarily a survey of just how wide-ranging and varied a group the primates are. The other two looked at aspects of primate behaviour that we tend to think of as particularly human, and showed both how it’s actually primate-wide and more varied than our narrow perspective suggests. The second episode concentrated on social interactions – like social hierarchies, family arrangements, maintaining friendships. And the third episode was focussed on intelligence and learning. That had the most startling piece of footage – a chimpanzee who lives in Iowa in a research institute who was shown going on a picnic with one of the scientists and making a campfire and toasting marshmallows on it. It shouldn’t be startling – I know chimpanzees are intelligent and very closely related to humans (we could be considered a third chimpanzee species). But somehow making a fire to toast marshmallows on was more human-ish than I was expecting.

This was a fun series to watch, even if I haven’t written much – its strength was in the footage of all the different primates being primates (which is hard to write about but good to watch).


Another series we finished watching this week was Pagans and Pilgrims: Britain’s Holiest Places. This covered a lot of the same sort of territory as the recent Neil Oliver series, Sacred Wonders of Britain (post) but where the Oliver series organised things chronologically this one organised them thematically. The six half-hour episodes covered things like “Water” or “Caves” and so on. It was based on someone’s book, but not presented by the author. I’m not sure I was all that keen on the actual presenter – Ifor ap Glyn – whose schtick seemed to be that at the start of the episode he tried to come across as completely without knowledge on the subject, then by the end of the half hour he’d “learnt why these places are so important”. And it wasn’t quite believable either at the start or the end. One thing he was very good at, however, was telling the associated stories for places with the right sense of awareness of the ridiculous nature of them!

A bit shallow, but actually did rather well as a contrasting sort of programme to watch after something more weighty (like The First World War).


Other TV watched this week:

Episode 8 of The First World War – a 10 part series covering the whole of the war.

Episodes 1 and 2 of Ian Hislop’s Olden Days – a series about the British fascination with an idealised past.

Episode 1 of How to Get Ahead – series about court life during a three different historical periods.

Episode 1 of Precision: The Measure of All Things – series about measurement and the history of measurement.

In Our Time: Hindu Ideas of Creation

In the In Our Time episode that we listened to on Sunday Jessica Frazier (University of Kent and University of Oxford), Chakravarthi Ram-Prasad (Lancaster University) and Gavin Flood (University of Oxford) discussed the ideas about the creation of the universe that are present in the Hindu religion. One thing that they brought up fairly early in the programme is that there isn’t An Answer that everyone must believe. In the earlier texts that survive there’s a pervading sense that this is a mystery and the writers are speculating about the possible answers. Frazier quoted a hymn that asks the question what was before the creation happened, which says that maybe the god in the highest heaven knows, but maybe he does not.

In the Hindu stories about creation the world/universe is not created ex nihilo, nor is it necessarily a one off event. Flood talked about the ideas about recurrence – which include metaphors like the cycle is god breathing out (emanating the universe) and in, or god waking and sleeping. There are two sorts of stories – in one sort the divine emmanates the world from it’s own divine self, and in another sort the world is created from an egg of the stuff that was there previously. These can be quite complex – for instance one has the divine being producing from himself another being with whom he has children. These children then go on to create the world from themselves – this reminded me of Egyptian cosmology, and they also talked in the programme about similarities with the Gnostic tradition of the demiurge who is created by the divine being then creates the material world. The other sort of story with the creation from pre-existing material gives rise an idea of the divine as craftsman or architect.

These early texts are generally not much concerned with how the world is made or created – there are these stories but much more space is devoted to how society is and should be organised, and rituals and so on. As I said in the first paragraph they told us that the mystery of it was part of the point for the early thinkers. But one thing these stories were useful for in the context of the rest of the texts was setting out that the nature and hierarchies of society were divinely ordained in the original creation. For instance one of the stories has the different castes being made from different parts of the divine being’s body – like the warriors from his strong arms, and so on. So the castes of society are all the necessary parts of the body of society.

