It's More Fun to Be Jack of All Trades than Master of One – Page 57

Empire of the Seas; Wartime Farm

Started TV night off last week with the first episode in a series we’d recorded back in February – “Empire of the Seas: How the Navy Forged the Modern World”. The theme of the series is the history of Britain over the last 400 years, seen through the lens of the Royal Navy. This first episode (Heart of Oak) started with the growth of the navy from a loose coalition of mostly independent ships through to something that is more akin to the modern navy at the end of the 17th Century. The presenter, Dan Snow, started by telling us about the defeat of the Spanish Armada – or rather by telling us about the context for the Spanish Armada. So he told us about Francis Drake’s early career as a slave trader, and of an incident where the Spanish caught him & his cousin trading slaves in Spanish territory in the Americas (which was forbidden to foreigners) and attacked his ships, capturing and executing many of his crew. Drake bore a grudge about this, which he indulged (and was encouraged by the state to indulge) by attacking Spanish shipping and Spanish ports such as Cordoba – and by stealing their treasure. The Armada was thus partly a retaliation for this state sanctioned piracy.

The successful defeat of the Armada encouraged later Stuart adventures such as sending the Navy to harass Cordoba again, but this was an abject failure – because there was no charismatic leader like Drake, and the individual ship captains did what they wanted to do when they wanted to do it. And this lack of co-ordination, and lack of planning, meant they were not successful. Snow then told us that the first rebellions of Parliament against Charles I were about this poor organisation and funding of the Navy, which isn’t something I’d heard before. After the Restoration Samuel Pepys (the man with the diary) was Chief Secretary to the Admiralty, which meant he was in charge of all the administration of the Navy. His talent for organisation was instrumental in starting to form the Navy into a professional military organisation rather than a collection of individual vessels.

It’s an interestingly different take on the history of this period – as it draws out different aspects of things I already knew about. Like I wasn’t aware that Drake had been involved in the slave trade, nor was I aware just how important Pepys was to the Navy. Looking forward to watching the rest of the series.

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Episode four of Wartime Farm was primarily about the government inspections of farms during the war to see if they were producing food efficiently enough. By midway through the war the War Agricultural Executive Committees had the power to remove farmers from their land if they weren’t productive enough. Apparently 2000 farmers had their farms taken over during the war, and the programme included the story of one man who refused to be put off his land and in the end died after a siege & a shoot out with police. Not at all the sort of thing I associate with WWII.

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Tower of London

I’ve finally got my photos sorted out from our visit to the Tower of London at the beginning of November and I’ve uploaded them to flickr – highlights in this post, more if you click through to flickr.

We’d been meaning to go & visit it for a while – I’m pretty sure I’ve visited the Tower before, but not since I was a kid and J didn’t think he’d ever been. We decided to start with the Yeoman Warder tour (as recommended by one of J’s colleagues) so spent 15 minutes or so hanging about after we got there photographing some of the buildings on the other side of the Thames while we waited for the tour to start.

Then it was off for the tour – the one that left shortly before we arrived at the Tower had looked like there was a fair amount of “audience participation” so I was a little dubious. But it was actually really good. In part because the guy who was leading it didn’t get a particularly loud response from the group when the first place to cheer came up, so he dialled that down. It was basically a walk through the grounds of the Tower showing us the various buildings (mostly from the outside) and giving us an overview of the history of the place, interspersed with anecdotes & facts about the Yeoman Warders (who are NOT TOUR GUIDES as he told us a couple of times 😉 ). We then got to go into the Chapel of St Peter ad Vincula (no photos unfortunately) – this is only open to people on the Yeoman Warder tours. This is the place where the people executed at the Tower were buried – some have been reburied elsewhere, but Anne Boleyn amongst others is still there. I’d recommend doing the tour if you visit the Tower – it sets everything neatly in context.

After the tour we decided we’d have a break for coffee and a snack (so we could delay lunch until after lunchtime to avoid the busy time). Then we went and looked at the Medieval Palace area of the tour. This was built and lived in by Henry III and Edward I and the “Traitors Gate” was actually the entrance to this palace – it’s only later during Tudor times that traitors were brought into the Tower here. My favourite bit of this section was the mock-up of a royal bedchamber that they had. As well as some furniture & wall decorations they also had a chap in there playing recorder (not the King, Edward was in Westminster that day, as he said 😉 ), and somehow the atmosphere & everything worked really well. They also had a throne room set up & there was some sort of storyteller thing going on in there, but I was less convinced by that. In one of the towers a bit further along there was also a display of medieval items that they’d excavated from the area of the palace, including a rather fine glass chess piece.

Recorder Player in the King's Bedchamber

Further round the walls there were the towers where people had been imprisoned – one had lots of fine graffiti (all behind glass so nigh on impossible to photograph). Some of it was really very impressive & intricate – including the only one I have a decent photograph of, that’s of an astrological table. There was also an exhibition about the Royal Menagerie that used to be kept in the Tower (it later formed the basis of London Zoo). We were particularly struck by the story of the polar bear of Henry III, which was tied on a long rope to the side of the Thames then allowed to swim in the river & fish. And the snakes which were apparently wrapped in blankets and put on the stove to keep warm during winter. As well as the exhibit in one of the buildings the Menagerie was also “illustrated” with a series of wire sculptures by Kendra Haste that were dotted around the site. And another aspect of the Tower – the guards – were represented with metal sculptures (I don’t know who by) around the walls.

After this we headed off to look at the Crown Jewels – no pictures, they’re pretty strict about not allowing photography in there. The great benefit of visiting in November during term time was that there weren’t any queues for this bit and we could go up and down the little moving walkways round the regalia more than once to get a decent look. As well as the obvious (the crowns) they also had a whole load of ceremonial maces & ceremonial tableware. The dishes weren’t that interesting, but the maces were neat 🙂 Related to this area of the Tower was another exhibit we went to during our walk along the wall from the Medieval Palace – there was a room about the diamonds used in the various crowns, which was more interesting than I expected. It included the neat fact that the diamonds in one of the crowns were hired (one of the George’s crowns, I think, no photos so I have no note).

Then we had a break for lunch (the restaurant place on site was nice but pricey) and after that set off to do the White Tower (what I think of as “the Tower proper”). We didn’t actually manage to finish looking round this – ran out of time and they were shutting it up before we got a proper look at the top floor. The exhibits in the White Tower that we did look at included some history of the building, and a lot of armour. Perhaps a little overwhelmingly much armour (but I did still look at it all, because it’s cool 🙂 ). This ranged from Henry VIII’s various suits of armour (ornate yet still practical) to the armour for the Stuart dynasty (ornate for the sake of ornate, particularly in the case of Charles I), and some modern armour too. They also had a variety of weaponry (including a combination mace and gun belonging to Henry VIII which was a thing I had no idea existed), some of which was gifted to the Crown by territories in the Empire or other diplomatic gifts. And they had the model horses (and some model heads) from an old display from the 17th Century of the “Line of Kings”. Those horses looked disturbingly manic to me! As I said, we didn’t see much of the top floor but notable things that we did see included the block & axe used for the last beheading at the Tower, and a dragon made out of bits of armour(!).

A very good day out 🙂 Well worth a visit if you’re in London – budget lots of time for it & don’t be put off by the price (we spent 6 hours there and didn’t see everything).

In Our Time: The Ontological Argument

The episode of In Our Time that we listened to this week was perhaps a little brain-twisting for first thing on Sunday morning, but also in some ways appropriate for a Sunday! In it Melvyn Bragg and his guests (John Haldane (University of St Andrews), Peter Millican (University of Oxford) and Clare Carlisle (Kings College London)) discussed the Ontological Argument. This was put forward by St Anselm (Archbishop of Canterbury) in the 11th Century to prove the existence of God by logic alone. In this it is different from argument by design (ie the world works so well that it can surely only exist because someone designed it), or the cosmological argument (where the existence of the universe at all requires the existence of something that caused the universe to exist and this First Cause is God). In essence the Ontological Argument is that if God is by definition the greatest and most perfect concept that there can be, then he must exist because if he did not then there would be the possibility of a greater concept namely one that was all that God is but that also existed. So as God is the greatest, then he must exist. I think that’s the way it runs, anyway – as I say, somewhat brain-twisting.

It was criticised initially by some of his contemporaries, but continued to fuel others’ thought – later it was taken up by philosophers such as Descartes, Spinoza & Leibniz and criticised again by thinkers such as Hume & Kant. I was particularly struck by Kant’s criticism, which is that existence is not a predicate – he was answering in particular the formation of the argument that is saying that if God is the most perfect incarnation of all things (ie is perfectly knowing, is perfectly powerful etc), then he must necessarily also be perfectly existing as that is a quality that such a being must have. Kant was saying that existence isn’t a quality like the others – so you can describe an object, perhaps it is tall, blue and hairy. And then you can ask the question “and does it exist?”, this is a separate question to idea of what the object or concept is.

I can see the seductiveness of the Ontological Argument – both to bolster one’s own faith and to say to others “but you must believe, see I have proven it’s true!”. But to be honest it felt circular to me – it involved first defining God in such a way that his existence was part of the definition, and then saying “and therefore he exists”. I’m sure there are more subtleties to the idea than that, however, otherwise it wouldn’t’ve occupied so many people’s thoughts for so long.

Andrew Marr’s History of the World; Wartime Farm

TV night last week included the last episode of the Andrew Marr series – this time taking us from the aftermath of World War 1 through to the present day (roughly speaking). So a lot of what it covered were atrocities – we had Nazi atrocities (tho not actually discussed, what was covered was Hitler’s rise to power with an emphasis on the fact that not only was he legitimately elected after a failed coup but that he hadn’t hidden any of his nastiness beforehand), we had Stalinist Russian atrocities, we had Communist Chinese atrocities, and we had American/Western atrocities (Hiroshima/Nagasaki). To offset that, pretty much all we got was a segment on the pill & how effective and safe contraceptives made such a positive difference to gender equality. And then a segment at the end about the future which was a bit too close to “and we’re doooomed!” for comfort 😉 I don’t want to give the impression that it wasn’t an interesting programme – just at times made for difficult watching because he did a good job of personalising the victims of these things.

Overall a good series, I’m pleased I watched it. A few times I had niggles about things being oversimplified when I knew more about the subject, but to be fair here you’ve got to simplify it otherwise you can’t tell the “history of the world” in 8 episodes of an hour each. Despite in general not liking dramatisations of history much I thought the ones here were well done – primarily because they didn’t take themselves so seriously. I also thought they did a good job of picking lesser known stories to present, or the beginning of something rather than the end point we all know (see above, about Hitler). And a good job of presenting more than a history of the Western world, although the last two or three programmes did end up there at times (I think inevitably) there always seemed to be an attempt to look at the other perspective rather than the familiar one.

I’ll be buying the book, and adding it to my (growing) pile of books to read 🙂

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We’re onto the third episode of Wartime Farm, which was focused on evacuees and on Christmas 1940. The perspective on evacuees wasn’t the one I’m more used to hearing about, in that it wasn’t “oh those poor children sent off on their own”, it was more about how the country folk reacted to it. Because after all, suddenly there they were having to find beds and food for a bunch of strangers who had different ways of life and were in many ways a burden. It did gloss over any serious difficulties, though, preferring to concentrate on how in the end it mostly worked out fine. The bits about Christmas were partly tied in with that and partly about how rationing and all the other associated problems made people cling to trying to provide as normal a Christmas as possible. Even if the turkey was actually a “murkey” made out of sausagemeat stuffing shaped like a turkey with roast parsnip legs … They also showed us pamphlets the government sent out showing how to recycle scraps and rubbish and make them into toys, like a model spitfire made out of old tin cans. Which made me think of something Dad was telling me about when we last visited – he had a toy when he was very little which was a home-made warship to push around the floor, complete with bits of wire for antennae & funnels made out of lead pipe. Made me wonder if whoever had made it for him had got one of these pamphlets.

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Andrew Marr’s History of the World

We had a bonus single-programme TV night on Sunday afternoon coz we were worried about the PVR filling up. So we watched the next episode of Andrew Marr’s History of the World. In this one he was talking about the Age of Industry – and how the Industrial Revolution was the biggest shift in society since the Agricultural Revolution. The parallels struck me more when watching this than they have before – in both cases the change allowed society as a whole to support more people and can be thought of as “progress”. And you definitely can’t turn the clock back afterwards. And in both cases the quality of life for the average citizen goes down – most notably poorer health. My life now is only possible because of both of those changes, but the fact that it’s a good life is because things have got better since those revolutions.

One of the segments I found most interesting was effectively the origin story of modern Japan – when the US came knocking and insisted they opened up trade with the industrialised West the Japanese looked back at what the British had done to China (hint: it wasn’t good for the Chinese) and embraced the industrialisation of their country. This wasn’t good for everyone (like the Samurai, who became obsolete in the new Japanese culture), but it meant the change happened on more Japanese terms and meant they got more of the benefits not just the costs of their Industrial Revolution.

This penultimate episode brought us up to the First World War, so the final segment was about both the drawing of the US into the war and the Russian Revolution. Which can be tied together by the hand that the German Foreign Secretary (Arthur Zimmerman) had in instigating them. One of the things souring the relationship between the US and Germany (other than bombing their ships …) was that Zimmerman sent a telegram to the German ambassador in Mexico suggesting they invade the US (and said telegram was not only intercepted but Zimmerman also confirmed that it was legitimate). And for the Russian situation Zimmerman proposed to help Lenin back into the country & promised him money if he would undertake to withdraw from the war when he got power (which Lenin did).

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“Venice in Shakespeare’s Time” Hilary Williams (British Museum Friends Open Evening 5/12/12)

As well as the lecture we also went to a gallery talk at the Open Evening – these are where a curator takes you around some objects of interest in a gallery for 45 minutes or so. The theme of this one tied in with the Shakespeare exhibition, and was in some ways an extension of the central room of the exhibition. Shakespeare set several of his plays in Venice and (as discussed in both the exhibition and this talk) this was for several reasons, including the fact that it allowed him to portray situations that might’ve got him in trouble if he’d set them in England. Venice was also widely known as an exotic, tolerant place where luxurious goods came from. During the gallery talk she showed us various pieces of ceramics & glassware that had come from Venice around the time of Shakespeare or just before. Shakespeare himself is thought never to’ve gone to Venice, but he would’ve known about the place both from reading published works about it, and through objects like the ones she showed us which he would’ve seen in the houses of the aristocracy.

One of the things it seems hard to remember is how exotic good quality glass was at the time. The glassware of Venice was famous throughout Europe, and to have a Venetian glass salt cellar or marriage cup really showed how high status & wealthy you were. The glassmakers of Venice were apparently forbidden to leave the city, so that the recipe for their glass remained a secret only known to Venice.

As well as showing us several objects & setting them in their cultural context she also read us a story from an old guidebook to Venice – which labelled a house as where a man had murdered his wife. I’ve unfortunately forgotten the names, but the name of the family was reminiscent of “Moor” although they were not Moorish, and the name of the wife was similar to Desdemona. So it’s possible that Shakespeare didn’t just get an exotic stage set from his reading about Venice, but perhaps also the start of one of his plot lines.

An interesting talk 🙂

And for a bonus picture – here are the Christmas decorations at the British Museum. They even say something sensible in the hieroglyphs – something like “Beautiful birthday of God’s child”.

“A Mind Which Could Think Otherwise” Neema Parvini

The lecture at this month’s British Museum Friends Open Evening (“A Mind Which Could Think Otherwise: Understanding Shakespeare’s Creative Intelligence”) was tied in with their current major exhibition about Shakespeare (which we went to see a couple of months ago). The lecturer, Neema Parvini, is an academic at the University of Surrey & has written a couple of books about Shakespeare. The subject of his talk was whether or not Shakespeare is some sort of “universal genius who speaks to all of us” or purely a product of his time & place. Or perhaps more accurately the subject of his talk was a survey of the opinions (both popularly and in academia) about that question.

He started with an overview of what Shakespeare means to “the man in the street”, which includes the idea of him as somehow timeless with something to say to anyone regardless of race, creed, social status, gender etc. He then took a fairly lengthy digression through the Marxist theories of Louis Althusser, with several lengthy quotes in quite technical language (perhaps technical in a Marxist specific sense, perhaps technical in a more general philosophy sense, I don’t know). Eventually he returned to the point, which was the impact of these ideas on literary criticism, and how this ideology of a person as the product solely of their culture and upbringing was brought to the academic discussion about Shakespeare. Essentially the pervailing view in academia became that Shakespeare cannot be understood outside of his specific historical & cultural context, and that he’s as sexist, racist etc as any other product of that background. And that the only reason he’s regarded as some sort of universal genius is because we’ve all been indoctrinated during our schooling to believe this.

He then moved on to his own opinion on the subject – which is that while this backlash against the idea of Shakespeare as universal was necessary it has gone too far. He very briefly discussed the scientific work that lead him to this opinion – mentioning Richard Dawkins & Stephen Pinker. The idea here being that while we’re products of our culture, there are also fundamentals that are common across all cultures. In Pinker’s work this is language in particular, but also other things like emotions like jealousy, fear, love etc. (As an aside, although he didn’t mention it in the lecture this is the Nature vs. Nurture debate – and the idea that it’s one or the other is generally regarded as a false duality nowadays.) So his opinion is that there are things about Shakespeare’s plays that speak across the generations and across cultures, but there are things that are the product of his time and place. He then said he didn’t have time for many examples, but gave a few brief instances that demonstrated that Shakespeare was set apart from others of his contemporaries in how he wrote his plays. Shakespeare doesn’t often take sides among the characters of his plays – people are rarely completely evil, even the villains are given redeeming features and given human motivations. There are also not the moralising introductions or epilogues that others of his contemporaries would insert where the “lesson” of the play was spelt out. So whilst Shakespeare might well’ve been just as sexist etc as the rest of his culture, the way he wrote his plays allows one to sympathise with the characters even when our modern perspectives are different to Shakespeare’s.

Whilst he was quite a good speaker (although not good at reading out long passages from other’s works without stumbling) the subject of his talk wasn’t quite what the title and description of it in the booklet for the evening had lead one to believe. And I think the overall structure could’ve done with some reorganisation or tweaking for the audience – in particular I would personally have cut the lengthy discussion of Althusser’s philosophy and presented it more briefly & in a manner that was more clearly related to his point, like he did with the biology later in the talk. And then have had more time to go into a few specific examples, perhaps contrasting different critiques of the same passage from the three perspectives so that we could see as non-academics what the practical outcome of this theorising is. I wouldn’t’ve gone so far as to walk out of the talk (bad manners, if nothing else), but I did have some sympathy with the point of view of the person who did get up and grumpily announce “I thought this was supposed to be about Shakespeare” and leave, slamming the door behind him.

Maximo Park playing at O2 Academy, Newcastle (3/11/12)

We travelled up north at the weekend to go to a Maxïmo Park gig in Newcastle. Jo and Chris were going with us (and had in fact organised the trip, so thanks to them for that 🙂 ). We headed in to Newcastle itself on Saturday afternoon to get checked into our hotel, then off to Tilleys Bar for a beer or two before grabbing dinner in one of the buffet restaurants in Chinatown. Then on to the gig itself 🙂

The O2 Academy seemed a good venue to see a band in – J & I decided it was probably the same size as the Cambridge Corn Exchange where we’d seen Maxïmo Park before just differently shaped. We got in just after doors and got a good spot in the centre near the front – only 3 people from the stage, and we could’ve pushed further through if we’d wanted to I think. I was a little surprised how few people seemed to want to try & be at the front, it didn’t properly fill up till Maxïmo Park were on stage even though it was a sold out evening and people weren’t pushing past to get the best spots like I would expect.

The support band were called La Femme, and I’d never heard of them before. It turns out they’re a Parisian band, who do fairly high energy poppy stuff. And sing in french. Fun, though I don’t feel any need to seek out their album.

Between the bands Jo & I pushed out for bar run, and bumped into Ross (a friend of J & Jo’s who grew up in the same village as them) which was cool 🙂 He wouldn’t come through to the front though, so we didn’t get much of a chance to talk to him.

Then it was time for the point of the evening! I know the first Maxïmo Park album the best, so was pleased that they played so much from it. Pretty much all their songs are very high energy & so there was a lot of jumping up and down and a lot of singing (shouting …) along. The atmosphere where we were was fantastic, everyone seemed really into it and the band looked like they were enjoying it as well. And they even played my favourite song of theirs (Acrobat) so I was happy 🙂

Here’s a youtube vid from some gig in the Netherlands 3 years ago – with both Acrobat & Our Velocity:

After the show we decided to stay in the venue and see what “the country’s biggest indie night” was like. The music at first in the upstairs room where you had to be while they cleaned the venue/people left was pretty good, all fairly old school indie. Although the DJ’s mixing skills needed some practice. After a bit we moved downstairs back to the main venue hoping to get seats & hopefully better DJing, but the music there turned out to be a lot more boring. I have to confess to not recognising any tracks (except the one Maxïmo Park one they played). After a while we retreated back upstairs but the music there had got crap too (Wu Tang Clan and other such things) so after we finished our drinks we left. Mind you, we had been in there for about an hour & a half after the gig so it wasn’t terrible … just not particularly good either.

Back at the hotel we had a drink in the hotel bar (served by the most inept bar man ever, he didn’t know what half the drinks were & couldn’t find the ones he did know without looking for ages). And then off to bed. A very good evening out 🙂

Andrew Marr’s History of the World; Wartime Farm

We held TV night on Tuesday this week, so that J could play Assassin’s Creed III as soon as it arrived yesterday. This also meant we fitted three programmes into the evening & caught up with ourselves with the Andrew Marr one.

The two episodes of the History of the World that we watched covered the birth of capitalism (also including early colonisation of the Americas, the Reformation, British dealings with India & the Dutch and British in Indonesia) and the age of both Enlightenment & Revolution. The problem with having watched two episodes on the same evening (and then neglecting to write about them the day after) is that they’ve got a bit tangled up in my head. And the bit of my current book that I’ve just got to is covering the same era from a different perspective so that’s tangled in as well. The birth of capitalism as the stated theme for the first of the two felt a little stretched – it’s got to be hard to organise a chronological history into episodic themes, but this did feel like one of the weakest so far. I could see what he was trying to do – we started with Columbus “discovering” America and the Spanish moving in to plunder it, and ended in an era where speculative bubbles and stock market trading were an important part of wealth creation and companies as we think of them had begun to exist. So that’s a definite shift from gold and land as wealth to something closer to our modern economics. But still, it also felt like the story of exploration that that era is more often cast as. The age of Reason & Revolution worked better as a theme though, and he didn’t shy from pointing out the hypocrisy involved in both running a slave trade and claiming “all men are born equal”.

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And in between those two we watched the second episode of Wartime Farm. Which concentrated on 1940, and on rationing and the black market and on the Land Girls & the WI. The bits that particularly have stuck in my head were how you could take the dye out of red petrol by filtering it through bread – I didn’t expect it to work any more than the historian who was doing the experiment did. But it did! The other thing was the story of the black girl who was originally refused entry into the Land Girls because the people in charge said no farmer would hire her so what was the point. But after the story got picked up by the press a farmer came forward to say of course he’d employ her. So it wasn’t really the prejudice of the farmers that was as much the problem as the prejudice of the people running the Land Girls.

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In Our Time: Druids

On Sunday we listened to the In Our Time programme on Druids which was another high-flying overview, albeit a little hampered in this case by the fact that there are few actual facts known about the Druids. The experts on the programme were Barry Cunliffe (from Oxford University), Miranda Aldhouse-Green (from Cardiff University) and Justin Champion (from Royal Holloway, University of London). The programme was a little confusing at times – I think there were possibly too many angles that they were trying to cram into one programme, as well as the paucity of solid information.

Most of what we know about the Druids comes from the Romans who wrote about them – the Druids existed between about 400BC & 400AD, primarily in the British Isle and also in Gaul (modern France). Early Roman writers (like Julius Caesar) seem to’ve been impressed by the Druids. They are described as playing extremely important roles in both the secular & religious life of their communities, they were highly organised & hierarchical and held gatherings where knowledge etc was passed between them and presumably some of it back out to their communities. The Druids themselves haven’t left us much evidence because they adhered to an oral tradition for communicating their knowledge – the experts speculated that this might be partly for memory training, and partly for restricting the knowledge to those who were supposed to know it. The Romans were impressed with the philosophy of the Druids, and some later authors drew comparisons between Pythagorean ideas (I think about the soul) & Druidic ideas (which is pretty high praise for the Druids given how highly esteemed Greek philosophers were).

Many later Roman writers have a change in tone towards the Druids – much less favourable, and more inclined to see them as troublemakers. Perhaps because when you are conquering somewhere having an organised priesthood that has frequent countrywide meetings to exchange knowledge is effectively having a resistance movement. And the Druids had something to lose – the Romanisation of Gaul & Britain reduced their power & replaced them with Roman administrators and Roman religious temples & priests. Later still, Christianity played a part in stamping out the last remains of Druidic culture in Ireland & Wales even tho early on there was some coexistence between the two.

The respect of the Romans for the Druids is still obvious even in the later times when they are stamping them out. When the Romans went to march on the Isle of Anglesey one of the most holy Druidic sites they took on the order of 20,000 soldiers with them, which is rather a lot for an island populated largely by priests. This happened in the same time frame that Boudicca rose up to revolt against the Romans on the opposite side of the country, and the assault was abandoned to march back to deal with her army. Aldhouse-Green made the point that this is unlikely to be coincidence and she thought it was likely that Boudicca’s revolt was timed to prevent the destruction of Anglesey – there is apparently some evidence that Boudicca herself was a Druid.

The programme then jumped to the 17th Century reinvention of Druidism – mostly lead by English clergy, it seems. It’s from these people that we get the linkage between Stonehenge & Druidism – because knowledge of the true extent of the history of humans in the British Isles wasn’t known in the 17th Century they assumed that anything pre-Roman pretty much happened at the same time. So Stonehenge is pre-Roman and Druids are what were there before the Romans, so therefore Druids built Stonehenge. Which isn’t at all the case – Stonehenge pre-dates the Druids by a couple of thousand years! However, Cunliffe did suggest that perhaps the culture that built Stonehenge developed into the culture that had Druids, that there’s some continuity there due to some similarities between archaeological evidence for religious practices in the two time frames.

In this segment of the programme they also touched on how the Bardic tradition in Wales & Ireland may’ve grown out of the Druidic culture – that it’s the closest thing to continuity there is between actual Druids & what people in the 17th Century were trying to rediscover. And that that’s not much continuity at all. But the Romantic reinvention of the past didn’t just give us some colourful stories & myths, it also helped the development of archaeology itself – people bought up sites that were thought to be holy to the Druids to preserve them, and to investigate them.