australia – It's More Fun to Be Jack of All Trades than Master of One

Indigenous Australia: Enduring Civilisation (British Museum Exhibition)

In June we visited the Indigenous Australia: Enduring Civilisation exhibition at the British Museum. The premise of the exhibition was to display the art and showcase the culture of the indigenous peoples of mainland Australia & the Torres Straits Islands from their own perspective. Whilst the later sections of the exhibition inevitably looked at the impact of the arrival of the British the exhibition didn’t begin there as if it was the British discovery of the continent that mattered. Instead it started with the art & traditions that had existed for millennia before that.

The opening section of the exhibition had two purposes – it was trying to convey a sense of the scale and diversity of the continent, and it was introducing the key concept of country. It’s easy (from the perspective of all the way over here) to think of modern White Australia as a monolithic entity – beaches, barbies, sunshine, ex-pats & their descendents. So down one wall of the first section of the exhibition was a series of exhibits to point out the diversity in terms of environment and culture across the continent. This included a set of videos of different parts of Australia, with Aboriginal people walking through them or living in them. It also included a map of Australia divided up by the languages spoken at the time the first Western explorers came to the continent. The other side of this area had several pieces of art by several different groups of Aboriginal people. These showcased the variety of styles across the continent, and also began to introduce the idea of country.

The Aboriginal idea that we translate as the word “country” isn’t the same as the normal meaning of the English word, it’s not country like England is a country. The concept isn’t about a nation-state or a large scale political division of land, nor is it a sort of land (as in countryside). It includes not only land but also the people, animals, plants and other resources on that piece of land. It also includes the myths and the stories associated with that place. There’s a sense of ownership to it – a person or a family has “their country” – but that goes both ways, the people also belong to the land as much as the land belongs to them. A lot (all?) of the artwork in the exhibition was also tightly linked to the country of the artist(s). The art is a visual representation of the mythology and the geography of country. Several of the larger artworks were created by more than one artist – this is because each person paints their own country so as a story or artwork moves across different countries different people are involved. The exact meanings of the symbolism in the art will also only be known to the people whose country it is. Only the senior members of those people will know all the nuances – possibly not even then, as men and women may have different knowledge of their country. Which meant that while some things were explained in the exhibition labels other things were noted as something private to the artists.

I’m not sure I’ve explained country very well – it feels slippery to me because it’s a completely different way of looking at the universe so neither I nor the language I use have the right words for the concepts. I’m also not personally particularly attached to places – less so than J, for instance – so I only grasp the idea on an intellectual level not an emotional one. Starting the exhibition with country as the key idea helped to put the last part of the exhibition – after the arrival of the Westerners – into sharper relief. Taking land from Aboriginal people, displacing communities, taking and using up the resources of the land isn’t just about forced removal of property and inadequate compensation. It’s also damaging and breaking something fundamental about how people’s sense of self is structured.

The next two sections of the exhibition looked at using country (resources, trade) and tending country. Nobody’s country has every resource, so trade between countries and even outside the continent was an important part of the economy. And it was an economy of reciprocal gift-giving with expectations and understandings about obligation which wouldn’t necessarily (ever?) be spelt out – which lead to miscommunication once the British arrived. In order to make best use of the resources country needs to be tended both ritually and physically (although I suspect that’s a division that isn’t made). So this section of the exhibition included examples of ritual actions but also discussion of things like setting controlled fires to stimulate new growth of the local plant life. One of the exhibits was a photo of a chap in his ceremonial gear, sat on a chair taking a selfie with his iPad. While I was looking at it, I overheard a somewhat posh sounding older lady remarking to her companion “I suppose that’s one time when it would be permissible to take a selfie!” which made me laugh (not out loud tho).

At the centre point of the exhibition, marking the transition from the Aboriginal Australia to the Colonial Australia was a memorial pole. These pieces of art were once funerary pieces for individuals the artist & his or her community wanted to remember, but in more modern times they’ve changed to be less associated with a particular person. This one had two figures at the top, one on each side of the pole. Both figures were planting a staff which ran down the whole of the pole through the rest of the design. One of these figures is an important ancestor of the artist, and his staff represents the law of the indigenous people enforced on the land. The other figure represents Captain Cook planting the British flag and enforcing the law of Britain on the land. The artist hasn’t said which figure is which. It was a striking and thought provoking piece (once the symbolism was explained).

And so then the exhibition moved on to the era of British and White Australian rule over the continent. This was divided into two sections – first “encounters in country” which looked at the early settlement days, and then the exhibition finished with a look at post-independence Australia. The early settlement section had as one of its main themes how the indigenous people have been written out of the narrative of this period. Like the reports of explorers discovering new bits of the continent as if they’d gone out and walked alone through the wilderness. When actually they’d been taken by guides, along pre-existing trade routes to communities who they had negotiated to visit. And of course the claiming of the continent for Britain by Cook as it was “owned by nobody” when in actual fact every piece of land was somebody’s country. One of the most striking pieces of art in this section was a modern painting done in an old-fashioned Western style – the ship on the ocean with its sails aflutter, the beach and the heroic figure in 18th Century uniform clearly having just landed on virgin territory. And yet this is not Cook the intrepid Westerner, this is an Aboriginal man.

The last part of the exhibition was pretty grim viewing – it documented the ways in which the Aboriginal peoples of Australia have been treated as less than human since independence. Starting with the constitution of the new country which outright states that when you do a census you don’t count indigenous people. Until shockingly recently Indigenous people weren’t citizens – they were “wards of the state” who were much more restricted in what they were permitted to do, as if they were children. There was art in this section relating to the forced removal of people from their country, of the massacres of Aboriginal people and of the Lost Generation who were systematically removed from their families and adopted by White families to break the cultural ties of these children. Again the exhibition took care to remind us that Australia is not one monolithic place and there were many experiences of colonialism by different communities – in some cases these things were long enough ago that they are history; in others it has happened within living memory. Just before the end of the exhibition the timeline moved on to contemporary times, and highlighted both the ways that things are getting better and the debate within Aboriginal communities nowadays about their art in our museums. As the art and the artifacts are so closely linked to country some people feel that they shouldn’t be taken away and put in a museum somewhere else. But others feel that so long as there is respect for the meaning of the piece and so long as there is an attempt to educate the people who come to see it (not just “oh look at this exotic thing from foreign parts”) then it’s OK. I didn’t, however, really get the impression of enthusiasm for the idea from any of the stated positions … which made for a rather uncomfortable sensation having just walked through this exhibition.

As a sort of palette cleanser the exhibition finished with a short but charming video of a man who is one of the last master basket weavers of particular type of basket we’d seen earlier in the exhibition. We also went to a short talk that evening by one of the curators, Lissant Bolton, who gave us a sense of the artists who’d made some of the contemporary art we’d seen in the exhibition. One thing she said that stuck with me was that it was notable that when she was visiting Australia during the set up phase of the exhibition she would bring objects and they would reciprocate by taking her to country associated with them. A sort of micro-scale view of the difference in the two cultures.

Egypt’s Lost Queens; Talk to the Animals; John Bishop’s Australia

Egypt’s Lost Queens was a one off programme presented by Joann Fletcher about four influential women in Ancient Egyptian history. Of the women she picked to focus on there were two who wielded power in their own right, and two who were mothers and/or wives of Pharaohs. Fletcher didn’t just go the easy route of picking all the “obvious” ones – i.e. no Nefertiti, no Cleopatra – instead she covered Hetepheres, Hatshepsut (who does count as an obvious choice), Nefertari (ditto) and Arsinoe.

Hetepheres was the mother of the Pharaoh Khufu – the man for whom the Great Pyramid at Giza was built. Fletcher said that Hetepheres was the first burial at the Giza plateau and so she positioned her as the founder of this burial site – I suspect it’s more likely that Khufu picked the site for his own pyramid, then buried dear old Mum there when she died rather than Hetepheres having much say in the matter. As there’s not much known about Hetepheres other than her family relations this segment of the programme mostly looked at those of her grave goods which have survived – which includes a bed frame, and a carrying chair. They’re in Cairo Museum and I remember we saw them when we were there a few years ago – pretty impressive to see a bed that’s 4,500 years old.

Hatshepsut is an 18th Dynasty Pharaoh who first ruled as her step-son Tutmosis IV’s regent when he was under age, and subsequently ruled in her own name as Pharaoh (with him as co-ruler but in the junior role). Fletcher mostly talked about how Hatshepsut used the propaganda machinery of Ancient Egypt to legitimise herself – her temple walls were covered with herself as Pharaoh (with all the accessories including the false beard). And also with references to her divine parentage and birth. Fletcher also talked about Hatshepsut as a military commander and suggested there’s evidence she may’ve seen battle.

Nefertari was Rameses II’s most important wife – she is the woman to whom the secondary temple at Abu Simbel is dedicated. She seems to’ve been involved in the diplomacy of the time – Fletcher showed us a letter from Nefertari to a Queen in Mesopotamia. And of course you can’t have a programme about Nefertari without visiting her tomb which is one of the most spectacularly decorated tombs that’s been found. (And we’re going to see it later this year!)

The last of Fletcher’s powerful women was Arsinoe, who was the daughter of the first Ptolemy to be Pharaoh of Egypt and later ruled herself – as co-ruler with her brother Ptolemy (who was also her second husband, her first was king of Macedon). At the end of this section of the programme Fletcher talked about how Arsinoe’s iconography references that of the earlier queens – with a crown formed from the crowns that these previous women wore in their own iconography. She was positioning that as a deliberate reference on Arsinoe’s part but I would’ve thought it more likely that Arsinoe and her predecessors were referencing the same gods and the same iconography as each other rather than a more direct link.

I’m torn about what I think about this programme. On the one hand it’s very well filmed and talks about a lot of interesting stuff, some of which I hadn’t seen before. On the other hand I did spend a fair amount of time thinking “well, yeah, but …”. In simplifying things to emphasise her point I sometimes feel Fletcher goes too far towards misrepresenting things.

We also finished off a couple of series this week. One of these was Talk to the Animals – a two part series about animal communication presented by Lucy Cooke. These programmes were an overview of the many ways that animals communicate both within their own species and between species. So there were segments on things like how can hippos communicate both underwater and above water simulataneously, or how does a particular species of bird lie to meerkats, or how banded mongoose calls are a bit like a twitter feed. One of the things Cooke was emphasising was how animal communication is a lot more complex than one might expect and certainly more complex than early researchers had assumed. She also met a lot of just slightly oddball scientists (of which there are plenty – I know I’ve met many that fit that categorisation – but that did seem to be a theme).

A fun series with a good blend of “isn’t that cute!” and science (with actual experiments, too).

The other series we finished was John Bishop’s Australia. John Bishop is a British comedian, and in his 20s he did a cycle ride up the east coast of Australia. Now, 22 years on, he was repeating that ride but visiting more of the places along the way and with TV cameras in tow. I don’t really have much to say about the series – but that doesn’t mean I didn’t enjoy it, it was actually rather good. On his travels he covered a fairly wide cross-section of Australian society and places. He’s a funny guy (as one would expect from a comedian) but was also serious when the subject required it.

Also watched this week:

Episode 3 of Britain’s Great War – Jeremy Paxman looking at what happened in Britain during WWI.

Episode 1 of Harlots, Housewives and Heroines: A 17th Century History for Girls – Lucy Worsley talking about late 17th Century British women.

Episode 1 of The Boats that Built Britain – Tom Cunliffe sails six boats that were important in British history.

Episode 1 of Wild China – series about Chinese wildlife & people.

This Week’s TV Including Romans, the Indian Ocean, Jewish History and Cute Fluffy Animals

Mothers, Murderers and Mistresses: Empresses of Ancient Rome

Catharine Edwards presents this series about the women with power in the Roman Empire. While there was no woman who was an Empress in her own right there were still women who helped to shape the politics of the empire. In the first episode Edwards’s focus was on Livia who was the wife of the first Emperor, Augustus. Her public role was as the epitome of the perfect Roman matron – she was submissive & demure, and attended to the domestic sphere rather than the political (spinning & weaving for instance). Augustus used this public persona of Livia’s to his advantage – first to contrast her with Cleopatra. And also to help his personification of his rule as back to basics & himself as just the first amongst equals. Behind the scenes Livia wielded more power & there are references to her influencing the outcomes of trials, and pulling strings to get things done. After Augustus’s death she was given the title Augusta & made the high priestess of his cult, and she started to wield power somewhat more overtly (which her son Tiberius who was now Emperor wasn’t so keen on).

During the programme Edwards also told us about Julia, the daughter of Augustus and Julia’s daughter Agrippina. Both of these women misjudged their way in the balance between power & appearances. Julia behaved scandalously – although her children were all presumed to be her husband’s this was because she’d made sure to only take lovers while she was pregnant. But the scandals were to be her downfall, she didn’t fit in with the image of the imperial family that Augustus wanted to portray, and she ended up exiled for her behaviour. Agrippina was married to one of Livia’s descendants and was the mother of Caligula. After her husband’s death in suspicious circumstances, which she blamed on Livia & Tiberius, Agrippina returned to Rome to fight for justice & for her family’s right to the throne. She too ended her days in exile.

The second episode covered Agrippina the Younger & Messalina. This Agrippina holds the distinction of having been sister of one Emperor (Caligula), wife of the next (Claudius) and mother of the one after (Nero). Messalina was the wife of Claudius when he became Emperor & she and Agrippina were bitter rivals during Messalina’s lifetime. Edwards spent some time discussing Messalina’s ruthlessness in getting rid of rivals (including Agrippina’s sister), and also Messalina’s bad reputation. She’s been immortalised in history as a nyphomanic, but Edwards pointed out that this sort of gossip was a way of attacking the power of the Emperor – if he can’t even control his wife, how can he rule the Empire? Of symbolically castrating him. So the reputation is probably undeserved. However, it was sexual misconduct that brought about her downfall – she is said to’ve undergone some sort of a marriage ceremony with a lover in front of witnesses & “spent the night with him as man & wife”. When Claudius heard of this she hoped to be able to talk her way out of it, but some of Claudius’s loyal freemen had her executed before she could do so.

After Messalina’s death Claudius married Agrippina – she engineered this, but it made sound political sense as she was a direct descendent of Augustus (unlike Claudius who was descended from Livia). But he was also her uncle, which made it an illegal marriage so it needed special dispensation from the Senate. Agrippina pulled strings to get this to happen. After her marriage she was pretty much an equal partner in the government of the Empire, and publicly visible as such – which the various later Roman historians like Suetonius and Tacitus did Not Approve of. She took care to organise things so that her son Nero would become Emperor next, rather than Claudius & Messalina’s son. This included having Nero adopted by Claudius, and by having Nero marry Claudius’s daughter. So the woman Nero was married to was a) his wife, b) his step-sister, c) his adoptive sister and d) his first cousin once removed. Which seems a few more relationships than are really necessary 😉 And he didn’t like her, either. Once Claudius died (conveniently timed for Agrippina, and probably at her orders) Agrippina attempted to continue to rule as the dominant partner with Nero as the junior. Edwards pointed out the Agrippina wasn’t one to compromise or persuade, and Nero as a teenager who was being taunted about being under his mother’s thumb did not appreciate her “help”. Eventually he had Agrippina murdered.

< Previous Episode | Next Episode >

The Burrowers: Animals Underground

This series presented by Chris Packham is looking at the underground life of three burrowing British mammals. The first episode introduced us to the animals – rabbits, water voles & badgers – and showed us how the team have built burrows for each species that have cutaway sections where the researchers & cameras can see the animals. So far the rabbits moved in and started breeding like rabbits. The pair of water voles seemed less keen on each other, separating to opposite sides of the burrow, but at the end of the programme we were show indications they may’ve bred after all. And the badgers are all orphan cubs, which are bonding to form a social group – the drama here is that the last addition might or might not integrate (and won’t survive if she doesn’t).

< Previous Episode | Next Episode >

Indian Ocean with Simon Reeve

The last instalment of how we’re screwing up the planet, Indian Ocean edition, covered Indonesia to Australia. Along the way Simon Reeve visited an area of Indonesia where they’re enforcing strict Sharia law, including arresting teenagers who are incautious enough to make public displays of affection. He also visited a team who study slow lorises, which are really very cute and very endangered. The team don’t just study them in the wild they also rehabilitate animals that’ve been sold as pets and subsequently confiscated from their owners – they are generally mutilated before sale, their teeth are removed because their bite is poisonous. Reeve managed to surreptitiously film in a pet market in a nearby city where there were slow lorises openly for sale, along with other endangered species, all kept in poor conditions.

Once in Australia Reeve started by visiting a fish farm & the helping to catch a salt water crocodile. These are very dangerous animals, and so if they start harassing an area where people live they need dealt with – often they’re shot, but they are also endangered. So the people Reeve was helping catch them & put them in a wildlife sanctuary instead … it was a pretty hair-raising sequence, much respect for people who willingly get that close to an over 8 foot crocodile. After that he visited the mainland of Australia to see the sorts of places where vast industrial complexes are being built to get at the mineral resources. The programme did end on a note of hope though – a team in south west Australia who are championing establishing National Parks in the oceans around Australia. Over fishing has been a theme through the series, and this scheme is a part answer to that problem – if there are areas where people cannot fish, then the wildlife recovers and this will spill over into replenishing fish stocks in the surrounding ocean too.

This has been an interesting series, but interesting in a sobering way. Although Reeve did visit some nice places & see some interesting things the theme was mainly how we’re screwing up the environment through our (the West in particular’s) desire for cheap food, and how people are treating each other badly.

< Previous Episode | Next Episode >

The Story of the Jews

The second episode of Simon Schama’s series about Jewish History covered over a millennium from the destruction of the Temple in Jerusalem through to the expulsion of the Sephardic Jews from Spain in 1492. The title of the episode was Among Believers & this was one of the threads tying the programme together – the Jews lived in Christian or Muslim societies through the majority of these years. Schama looked at both how they worked at staying Jewish & at what this cost them. To keep their faith & culture in the absence of the ritual centre (the Temple) the Jews turned to even stronger veneration of the word. In the early years their Bible was extended with commentary and the oral traditions of the Jews, and books were written that reorganised & gathered together the laws & teachings – so you could for instance look up what was & wasn’t permitted on the Sabbath in one place rather than search through the text for all references. This was later extended further with commentaries (and still, I believe, gets extended) and commentaries on the commentaries into the Talmud. This collection of the original text & the thoughts of Rabbis over the years on these texts is part of an on-going conversation or argument across the centuries about how to be Jewish in the changing world around them.

In terms of what it cost them – demonisation of the Jews started early in Christianity, with Paul. His message of the Christ killers who didn’t recognise the Messiah was taken further by John Chrysostom who preached against the Jews as not fully human devil worshippers who sacrificed their own children. Unsurprisingly when Islam first arose Jewish relations with Muslims were better – there was even a brief period right at the start when it looked like the two traditions might exist in harmony (it didn’t last). But in the medieval Islamic world Jews (and Christians) were “only” treated as second class citizens – they had to distinguish themselves by their clothing, there were whole lists of petty things they couldn’t do (like not ride horses, too dignified, only riding donkeys side-saddle like a woman was permitted). But at least they were treated as human beings rather than demonic devil worshippers. Muslim Spain was a particular centre for a flourishing of Jewish culture – Schama quoted us poetry & show us beautiful books & architecture from that time. Sadly the Reconquest of Spain by the Christians and the replacement of the Caliphate with fundamentalist Islamists from Morocco brought this golden age to a close ultimately ending with the expulsion of all Jews from Spain.

Schama also covered Jews in the rest of Christendom during this period – using Lincoln as his example because it had good examples of both threads. On the one hand Jews were terribly useful to the governments of the day – they would lend money (at interest) to Kings, nobles or the Church, which was a sin for a Christian. Aaron of Lincoln was one of this money brokers, who became very rich from lending money to build such places as Lincoln Cathedral. But then they were resented as they got rich, and the same people who took advantage of their loans would look the other way while angry mobs attacked them (and conveniently destroyed records of loans, oh how fortunate). And the mobs were fuelled by the sorts of things Chrysostom had preached about so long ago – in Lincoln there was an incident of a young boy, Hugh, who was murdered. Fury was whipped up by a story that he’d been tortured & killed by Jews in a mock crucifixion – the blood libel that has often been falsely raised against Jews. While Hugh wasn’t officially canonised there is still the remains of a shrine to “Little Saint Hugh”, and only shockingly recently has the sign next to it been changed to reflect the fact that the stories told about his death were lies.

The other thread running through the programme was a quote from Deutronomy:

I call heaven and earth to witness against you this day, that I have set before thee life and death, the blessing and the curse; therefore choose life, that thou mayest live, thou and thy seed;*

Schama used this to illustrate how even after being expelled from their homes, after being demonised & libelled, the Jews continued to choose life & to choose to continue as Jews. Their books of may’ve been designed to be portable – suitcase ready, Schama said – but they were still beautifully made, and treasured. Even tho ultimately their homes may’ve been temporary and were only theirs at someone else’s sufferance, they built beautiful synagogues to meet in.

*I looked this up to check the wording, but only via Googling for it, so hopefully I have the text correct. I used this wording because the site is explicitly saying it’s Jewish rather than Christian.

< Previous Episode | Next Episode >

The Iraq War; Wild Shepherdess with Kate Humble

The last episode of The Iraq War covered the time period from after immediately after power was handed over to an elected Iraqi government through to earlier this year. Unlike the previous two episodes there isn’t a familiar well worn storyline for the whole of this episode – partly because the later bits are too recent to have a narrative yet, and partly because once the US & UK etc troops had gone then Iraq stopped being headline news so often. The story this episode told was one of a country that had descended into all out sectarian violence, then looked to be pulling out of it only to start slipping back.

In the time immediately after the Iraqi government was elected the country was divided by fighting between Sunni & Shia Muslims – the Sunni fighters were dominated by Al Qaeda, the Shia fighters were various militias plus the Mahdi army. And the ordinary civilians on both sides were caught & killed in the middle. Some (all?) of the Shia militias were state sponsored – they got weapons, transport, ammo, logisitics from state officials & departments – which only served to make the Sunnis fighting against them more determined.

Given it didn’t seem like the elected Prime Minister was able to do anything about this violence the US & UK governments replaced him. While it was dressed up as “suggesting” that he step aside for someone else, it really was the replacement of an elected leader of a country with a hand-picked alternative who was more “suitable” to the US & UK. Nouri Maliki, the replacement, was then to be propped up, sorry “supported”, by the US. And for all my scare quotes in the last few sentences it was a stratagem that initially seemed effective. Due to the US succesfully managing to get non-al-Qaeda Sunnis to work with the government, and Maliki himself suppressing the worst of the Shia militias (and pacifying Basra) some degree of unity and stability returned to Iraq … and the US & UK managed to get their troops home & to leave Iraq to look after itself.

But it hasn’t been a long term success, and violence is getting worse again. Maliki’s regime are arresting people who were involved in the sectarian violence, but it seems that it’s Sunni leaders & opposition politicians in general who are being targeted while Shia politicians remain free. In the last election several of the opposition politicians were disqualified from standing for election – again for reasons that didn’t seem to be a problem for Maliki’s own party’s candidates. The opposition gained a lot of seats in the election, to an extent where to form a government Maliki had to negotiate with them & set up a power-sharing deal. That hasn’t been honoured, say the opposition politicians, it’s still the Prime Minister Maliki show. So the feeling is that Iraq is slipping into a dictatorship with a figleaf of elections, and violence is rising.

An interesting series, particularly because it was primarily told through interviews with the people who were making the decisions (or their aides). Although obviously they’ll’ve been edited to fit the story the series was telling (worth reminding myself of because the message plays to my pre-existing bias on the subject).

< Previous Episode | Next Episode >

I think I was right about Wild Shepherdess with Kate Humble following the past, present, future theme for its episodes – this last episode was about sheep farming in Australia which is the future in two or three different ways. The first half of the programme focussed on what you could think of as the globalisation of sheep farming (I suppose this could count as “present” rather than “future” but for most of the world this sort of sheep farming is still the future). Humble visited a sheep station called Meka which is in Western Australia and is about the size of the county of Kent. There are several thousand sheep on this land, which mostly roam free, and five people. Handling this many sheep with this few people is pretty hard work & involves a lot of modern tech – to keep them watered there are windmills pumping up water to automatically fill troughs in each paddock (which might be 10km by 4km in size). And to muster the sheep in each paddock, which they only do a couple of times a year, requires planes & motorbikes.

Most of these sheep are bred to be sent to the Middle East, which has a growing & more affluent population but not the land to raise enough extra sheep to meet the growing demand for meat. For another market (like the UK) the sheep would be killed locally and then the meat exported, but the Middle Eastern market buys live sheep to slaughter themselves (i.e. the family who will eat the sheep kill it). This is a controversial practice, and the farmers Humble spoke to were open about the fact that in the past poor regulation of the shipping meant that losses of sheep on the voyage could be 3-10% of the cargo. However regulation has been tightened up, and Humble visited the holding pens for sheep before they were shipped and they were kept in good conditions & seemed relaxed. Losses these days are significantly lower (I can’t remember if they said 0.1% or 0.01%). But there is still the problem that the slaughtering once they reach their destination may not be humane (if nothing else because it may well be untrained people doing the slaughtering).

So that was the future of sheep farming as a large scale enterprise with the consumers on a different continent to the producers. Humble next visited farms where the breeding of sheep is done using modern genetic technology. The technique used is embryo transfer – they induce a ewe to release several eggs, then artificially inseminate her. The embryos are then removed, and viable ones are transplanted into other ewes as surrogate mothers. This speeds up the process of selective breeding because it allows you to get several more offspring from your best breeding ewes than you otherwise would. J noted while we were watching that it would also narrow the gene pool & wouldn’t that be a problem – but the programme didn’t mention that. I’m not sure if the various breeds of sheep might already be fairly inbred (because many of the breeding ewes would have the same father already).

And a third sort of future was a farm where the farmers are what Humble called “very hippy-dippy”. The sheep lead very stress free lives, with a lot of interaction with people & many lambs hand-reared. So they’re happy sheep, and the farm wins awards for the quality of the meat. A future for the elite – where quality over quantity counts.

It was a fun series to watch, with lots of interesting stuff about how different people live as well as about the sheep (or alpacas).

< Previous Episode | Next Episode >

Australia with Simon Reeve; The Tube: An Underground History

For the last episode of Australia with Simon Reeve he travelled down the east side of the country from Gold Coast to Melbourne. In Gold Coast he did the obvious surfing thing (and met the Meter Maids who wander round the streets in bikinis and buy new parking tickets for cars that’ve stayed past the end of their ticket). Then he spent a while exploring the less polished side of the city – first by accompanying the police on their rounds one evening. They told him that organised crime is a big problem in the city due to the heavy drug-using culture in Australia, particularly in this area, and pointed at the biker gangs as the main components of this. Reeve then visited a biker gang for the other side of the story – they were saying that they were just misunderstood. That offending rates go down once someone joins a biker gang. And somewhat undermined that with the “if you don’t mess with us we won’t mess with you” attitude that definitely came across as a threat.

Reeve next visited the Liverpool Plain which has some of the richest farmland in the world, and talked to an old couple who’ve farmed there for all their lives. The region is gradually being encroached on by the mining companies, because it’s resource rich (like the rest of Australia) and this couple & their neighbours had recently won a battle against having their land purchased to be mined. Looking at how the mining is done (strip mining on a large scale) it seems daft to do that to farmland that is feeding the country. And on a similar daft note he talked to environmentalists trying to save the koala about how close to extinction they are as the suburbs spread out into their habitat. Again given how much land there is in Australia and how comparatively few people you’d think it would be possible to leave more koala habitat to the koalas.

In Sydney he talked about the growing multicultural society in Australia since the “whites only” immigration laws were ended in the 1970s. Now one in ten citizens are of Asian descent, and he talked to a couple of very different examples. A muslim woman who’s part of the first Muslim ladies Aussie Rules team, and a billionaire who was born in China and has built about 5% of the highrise apartments in Sydney. From there he travelled to Melbourne, visiting a bushfire on the way. He didn’t spend much time looking at Melbourne, just a bit of time at the Australia Day celebrations.

I’ve liked watching this series, Reeve had a knack of pointing out the issues & bad points as well as showing the scenery & the good sides of life there. There was quite a lot about immigration & integration of different peoples into society – noticeable by their almost total isolation were the aborigines, only in the army did we see them involved with the rest of Australian society. And the programmes also looked at the various environmental “challenges” facing Australia, despite how it’s a vast resource rich land it’s still finite.

< Previous Episode | Next Episode >

The Tube: An Underground History was a programme made to celebrate the London Underground’s 150th anniversary (which is this year). It was a combination of old footage (I wondered if a lot of it had been recycled from a 100th anniversary programme) and interviews with people who work there now. In the hour it covered the history of the Tube, from its beginnings as a collection of private companies in Victorian times through the nationalisation of the 1930s, the post-war decline & then renewed investment after the fire in Kings Cross Station. And it also showed us the things that’ve been done earlier this year to celebrate the anniversary – running a steam train along the first ever section of line running from Paddington to Farringdon (filled with politicians & bigwigs, just like the first ever train was). And Charles & Camilla visiting and solemnly riding on a tube train (a normal one not the steam one).

It was entertaining to watch, they’d picked their interviewees well – including the station supervisor at Farringdon who was a complete drama queen but funny with it. And a train driver who’s a bit obsessed with the tiling patterns at the various stations (designed to let you distinguish the stations even if you couldn’t read the signs). They also interviewed a descendent of Charles Pearson who had the idea and got together the funding for the first segment of line – apparently he’d tried to get permission to do it & investment based on the way it would be a social good (allowing people to move out of the slums near their workplace & into better, cheaper housing in the country) but had failed several times. Then he hit on saying that the congestion on the streets would drive business out of London & people funded him based on the idea that this underground railway would prevent this. And obviously the programme also talked to graphic designers, given how iconic things like the logo & the map are – both the guy who now is in charge of this for the whole company, and a man who was a friend of the chap who designed the tube map.

Ice Age Giants; Australia with Simon Reeve; TOWN with Nicholas Crane

The last episode of Ice Age Giants looked at why there are none of these large animals left. The first half of the programme concentrated on North America where there were the greatest proportion of extinctions. Roberts started by talking about the idea that it was people – we were treated to a proper true crime documentary moment where the voiceover was all “but beneath the peaceful streets of this Tennessee town lies a dark secret” etc etc. And saw how there is an excavation pretty much in someone’s back garden – of mastodon bones that look to have been hunted & butchered by humans. So was it people? Roberts pointed out the problems with that theory – not many people in North America at the time, lots of megafauna, and a few thousand years of overlap of people & megafauna.

So what else? How about the floods that created the coulees (also known as the Channeled Scablands) in Washington (the state). These features of the landscape are vast vast canyons that have been scoured out of the rock, but there’s no sign of a river. The theory to explain what caused them is that as the glaciers melted a great lake of meltwater was formed in Montana which is known as Glacial Lake Missoula, this was penned in by a dam formed by the melting glaciers. When it broke through it did so catastrophically and the water rushed to the west of the continent carving its way through the rock as it went. This happened several times as the glaciers advanced & retreated, I think she was saying a couple of hundred times over just a few thousand years. This would’ve killed anything in it’s path (and created what still looks like a blasted landscape today). But that can’t’ve killed all the animals, it would just’ve got the ones in its path.

How about climate change? This isn’t a case of it just getting a bit warmer all over – the melting of the ice sheets released more water into the rainfall systems, so the world got wetter as well as warmer. Still not quite that simple, the swamps that the glyptodonts lived in dried up & became desert because the rainfall moved north as the ice sheets retreated and the more southern regions warmed up. Roberts now skipped across to Europe and the woolly mammoths & woolly rhinoceroses of the Mammoth Steppe. These enormous herbivores relied on the dry grasslands to provide them with sufficient food all year round. As the world warmed up, and got wetter, forests grew where there had just been grassy plains. And it started to snow in the winters on the Mammoth Steppe. Woolly rhinos couldn’t cope with that – snow covers the grass and makes it harder to find, it’s also hard to walk through so you need more energy to move around and so more food. So that’s what killed off the woolly rhinos – an Ice Age Giant killed by it snowing too much, not at all what you’d expect.

And now we circled back to the mastodons of North America. There is research being done on fungal spores in soil that can indicate how many herbivores have left their dung on the land – if you look at soil from the past you can estimate herd sizes (or at least changes in herd sizes) over time. And these show that the large herds of mastodons & other herbivores died out before the climate change changed the vegetation (which you can tell by looking at seeds & pollen in the same soil samples). So probably not climate change as the whole story here. Roberts then talked to a palaeontologist who thinks he has an answer for the mastodon extinction. He has looked at the types of injuries on female mastodon specimens, and also looked at the types of mastodon that show signs of butchering. In modern elephants (which are close cousins of the mastodons) preferential hunting of mature adult males destabilises the herd structure. Normally a dominant male swoops in to a female plus offspring herd when the females go into heat and mates with the females. He also suppresses the behaviour of the adolescent males. When there is no dominant male, the younger males that still live in the female herd will go on a rampage when the females come into heat – and can injure females & calves (and each other) in the process. This palaeontologist thinks he sees evidence of this happening to the mastodons, so it was people that caused their extinction but in a very slow process caused by preferentially hunting solitary adult males which they wouldn’t’ve been able to see happening.

Last up for extinction were the woolly mammoths – which survived on a remote island north of Sibera until around 2000BC (when people arrived on the island). Apparently from the evidence on this island the mammoths were becoming dwarf mammoths … by mammoth standards anyway. Roberts talked a little bit here about the potential cloning of mammoths that is now becoming possible due to the extraction of DNA from very well preserved frozen specimens.

And Roberts ended the programme with a romantic notion of how we’ve also saved some of these Ice Age Giants – like horses. They became extinct in America, their ancestral home, but survived across Europe & Asia and were then domesticated. She was talking about it as a beautiful partnership, but I’m afraid I was amused by it rather than moved by it 😉

Anyway, I greatly enjoyed the series. The CGI wasn’t perfect (something always looked a little off about the way the animals moved, and there was a lot of repetition of sequences that made it a bit too obvious it was generated) but it was good. And the science was presented in an un-sensationalised way – lots of “we think” or “this is a possible explanation” rather than grand solutions to mysteries.

< Previous Episode | Next Episode >

Having finished watching Brazil with Michael Palin (post) we started to watch another travelogue we had been recording – Australia with Simon Reeve. We’re both pretty sure we’ve seen Simon Reeve present another programme in the past, but neither of us can quite remember what it was.

In the first episode of this series he started in central Australia then headed south to the coast followed by west to Perth. In central Australia he focused on an animal you don’t expect to be the subject of a programme on Australia – the camel. Camels were brought to the country as a means of transport, being well suited to the desert conditions in the centre. With the advent of cars they weren’t needed any more & were released to the wild where they now roam freely. Unsurprisingly they cause a lot of damage to the ecosystem and to the farms in the region & so they are regarded as pests. Some farmers just shoot them when seen, but Reeve talked to one farmer who was rounding them up and selling them back to the Middle East for food & for racing.

Next Reeve went to visit a winery – a vast commercial winery with gallons & gallons & gallons of wine in big tanks, supplying relatively cheap wine to supermarkets across the world (this was owned by Hardys). This segued neatly in to a segment about how water is a limited resource & it’s being over used in Australia as a whole. Reeve then visited another limited resource – tuna, which is being overfished in the seas near the Australian south coast. He visited a facility where they’re trying to breed tuna in captivity, which involves conning the tuna into thinking they’ve migrated by changing the lighting and so on as it would change if they really were migrating.

From there to resources that are booming – he visited an area which has a modern day gold rush & talked to some weekend hobbiest prospectors, and also visited a huge commercial mine. Next, Reeve visited a village where an aboriginal community lives having been moved off their land when the mining companies discovered resources underneath it. They haven’t been compensated for the loss of the land, nor have they earnt anything from the metals being dug up from under what they still regard as their land. Reeve said that the situation is complicated & the government is trying to help, but the aborigines are still living in third world conditions.

From there he went to the other end of the spectrum – he took a train to Perth where he visited some British ex-pats who are living the dream. The man he spoke to had been a bin man in Sheffield, he’s now teaching people to drive trucks so they can work for the mining companies. His pupils earn more than he does, but he earns about £60k and has a big house with a pool etc, just what he came out to Australia for. And the episode finished up with Reeve visiting an airport where “fifo” commuters fly from – that’s “fly in fly out”, the commuters work in the mines (doing things like driving trucks for lots of money) and live in Perth getting back & forth by plane.

The second episode covered the north of Australia, which is particularly sparsely occupied. He started out in a national park (Kakadu) helping to trap & cull cane toads. These are a non-native species that was introduced to eat beetles that were pests … they didn’t eat the beetles, and being poisonous & non-native they have no predators amongst the native animals. So they’ve spread & are killing off the wildlife in the park which dies trying to eat the toads. The cull seemed a bit like it would just make the people doing it feel like they were trying – if there’s millions of toads then catching & killing a couple of bin bags full won’t do much good.

Moving towards the east Reeve visited the Australian army, first one of their tank regiments then he spent a bit of time on patrol with a unit doing observation in the outback. This segment reminded us that Australia is actually right next to Asia, rather than being a stray bit of Europe stuck in a southern ocean. In the bit with the patrol they talked about how the unit was mixed race & that this didn’t cause problems in a way that made it sound like that was an unusual situation. They also talked about how the aboriginal members of the team were vital in teaching everyone how to live off the land – they made green ant tea for Reeve, which apparently was quite nice … not sure I’d’ve been keen to drink it. The follow up to this section was a visit to an asylum centre, Australian law is that asylum seekers must live in these detention centres while their application is processed which can take months or years. Reeve spoke to activists on the behalf of these immigrants who say that conditions in the centres aren’t good – lots of the inhabitants self-harm or commit suicide. Reeve spoke through the fence to some of the inhabitants, who’d come from the sorts of places you’d expect – Iraq, Afghanistan etc.

From there we moved on to the slightly more cheerful subject of another aboriginal village which owns resource rich land. Whilst it looked as depressing as the place in the first episode the ray of hope here is a young woman who has set up her own company with the long term plan of the village itself doing the mining on the land closest to them. At the moment she rents 4 bulldozers out to the company who’re doing the mining, which I got the impression was proof of concept.

And the programme finished with another couple of segments looking at the natural world – first Reeve joined some scientists who were taking samples of the stinging tentacles from box jellyfish. These jellyfish are extremely poisonous, and live in shark & crocodile infested waters. From the way the scientists were acting (and not letting Reeve do much but observe) they weren’t exaggerating the dangers. The venom from the stings is useful for drug research – there’s a lot of complex biochemistry involved that does things like target the actual poison to particular areas of the body and other stuff like that. So understanding it might help make better more effective drugs.

Last up was the Great Barrier Reef. Changes in the water (due to increased use of fertilisers etc on land) have lead to destabilisation of the ecosystem there, and Reeve was shown how people are culling the starfish that are killing off the coral. He also joined a ship pilot who guides coal ships through the reef – there’s not much room to spare & it’s a dangerous task, but the wealth generated by the coal industry means that they are still permitted to run their ships through the area.

< Previous Episode | Next Episode >

In our quest to free up some space on the PVR we’re watching all the programmes we have recorded in HD first – and only recording new stuff in SD. Just before that decision we started to record TOWN with Nicholas Crane in HD so it’s come up to be watched a little quicker after airing than I think we might’ve got round to it otherwise. It wasn’t quite what we expected, guess I didn’t read the description that closely when I set it recording. Instead of being about towns as a general thing each episode is about a particular town.

The first episode is about Oban, a town on the west coast of Scotland that’s where you go if you want to get a ferry to the Western Isles. And the main theme of the programme was that that isn’t all there is to Oban, that the town is itself a worthwhile place to visit.

Oban wasn’t a town until comparatively recently so his talk about the history of the place started off with nearby Castle Dunollie which was the seat of the Chief of Clan MacDougall until 1746 when the Clan Chief moved to a new house nearby. Surprisingly “Battle of Culloden” and “Jacobite Uprising” weren’t mentioned during Crane’s discussion of this. I had a little poke around on wikipedia and it seems like the 1746 move was a coincidence as the MacDougall Clan Chief wasn’t involved in that Jacobite Uprising, but I’d’ve thought that was worth mentioning on the programme just to say it wasn’t involved. Oban became a town after this – the first industry in the town was tobacco but this collapsed once the ship that brought the tobacco over from Virginia sank. After that the primary industry in the town was whisky, Crane visited the distillery which is still making whisky today. In the 19th Century Oban was finally linked by road & rail to the rest of the country. It was a tourist destination, partly due to the links with the Western Isles but people did visit the town itself. Queen Victoria was one of those tourists. After that it fell into decline & most people who visit aren’t stopping, just moving on to the ferry. One more recent bit of history is that Oban was where the first transatlantic telephone line ran to, and this was an important link between Washington D.C. & Moscow during the Cold War.

In terms of the modern town Crane spent a bit of time looking at the major employers in the area. Oban is the hub of the postal service for the Western Isles, and everything there has to be run like clockwork to match up with the ferry services. Another major employer is the granite quarrying operation a bit north of Oban – all the people who work there commute by ferry because there are no road links to the quarry. Crane also visited a few of the cultural offerings of Oban. He met a local painter who paints a lot of the landscapes around the area. He also visited a cèilidh bar where there is a traditional band & traditional dancing. And he also ate at a gourmet restaurant which is on the harbour so that the fish & shellfish are very very fresh.

< Previous Episode | Next Episode >