I think they said these early texts were from around 3000 years ago, and obviously over time the Hindu thinking about creation has changed. Around 2000 years ago they said that Hindu scholars began to approach the idea from a more philosophical direction. Rather than being happy with a central mystery and speculation they began to think about how it might’ve worked and why the divine would create the world anyway. I think this is where one of the experts told us that one of the ideas for why the divine created the world is that it was to incarnate in the world and enjoy all the pleasures it had to offer. Which is an interesting counterpoint to Christianity where the incarnation of God as Jesus is fundamentally about the suffering of the world.

Later yet, around 1000 years ago, the stories about creation began to take on a more theological cast – the stories began to be about named gods, and more specific in detail. This is where Brahman, Vishnu and Shiva come in as the actors in the creation stories. However there is still (and still remains) no sense that there is One True Answer to how the world was created. Ram-Prasad told us that different families have different traditions for which gods and stories they give prominence to. There is also no sense that the stories are literal truth, so there’s not any conflict between Hindu religious belief and modern physics – the creation stories were always metaphors and speculation.

One other thing Bragg brought up (but Flood shot down quite quickly) was that some of these metaphorical stories can be perceived as matching up quite well with modern scientific ideas about the beginning of the universe. But as Flood said, it’s important not to get carried away with oneself about a coincidence.

(I found this rather hard to write up for some reason, hopefully I haven’t mangled it too much in trying to make it coherent!)

April 2014 in Review

This is an index and summary of the things I’ve talked about over the last month. Links for multi-post subjects go to the first post (even if it’s before this month), you can follow the internal navigation links from there. (TV shows without full posts will not be linked, but will be listed.)

Books

Fiction

“Whiskey and Water” Elizabeth Bear. Sequel to “Blood and Iron”, part of Read All the Fiction. Kept.

Total: 1

Concerts

Crimson ProjeKct (12 March 2014, Shepherd’s Bush Empire).

Maximo Park (Manchester Academy, 15 March 2014).

Total: 2

Films

Vikings Live – live broadcast from the British Museum’s Vikings exhibition.

Total: 1

Links

Monday Link Salad 14/4/14.

Monday Link Salad 21/4/14.

Monday Link Salad 28/4/14.

Total: 3

Museums

The Cheapside Hoard – exhibition at the Museum of London.

Manchester Museum – mostly the Egyptian collections.

Total: 2

Photos

Eternal Spring.

Final Frontier.

Scream.

Total: 3

Radio

The Berlin Conference. In Our Time episode about the Berlin Conference of 1884 and the Scramble for Africa.

The Phoenicians. In Our Time episode about the Phoenicians.

Invention of Radio. In Our Time episode about the invention of radio.

The Tempest. In Our Time episode about Shakespeare’s play The Tempest.

Total: 4

Talks

“A Beautiful Burial: Decorating an Old Kingdom Mastaba Chapel” Ann Macy Roth. Talk given as part of the annual Charles Wilkinson lecture series in 2013, we watched the video of it on youtube.

Adornment for the Afterlife: Jewelry and Identity at Ur and Nimrud” Kim Benzell. Talk given as part of the annual Charles Wilkinson lecture series in 2013, we watched the video of it on youtube.

“In Quest of Paradise: Accommodating Death in Islam” Lisa Golombek. Talk given as part of the annual Charles Wilkinson lecture series in 2013, we watched the video of it on youtube.

Total: 3

Television

Non-Fiction

Animals Overnight: Sleepover at the Zoo – programme about sleep and animal sleep patterns. They set up cameras around Bristol Zoo to record what various of the animals did overnight when no-one was around, and also visited various sleep scientists to talk about what we know and don’t know about sleep. Most surprising fact for me is that REM sleep appears to be the result of convergent evolution, even if we still don’t know what its purpose is.

Britpop at the BBC – nostaglia programme about Britpop, using footage filmed by the BBC, mostly for Top of the Pops.

Border Country: The Story of Britain’s Lost Middleland – programme about the history of the area of Britain around the England/Scotland border, presented by Rory Stewart.

The First World War – a 10 part series covering the whole of the war.

Mind the Gap: London vs the Rest – two-part series about the increasing gap between the economy of London and the economy of the rest of Britain.

Monkey Planet – series about the biology and behaviour of primates.

Pagans and Pilgrims – series about the sacred places of Britain, presented by Ifor ap Glyn.

The Plantagenets – Robert Bartlett covers the history of the Plantagenet dynasty, who ruled England for nearly 300 years.

Polar Bear: Spy on the Ice – one-off programme filming polar bears using hidden cameras.

Return of the Black Death – slightly shallow C4 programme about the Black Death using the skeletons discovered while digging Crosstrail as the jumping off point. Part of the Secret History series.

Rococo: Travel, Pleasure, Madness – three part series presented by Waldemar Januszczak about the Rococo art movement, as a sequel to his series on Baroque art.

Tales from the Royal Bedchamber – one-off programme presented by Lucy Worsley about the role of the royal bed and bedchamber in English and British history.

Unnatural Histories – series about human influence on areas of the world that we traditionally think of as “untamed nature”.

When Albums Ruled the World – nostalgia for the heyday of the vinyl LP, the 60s & 70s.

Total: 14

Trip

A Wander Around a Bit of London – we walked along Fleet Street to the Strand to see what we could see, lots of photos.

Total: 1

Vikings Live

Last Thursday we went out to the cinema to see a live broadcast from the current British Museum exhibition about the Vikings (which I’ve already written about here). Cineworld Ipswich sadly managed not to switch the screen on in time for the start of the broadcast, but we only missed the first few minutes. The format of the live part of the show was Bettany Hughes and Michael Wood looking at various of the items on display in the exhibition and talking to experts about them (including Gareth Williams, the curator of the exhibition). There were also a couple of segments of chat with the director of the British Museum, Neil MacGregor, about the exhibition and the objects. These live sections were interspersed with pre-recorded stuff – presumably partly to allow presenters and camera crews time to reorganise themselves for the next bit!

It was an interesting counterpoint to the exhibition itself. I felt the exhibition emphasised the non-raiding, non-marauding parts of the Viking story, and was trying to position them more as traders and colonisers. Whereas the broadcast wholeheartedly embraced the raiding and warlike side of the Vikings, while also pointing out their softer, more civilised side (sometimes). It also had more of a sense of fun to it than the exhibition itself – perhaps just because it’s easier to convey that enthusiasm in person than in a museum label.

Each segment of the broadcast was introduced with a dramatic declamation of (translated) Viking poetry, by a man dressed up as a Viking, followed by a burst of fire revealing the title (like “War” or “Raiding” or “Women”). Obviously these were part of the pre-recorded stuff, I thought they were rather well done. We also got to see the exhibition curator dressed up as a Viking warrior – apparently he does re-enactment as well as museum curation! He was particularly enthusiastic at showing Michael Wood how you could use a long knife from below a shield wall to gut your enemies … And the show piece at the end of the broadcast was some footage of a (re-enacted) Viking ship burial, which I think for me suffered from the amount they’d been hyping that in advance – sadly not quite as spectacular a I was expecting.

As well as all that sort of thing we also got treated to a much closer look at some of the artifacts than was possible in the exhibition itself. In the case of many of the smaller pieces (like the little ship brooch that opens the exhibition) this meant we got to see them at many many times life size and so could really see the detail. One thing that struck me in all the explanations of the objects was that a lot of them have been relatively recently discovered. The ship burial that they had from Scotland, for instance, hadn’t been completely conserved yet (making it incredibly fragile and difficult to display). And there was a tiny silver figurine of a female warrior(? valkyrie?) with a sword that had only been dug up last year!

It’s cool that the British Museum are doing this sort of thing. I think as a broadcast it would work whether or not you had a chance to see the exhibition in person. I’m glad we went to see it, and I think it’s a shame we somehow didn’t go to the Pompeii Live one last year – I’ll definitely keep an eye out for these sorts of tie-in broadcasts in future.

Monday Link Salad

I’ve heard of “The Steerswoman” by Rosemary Kirstein several times and here’s another review – sadly not in the library, so this is as much a note to myself to buy it sometime as anything else!

Some amusing graphs and infographics – I’m particularly amused by the movie seats one with the relative heights of people around you, as that describes my gig experience too 😉

Ten facts about aphids – including cannibal aphids!

I’ve recently started following Crap Taxidermy on Twitter coz the pictures are normally worth a giggle (tho the captions can be a bit hit & miss for me).

TV I’ve set recording this week: