Tag: Television (Non-fiction)

Armada: 12 Days to Save England

Back in June of this year the BBC did a three part series about the Spanish Armada and how (astonishingly) England wasn’t conquered by Spain in 1588. It was billed as “part dramatisation, part documentary” so I was a bit concerned in advance that it wouldn’t be my cup of tea. But it turned out to be on the right side of the line for my tastes – a selection of set pieces but mostly a straightforward documentary series. The main presenter was Dan Snow, who we’ve seen do a selection of history documentaries in the past, more than one with a naval theme. There were several talking heads throughout the series – the primary one was Geoffrey Parker, who is an expert on James II of Spain. He’s discovered & researched a lot of documentation kept by James II on the Armada including a report from the second in command of the fleet which gave his opinions on why the invasion failed. Another strand of the documentary segments was two naval historians discussing the tactics the Spanish & English fleets used, and showed us them by pushing ships about on a battle map. Of the two, I recognised Sam Willis who we’ve seen present other documentaries and I forget who the other chap was. The conversations between the two of them were sadly a bit stilted and at times made it feel like Willis was explaining himself and his theories to his PhD supervisor in a meeting!

The two main threads running through the series were the naval tactics of the two sides and the more human side of the personalities & foibles of the key players in the war. I’m not really interested in military history per se so I hadn’t looked into the details of the Armada before – just absorbed the narrative of “superpower of the day goes up against plucky minor country and somehow fails, mostly due to inclement weather”. God Is On Our Side, and all that sort of thing. The reality is, of course, more nuanced than that. Whilst the storms around the north & west of the British Isles are what finally finished off a lot of the Spainish fleet, they’d actually already lost before they sailed through the storms. The English had got the upper hand through better tech and new tactics to go with it (including sailing in to their own gun range to fire on the Spanish, then sailing away before getting to a range where the Spanish could reply). However supply issues (Elizabeth I was both unwilling and unable to pay for sufficient ammo, or even food for the sailors) meant that this wasn’t decisive. The Spanish also lost by their own actions, largely due to a strict adherence to the original plan by the commander despite that plan having fatal flaws from its conception let alone after they met the opposing fleet.

The two fleets had similar command structures – political appointment at the top, second in command an experienced seaman. The key difference was that Francis Drake (the English second in command) was actually listened to. The Duke of Medina Sidonia (commander of the Spanish fleet) had been Spain’s second choice and wasn’t keen on taking the job because he had no naval expertise – but sadly for the Spanish his reservations about his own abilities meant he insisted on following James II of Spain’s original plan to the letter. This plan was that the fleet would sail round to the English Channel and pick up the Spanish army in Holland, together the combined forces would invade England (from Kent, iirc). But the plan didn’t include any detail for how the navy & the army would combine and communication between the two was not established in time for the plan to be put into action. And eventually after several failures to co-ordinate with the army, and battles with the English where the Spanish were at a disadvantage to begin with and then loss, finally the Duke’s nerve broke and he took the fleet round to the north & west to get away from the English fleet and back to Spain. His second in command repeatedly suggested alternate courses of action: a pre-emptive strike on Portsmouth to bottle up the English fleet; capture a deep harbour on the English coast and settle in to figure out how to meet up with the army in relative safety; etc. But the Duke wouldn’t deviate from the plan, and so they lost.

Part of the Duke of Medina Sidonia’s problem was that James II was something of a control freak. I knew pretty much nothing about James prior to this program other than: married Mary I of England, failed to have children; tried to marry Elizabeth, was refused; tried to conquer England, failed. So the characterisation of James in this documentary was particularly interesting to me (and I should really add a biography of him to my to-read mountain). He was a deeply pious man, and this fuelled much of his desire to get England under his control – rescuing it from the taint of Protestant heresy. He was also a micro-manager. In this case he’d laid down a Plan, and left the Duke of Medina Sidonia in no doubt that if he deviated from The Plan then there would be trouble. He was also a compulsive note-taker and prefered to communicate with his underlings by the written word. Which is why we know he was a micro-manager – there are archives full of his notes.

I liked the characterisation of Elizabeth I in this programme – the Gloriana myth she and her PR team promoted was talked about, but they portrayed the woman herself as the Tudor she was. Mean (in the financial sense), paranoid and a control freak. Made me think of the biography of Henry VII that I read several years ago (and am convinced I wrote up a review for a previous incarnation of this blog, but now cannot find): “Winter King” by Thomas Penn.

Overall I enjoyed this series – made me aware how little I actually knew about the Spanish Armada (and Spanish history) and then educated me about it 🙂

The Greatest Knight: William the Marshal

William the Marshal is one of the men responsible for the Magna Carta as we now know it. His seal is on the re-issuing of the charter in 1217 by Henry III, in his role as Regent for the king. His statue stands in the House of Lords behind the monarch’s throne defending the monarchy as he did in life. Earlier this year we watched a programme that was a biography of him, which rather surprisingly wasn’t part of the Magna Carta anniversary programmes that the BBC put on to coincide with 800 years (since the charter was first signed) as it was first aired in early 2014. The programme was presented by Thomas Ashbridge whose series on the Crusades we’d previously been less than impressed with (post). This programme was rather good, tho 🙂

After William the Marshal’s death his family commissioned a biography of him in verse form, which still survives. The text is in Norman French as one might expect for a member of the nobility of the time. Ashbridge opened the programme by showing us this book and telling us a little about it. Of course, as he said, it’s not all to be taken as literally true – it’s primary purpose is to demonstrate what an illustrious ancestor the family had. I assume Ashbridge used other sources to corroborate the information in the programme, but he didn’t say what those were.

William was born during the Anarchy, the civil war between the Empress Mathilda and Stephen de Blois. He was the second son of a minor noble and his father was on Mathilda’s side – or at least, not on Stephen’s. When William was 4 he was taken hostage by Stephen’s forces and Stephen attempted to win a seige of William’s father’s stronghold by threatening to kill the child. William’s father was not cowed by this threat, replying that he had the equipment to make more sons and leaving William to his fate. Clearly Stephen was bluffing, as William survived the encounter! You can’t help but think it must’ve been pretty traumatic, tho – it included William being paraded back & forth in front of the castle whilst his life was threatened.

In his adolescence he went across the channel to France to a relative of his mother’s to train as a knight. Ashbridge pointed out that during this time period the cross-channel connections for the nobility were still very strong and this would not be like going to a different country. Knights were a pretty new part of the culture and warfare of the time, and the stirrup was the new cutting edge technology of the day. It was a role that was really only available to the nobility, as you had to have an expensive horse. Ashbridge talked a bit about knights in general, and also showed some representations of them from this era. They were reminiscent of the Lewis Chessmen and of Norse berserker imagery – which isn’t entirely a surprise given the origins of the Normans. I think I hadn’t expected it to be quite noticeable in depictions of knights, because the mental image I have of “a knight” is from a later more courtly era.

The biography of William creates an image of a somewhat greedy and lazy teenager during these years (it’s not entirely a hagiography)! But once he was knighted (perhaps on the eve of battle, I can’t remember what Ashbridge said) he began to win a name for himself in tourneys. These are not the stylised and formal affairs of the later high medieval period, instead they are wide-ranging fairly brutal fights between groups of knights. The primary aim to was to capture some of the opposing side, who you could then ransom for a nice little cash bonus. William’s biography tries to claim he was only interested in honour and victory, but it does also mention his accountant who kept track of the ransoms he was paid. So clearly William was also interested in the money to be made, and made sufficient to employ someone to look after it for him!

William entered the court of Henry the Young King via Henry’s mother Eleanor of Acquitaine. (Henry the Young King was the eldest son of Henry II and Eleanor, and was crowned in his father’s lifetime.) William was part of his master’s entourage escorting Eleanor somewhere when they were ambushed. Most of the escort died but William and the other survivors managed to fight off the enemy forces for long enough for Eleanor to escape. He was captured, but once she was in safety she ransomed him and brought him to court. Once in the Young King’s court he rises to prominence as the best knight at court.

The politics of the court is a perilous game for William to negotiate, particularly with his status as the best knight. His biography states that at one point he is exiled due to a whispering campaign about himself and the Young King’s wife with hints that perhaps there was some degree of truth to it. This sounds very Lancelot & Guinevere, and may be a complete work of fantasy on the biographer’s part – after all by the time the text was written all the protagonists were safely dead so no offence could be given by a bit of nudge-nudge-wink-wink-the-queen-fancied-him. This was one point in particular where I wish Ashbridge had brought in other sources and talked about how plausible this was in terms of historical fact. He did talk to another historian who made the point that the Arthur/Lancelot/Guinevere love triangle story reflects a very real anxiety of a Prince of that era. Court society at the time had a combination of a meritocracy of sorts (the knights) and a hereditary monarchy – the King or Prince was unlikely to be both the son of the right man and the best knight in his court. And if prowess at knighthood is the definition of the perfect man, then why wouldn’t the King’s wife be attracted to the best knight?

The next phase of William’s life is in the Holy Land as a Crusader. This is just before the time of Saladin and Richard III. Obviously Richard III is not yet in the Holy Land – he is Henry the Young King’s younger brother and didn’t go on Crusade until around the time he became King after both Henry II and Henry the Young King’s deaths. However Saladin is one of the key players at this stage. Not much is known about William’s time as a Crusader, other than that it happened – however he seems to’ve done well at it, and increased his reputation.

William then returns to Henry the Young King’s court, where he remains until the Young King’s death in 1183. He then enters the service of the Young King’s father, Henry II. Again he rises to prominence as the best knight at court. Henry II gives him an heiress to marry, and grants him lands – William is now a baron, a member of the landed aristocracy with a household and a retinue of knights of his own. Not bad for the second son of a minor noble. William remains a loyal servant of Henry II’s until the very end – in the last rebellion of Richard I (Richard Coeur de Lion) against Henry II William fought on Henry’s side. The biography says that at one point he was fighting one-to-one against Richard, and had the opportunity to kill him but at the last moment turned his lance aside and killed Richard’s horse instead. When Henry II died during this rebellion (although not directly by violence) William remained loyal even after death – Henry’s other servants fled, taking what they could, but William remained to see to Henry’s proper burial.

It might’ve been thought that Richard I would exile or otherwise punish William as he had fought against Richard during the rebellion. However Richard saw William’s actions as the honourable actions of a knight – he had remained loyal to his lord, and even after death did not dishonour his memory. And so William entered Richard’s service, and was subsequently a member of King John’s court when he in turn inherited the throne.

When John died in 1215 William was an old man in his mid-70s, and had pretty much retired from the life of the court. At the time of John’s death the country was in a perilous state – civil war was raging and the French King’s son had invaded (with the support of much of the English nobility) and ruled over half the country. Despite William’s age it was to him that the new King, Henry III a boy of 9 years old, turned. When he flung himself on William’s mercy William pledged to serve him despite the risks of failure because that was what his honour demanded. If William and the new King had failed to prevail in the civil war then William wasn’t just risking death, he was also risking the ruin of his family and household. And even at the end of his life he lived up to his reputation – he rallied support to the new King, he turned around the civil war and drove out the French. He was Regent for Henry III until his death in 1219, and as I said at the beginning of this post his seal is on Henry III’s first re-issuance of the Magna Carta.

This was a really interesting programme – I didn’t know much about William the Marshal before, although I knew the name, so I learnt lot from it.

Shakespeare’s Mother: The Secret Life of a Tudor Woman

Shakespeare’s Mother: The Secret Life of a Tudor Woman was partly a biography of a specific woman – Mary Arden, the mother of William Shakespeare. But there’s not really enough surviving detail about her life to get the full picture from, so the gaps were filled in with more general information about the sorts of lives women (and men) of the time lead. The presenter, Michael Wood, did a good job of stitching the two sorts of information into a coherent whole, so it didn’t feel disjointed or patchy.

Mary Arden is an interesting person to look at the life of, not just because of whose mother she is, but also because of when she lived and what sort of person she was. She lived through a time of great change – she was born around 1537 near the start of the English Reformation, and died in James VI & I’s reign having lived through the whole of the Tudor changes of religion. It’s easy to forget that these changes all took place within a lifetime. Her personal situation also changed a lot over this time, showcasing some of the increased social mobility of the era.

Mary was born the youngest daughter of a relatively well-to-do husbandman, and had seven older sisters. Her family were part of the local gentry so in marrying her John Shakespeare was moving up the social scale. John & Mary Shakespeare were a part of the growing middle class in England. John was primarily a glover, but also involved in other trades. They marry in the 1550s, and begin having children – Mary was to bear eight children in all, of whom 5 survived to adulthood. William was her third child, the first son and the first to survive infancy. The programme used this as a hook to explore the dangers of childbirth in this period for both mother & offspring, and infant mortality (and the effect it would have on the parents).

John and Mary rose in the world both socially and financially during the early years of William’s life. John is a respected member of the Corporation of Stratford upon Avon and eventually even becomes Mayor of the town. They owned land both in the town and outside – Mary had inherited her father’s land when he died. Which is particularly interesting as she was the youngest daughter – perhaps she was his favourite? Perhaps she was the best at the financial management necessary to run the farm? John Shakespeare was also involved in less respectable financial trading. He leant money at interest (strictly forbidden by the church), and also got involved in the illegal wool trade. This was a very lucrative business – all wool trading was supposed to be done through Crown approved channels at Crown approved prices, and paying duty on the trade. So there was money to be made by a middleman who avoided the official routes. Michael Wood speculated that Mary was also involved in the trading – in part because as the person who would be at the house most of the time she’d be the obvious point of contact. And in part because there are indications she was good at financial management.

The wool trading was to be the Shakespeare family’s downfall. There was a clampdown on this illegal activity, and John Shakespeare was one of those who was caught. The family were financially ruined, and spent several years living in fear of their debts being called in. John stopped attending church or the meetings of the town corporation, because those were places where his creditors might find him to demand their money. This, of course, had social consequences for the family. They also had to sell off land to pay back the debts that were called in, and even take young William out of school. The family’s fortunes only turned around after William had moved to London and begun to make a name for himself (and money!) as a playwright and actor. Once he had money he provided for his parents and so Mary lived on into a comfortable old age.

I was mostly interested in the tidbits of information about Mary herself so that’s what I’ve discussed most in this blog post, but the programme also did a good job of covering the social situation & changes of the time. For instance it looked at what the religious and social changes actually meant to the ordinary person of the time. And at some issues specific to women – childbirth in particular as I mentioned. Also how women lived in general – housework, household management etc.

Art of China

Andrew Graham-Dixon has done several series for the BBC about the art of various places – one of the more recent was about China and we watched it earlier this year. He covered the art of this vast and long-lived culture in chronological order, so the series also provided an overview of the history of China. Even though it was chronological the three programmes also covered different themes – starting with the art of & for death (and religion), then art concerned with the natural world and finally art influenced by the world outside China.

The first programme started with prehistoric art – even pre-China art. The first objects Graham-Dixon looked at were a collection of bronze masks (of varying sizes) which had large staring eyes as their most prominent feature. These objects were buried in a way that suggests they were once used for ritual purposes but then were no longer necessary – as if the culture/religion/tradition that they were associated with had been superseded but they were still given respect for their previous significance. There doesn’t seem to be any continuity between this culture and what later became China as we know it.

The next objects were more bronzes, but these were associated with the cultures that lead up to China proper – the Shang and Zhou bronzes. These are mostly ritual vessels for food and drink that would be buried with people – perhaps also used in the burial rituals themselves. These vessels are highly decorated, with a distinctive style. Concurrent with the vessels is the development of the Chinese writing system, which is an influence on a lot of later Chinese art. Graham-Dixon showed us some of the actual oracle bones which have the first writing on them – annotations as to the question asked of the oracle, the answer given and the eventual outcome. This last makes them a critical historical resource for this period as the questions the kings asked tended to involve matters of state. I’ve read about these more than once, but never seen one so this was pretty cool to see 🙂

The programme then moved on to China proper with the First Emperor, who is the emperor who was buried with the terracotta army. This is a particularly extreme example of taking everything with you when you go, and Graham-Dixon also pointed out that this was the First Emperor planning to conquer the afterlife as he’d conquered the known world in this life! The following dynasty (the Han) also provisioned their tombs with all the items they needed for the next life, and this has lasted through to the modern day to some extent. Graham-Dixon visited a place that makes paper models of everyday objects for funerals, like computers and cars and so on – these are then burnt to transfer them to the afterlife for the deceased to use. The last section of the first programme looked at Buddhist art of the afterlife. This depicts a completely different class of thing. Instead of physical items and provisions the art is concerned with transcendence and joy, or with damnation.

The second programme looked at the period of history from the Song Dynasty to the Ming Dynasty, which is in many ways a golden age of Chinese art. The two primary media of art in this era were ceramics and painting. Chinese painting is made using the same techniques as Chinese writing and the same tools. A scholar of the time was both writer and painter. Nature features heavily in the paintings, although the scholars rarely painted whilst in front of the thing they were painting. The natural scenes (whether real or imaginary) were intended to summon up a mood – often melancholy or isolation. The most iconic pieces often come from scholars who had retreated from court or official life – who felt disaffected or displaced by a change in regime for instance after the Mongol Yuan Dynasty conquered China. The Yuan to Ming transition also displaced many court officials who were loyal to the preceding dynasty.

The art style of this era was heavy on symbolism and meaning. To illustrate this theme Graham-Dixon talked about the last Yuan Emperor, who came to the throne unexpectedly after several preceding heirs had died. He’d been brought up as an aesthete not a ruler and as his empire began to crumble around him (due to his lack of administrative skill) he tried to reverse the situation by commissioning and painting pictures of good omens and good fortune. Unsurprisingly this didn’t work out so well, and more time spent on administration might’ve been a better bet 😉

The third and final programme covered the last dynasty of Chinese Emperors (the Qing) and modern China. The theme of this programme was that the art of the period was influenced by the outside world, primarily the West. In some ways this was a manifestation of the early Qing dynasty resting on their laurels – they “knew” they were the most sophisticated culture in the world, so looked to the outside world for trinkets and art. Forward momentum in the sciences was lost at just the time that the West was beginning to go through the Industrial Revolution. There were still obvious ways in which the Qing art was continuous with the previous traditions & Graham-Dixon spent a bit of time talking about the Forbidden Palace (first built in the Ming Dynasty) and also the way the ceramic art traditions continued & changed in the Qing era. For the latter he particularly pointed out how the elegant simplicity of Ming ceramics gave way to brightly coloured and decorated Qing ceramics which were often rather garish in comparison.

As the Qing dynasty continued their relationship with the European nations changed in character – from cultural exchange as equals to occupied nation. Graham-Dixon covered the history of the 19th Century with the Opium Wars, and the destruction of Chinese sites by British colonising armies. This rather shameful period of British empire building did lead to developments in Chinese art and not just destruction. In particular Shanghai was one of the towns where the British forcibly established a trading base, and the art produced in the town became a hybrid style between Chinese & Western. Instead of painting on scrolls or long wall hangings as was traditional artists began to paint pieces designed to be framed and hung on walls. The traditional pallet of blacks & greys (and perhaps red) began to be replaced by bright colours. The subject and the style, however, remained traditional.

By the end of the imperial period in the late 19th Century & early 20th Century some Chinese artists were training in Paris and using western techniques and styles in their paintings – but still painting Chinese subjects. Some of these artists embraced the “old-fashioned” traditional techniques of Western art and painted large representational oil paintings – for instance Graham-Dixon showed us one that depicts a key scene from a Chinese hero’s story, yet it wouldn’t look particularly out of place in a gallery of early 19th Century art. Other artists embraced the new modern art movements that were coming to life in 20th Century Paris.

The rise of Communism in China put an abrupt stop to this flirtation with Western styles and techniques. Mao’s suppression of intellectuals in general also had a particular focus on rejecting Western influences. Artists who had produced un-Chinese art were persecuted and sent to labour camps, their paintings and sculptures destroyed. Since the change from Maoist communism to the current pseudo-capitalist communism there has been a bit of a relaxation of that attitude. Graham-Dixon finished the programme by talking to current artists and looking at their work – most are consciously looking both to their roots as inheritors of a long artistic tradition, and to the modern globalised world.

I enjoyed this series – good to see both the sweep of Chinese history from another angle, and to learn more about the themes & purposes of the art of the country.

Britain’s Bloodiest Dynasty

Britain’s Bloodiest Dynasty was a Channel 5 series about the Plantagenets, presented by Dan Jones. I’ve been vaguely aware of Jones as an author for a while and I’ve heard good things about him, but not read any of his books. So despite my dubiousness about a Channel 5 documentary series I took a chance on recording it – it did turn out to be a pretty fun watch, even if nothing earth shatteringly new. It was part Jones walking around significant sites, and part re-enactment. I rather liked the fact that they had the characters all speak French for most of it – as, after all, they would’ve. Of course, I suspect it wasn’t the right French, but I’ve no idea how that language has changed over the last 700 or so years to be able to tell. I’ve seen comment elsewhere that the clothing was also inaccurate, I’m not up enough on the details of fashion of that era to tell that either.

The four programmes of the series each covered a different Plantagenet monarch – Henry II, Henry III, Edward II and Richard II. This was very much history as soap opera, each programme covered the life of the king in question with an emphasis on personality, relationships and how he screwed things up (or had things screwed up for him). Whilst politics or war were touched on it was more in terms of the personal interactions involved rather than any nitty-gritty detail. The reasons for choosing each king seemed to be about who would give the best story – I imagine the only difficult choice was whether it should be John or Henry III. Henry II starts the dynasty, and has the most dysfunctional family ever with not only 4 sons but also his wife rebelling against him. Henry III has the crisis & civil war with Simon de Montfort – his brother-in-law and once his best mate. Edward II – well, you can’t miss out the “buggered with a red hot poker” murder story, even if it wasn’t true (and Jones was quite clear about that being untrue on the programme). And Richard II ends the dynasty with a headlong rush of a life from Golden Boy King to Tyrant Who Gets Deposed. Fun to watch, and without (as far as I could tell) playing fast and loose with the facts. The Henry III and Edward II programmes overlapped with the current non-fiction book I’m reading which is a much more sober look at the history of England between 1225 & 1360. So particularly with those episodes I could see the gaps where Jones had missed things out, but there wasn’t anything that made me wince and disagree with him.

I said in the last paragraph this was history as soap opera, I think it’s actually accurate to say that this was a direct response to the popularity of Games of Thrones. This was Jones showing us how real history can be as exciting, brutal and bloody as anything from GRRM’s series (which Jones pretty much says outright in the intro without naming the series). And so the programme did dwell a bit too gleefully on the torture scenes for my tastes. The thing that I found particularly irritating, however, was Jones’s script was heavily larded with Upworthy headline-esque phrasing. By that I mean lots of things like “and what happened next was incredible”. It came across as a bit too heavy handedly trying to be down with the kids. But who knows, perhaps I’m just not enough down with the kids to know that that’s how the kids speak these days? 😉

Overall, as I said at the start: a fun series, but if you already have an idea of the history of this dynasty you won’t learn anything new from it.

Swallowed by the Sea: Ancient Egypt’s Greatest Lost City; Lost Kingdoms of Central America;Treasures Decoded

Swallowed by the Sea: Ancient Egypt’s Greatest Lost City was a one-off programme presented by Lucy Blue about the city of Heraclion which existed at one of the mouths of the Nile for around a thousand years. It vanished beneath the waves in the 2nd Century BC, and in modern times it was thought to be purely mythical. However at the beginning of the 21st Century a team of French underwater archaeologists discovered the site off the modern coast of Egypt and have been excavating it ever since. Towards the end of the programme they discussed why it might’ve sunk – the best hypothesis is liquefaction of the islands it was built on, due perhaps to an otherwise minor earthquake. This means that this region – several islands – would’ve suddenly subsided, and ended up under sea level. And this is pretty exciting from an archaeological point of view. The site is a snapshot of what a Ptolemaic era trading port looked like – there’s (obviously) been no rebuilding or demolition and no treasure hunting or retrieval of people’s possessions.

The bulk of the programme focussed on what they’ve learnt about the layout of the city, and the artifacts they’ve been able to bring up to the surface. The whole city covered an area of around 2km2, built across several islands. There were many temples as well as more mundane buildings (including homes, and the apparatus of a port town). The finds range from tiny to enormous (including some huge statues). One of the interesting classes of find are the many boats they’ve found. These include functional boats of course. More interestingly it includes the first example of a ceremonial barque of a type that’s been seen in many inscriptions, but never before discovered. There are also remnants of rituals carried out around this boat – bowls containing burnt offerings that had been carefully slid into the river under the boat. Other interesting finds are coins – particularly interesting as the Egyptians’ didn’t use coins in their own economy. These coins look like Greek coins, but were struck locally (they’ve found the moulds) and used to pay the mercenaries hired to protect the city.

I wasn’t very keen on the way the programme tried to make out that Heraclion was somehow a centrally important Egyptian city. I didn’t really follow the explanation for why Blue believed it to be linked to conferring kingship on the Pharaoh, and I didn’t think the programme needed a “it’s the bestest city ever” hook to make it interesting. Other than that I enjoyed the programme, worth watching.

Lost Kingdoms of Central America was a four part series presented by Jago Cooper about four different pre-Colombus civilisations in Central America. It was a follow up to his series about South American cultures (Lost Kingdoms of South America, post). The cultures presented in this series ranged from the earliest known civilisation in Central America (the Olmec people), through to the culture that Columbus met when he discovered the West Indies (the Taino). The other two were the people who lived in what is now Costa Rica at a time when this was an independent region between the empires of the Aztecs and the Incans. And lastly the people who built Teotihuacan – not the Aztecs, as I first thought it was going to be, but the people who lived there first. In fact when the Aztecs later came to Teotihuacan they thought it was the work of giants or gods.

An interesting and enjoyable series. I didn’t always come away from an episode thinking I’d learnt much about the culture in question – but I think that was because not much is known in many cases.

Treasures Decoded was a six-part Channel 4 series, that we missed the first episode of. The format of each episode was that they looked at a particular ancient object (or building) which has some sort of iconic status, and then discussed what’s known (via several expert talking heads) about it. There was also always some “Controversy?!” angle to the programme – of varying degrees of dubiousness – which I guess was there to provide drama. (Previous sentence needs to be read with an image in mind of me rolling my eyes 😉 )

We’d only originally intended to watch the second episode – about the Great Pyramid at Giza – but then the next one was about the bust of Nefertiti and after that our completist urges kicked in and we finished the series. The Great Pyramid one had quite a lot of info about how and why the Pyramid was built – what sort of stone and how it was worked and so on. The controversy was provided by an engineer who speculates that the Pyramid is in fact a shell filled with rubble – conventional wisdom is that it is fully built out of shaped blocks of stone. His angle was that it would be easier to build that way, but the egyptologists interviewed felt it was important not to impose our own cultural mindset on the Egyptians. I.e. they may well’ve done it the hard way because it mattered that much more to them.

The one about the bust of Nefertiti avoided the obvious controversy (did the archaeologist who found it smuggle it out of Egypt) in favour of a convicted fraudster’s opinion that it was clearly a fake. The conman was convincing enough whilst talking, but my belief in him was undermined somewhat by the fact that as a previously successful conman he was bound to be convincing. If it is a fake, then it was done to such a high standard that it would pass modern forensic tests on the pigments used which any forger of the early 20th Century wouldn’t even know he needed to avoid.

Next episode was Blackbeard’s ship – it has almost certainly been discovered off the coast of America where it is known to have sunk. At the very least there is a ship of the right era and type in the right sort of place which is being excavated. The controversy was a bit weak even by the standards of the series, hinging round disagreements about whether it had sunk accidentally or been deliberately run aground by Blackbeard.

The last couple of episodes were a bit cringemaking, to be honest – I think we rolled our eyes all the way through both to some degree or another. One was about the Ark of the Covenant and suffered from us watching it the same week that we had a talk about it at the EEG (post). The programme focussed heavily on the (controversial) idea that the Ark was nicked from the Temple by Solomon’s son’s priests who brought it to Ethiopia where it has remained every since. I wasn’t convinced. The last episode was Christ’s Holy Spear, which is in a museum case in Vienna. Now, about halfway through the programme they did admit that all the evidence suggests it was made about 8 centuries after Christ, so the real point of the programme was about how the actual object was made and came to gain its reputation. Which was actually interesting, but not only did they take far too long going “oh but could it be Roman and really be the lance that pierced His side on the cross”, but also there were random Nazi and Hitler references the whole way through because apparently Hitler was obsessed with it. And no, Hitler didn’t commit suicide the very same moment the Spear was captured by the Allies.

A bit of a mixed bag, the better episodes were both not religious relic based and were the ones where I knew enough about the subject in hand to navigate my way between solid opinion and flights of fancy. Not recommended.

Other TV watched last week:

Episode 2 of A History of Art in Three Colours – James Fox looking at the history of art through the lens of three different colours, gold, white and blue.

Episode 1 of Oh! You Pretty Things – series about the relationship between pop music and fashion in Britain from the 1960s onwards.

Jungle Atlantis

Jungle Atlantis was a two part series about the medieval city of Angkor, in modern day Cambodia. This is the city that contains the temple complex Angkor Wat, whose ruins have been known to the western world since the 19th Century. The programmes focussed on recent archaeological work in the area, which has been making use of the new technique of LIDAR. This involves an aerial survey of an area using technology similar to RADAR which can accurately map the topography of the land underneath whatever vegetation cover is present. So it’s very good at getting a broader picture of a forested or agricultural site than is possible with conventional archaeology or aerial photography. It’s also very convenient when large parts of your site of interest are covered in land mines, as Cambodia still is.

The temple complex of Angkor Wat was one of several temple complexes in the city, mostly built in the 12th Century AD under the reign of Jayavarman VII. The programme covered a bit of the history of the Khmer Empire around this period – Jayavarman came to power after a particularly brutal civil war, and enforced a change of state religion from Hinduism to Buddhism (signs of which can be seen on the temple decoration as it was started before his reign). The temples are built in stone, and were not just religious institutions but were also administrative centres for the regime. They are where taxes were collected and also where people were educated (those that were).

All the other buildings of the city were made from wood and thatch and have long since vanished. It had previously been assumed that there was a city to go with the temple complexes and traces have been detected with conventional archaeological methods, but it wasn’t clear how far it extended. LIDAR has shown that there was a vast megacity surrounding the temples and extending out quite some way. It was served by a complex infrastructure of wide roads and canals. They repeatedly said in the programmes that this new evidence meant that it’s likely that Angkor was the largest city in the world at the time – I think they said it might’ve had a population of up to 1 million. They kept comparing it to London (which was tiny at the time, we’re talking about just post-Norman conquest here), but never to the cities of the period which were actually large. I looked it up in my historical atlas, and that has Hangzhou in China as the largest city of the 12th Century with a population of approximately 500,000. So if these estimates for Angkor are correct then it was truly huge by the standards of the day.

Angkor, and the Khmer Empire in general, thrived and was successful during a particularly good period climatewise. The monsoon generally didn’t fail, nor was it so excessive as to cause problems. The Khmer people had complicated and extensive waterways and reservoirs which stored the water and channelled it to the fields and to people’s houses. This meant that they could get three or four rice crops a year, growing during the dry season as well as the wet season. The programme showed several of the waterworks which you can still tell are man-made from the straight edges. The decline of the city came after a prolonged period of poor weather. The archaeologists have used tree cores across the region to find this out – basically rather than cut the tree down and count the rings you drill out a rod of wood and count the rings. Rather more convenient to store, as well as less damaging. These show that around when the city declined there had been about 3 decades of poor monsoons and less growth of the trees. This was followed by a particularly bad monsoon which probably caused a lot of destruction when forced through the artificial canals.

This was an interesting two-part series, about a bit of the world I don’t know all that much about. But it did suffer from a lot of padding – I don’t know how many times they told us how LIDAR worked, and showed the same CGI reconstruction of bits of the city, but it was far too many. I suspect they had a little over an hour of material and when faced with a decision between cutting and padding went for the latter.

Episode 5 of Treasures Decoded – Channel 4 series looking at puzzles and potential solutions around some well known archaeological sites or artifacts.

Episode 3 of Lost Kingdoms of Central America – Jago Cooper talks about four different ancient civilisations in Central America.

Episode 1 of A History of Art in Three Colours – James Fox looking at the history of art through the lens of three different colours, gold, white and blue.

Rwanda’s Untold Story – part of the This World series. Jane Corbin examining the evidence that Paul Kagame’s regime in Rwanda is not what it seems. The conventional story of the Rwandan genocide is that Kagame’s troops stopped the violence and that since he has been in power there have been no massacres. This programme looked at the evidence that Kagame was involved in the shooting down of the previous President of Rwanda’s plane, which was the event that sparked the 1994 massacres of Tutsis by Hutus. And at the evidence that Kagame and his regime have been involved in the systematic massacre of Hutus as reprisals.

Episode 2 of The Boats that Built Britain – Tom Cunliffe sails six boats that were important in British history.

Bright Lights, Brilliant Minds: A Tale of Three Cities

In Bright Lights, Brilliant Minds: A Tale of Three Cities James Fox picked three different cities each in a single year of the 20th Century, and looked at how each was the focal point of cultural developments at the time. The first episode covered Vienna in 1908, the year Sigmund Freud revealed his Oedipus Complex theories. Many of the most notable artists or musicians of the day were in the city – Klimt, Schiele, Schoenberg. It was also a turning point for world politics, being the year when the Austro-Hungarian Empire annexed Bosnia Herzegovina. And Adolf Hitler was living in Vienna that year, he had come to study art but was rejected by the school. The politics of the day were perhaps formative for him, as Vienna’s mayor was very anti-Semitic.

Episode 2 looked at Paris in 1928, the last hurrah of a golden age between the wars before the Great Depression set in. And there was a lot going on in Paris at the time, for instance the surrealist movement (Magritte, Dali and so on) was taking shape. Gershwin was in Paris, Hemingway was in Paris, Cole Porter was in Paris. A lot of black Americans were also in the city, having come to fight in the First World War and preferring the way they were treated in Paris to back home. Many of these were musicians, bringing jazz to Paris. It was also the city where Mondrian was working on his minimalist paintings of lines and primary colours. And where Le Courbousier was planning to replace the old cluttered and chaotic buildings of the city with the architecture of The Future.

The third episode was about New York in 1951. Now when Fox opened the programme by positioning it as the place and time where much of modern culture was born we were a bit sceptical, but by the end of the episode he’d sold me on it. New York at this time was the birthplace of modern advertising, it was also where some of the enduring types of TV shows were born (live sports events, sitcoms). But it wasn’t just a city of conformist consumer culture, it was where the counterculture of the 50s was rooted. Kerouac wrote On the Road in New York in 1951, Pollack did some of his best work just outside New York that year, Thelonious Monk was playing be-bop and Modern Jazz that year. It was the city where the Actors Studio was, where actors such as Marlon Brando and James Dean worked on learning Method Acting.

I really liked this series, both the concept and the way it was made. I liked the visual style of the series, appropriately for programmes that featured a lot of art it felt like care had been taken to be artistic with the filming (not in an over the top way). And each of the episodes had a slightly different feel, to go with the different flavours of the cities in them. James Fox was a good presenter – I’ve not seen any of his programmes before and thought part way through this series that I should look out for anything else he’s done. It turns out I’ve already recorded two of the other things he’s done (A History of Art in Three Colours and A Very British Renaissance) so I’m looking forward to those.

Also watched this week:

Episode 4 of Treasures Decoded – Channel 4 series looking at puzzles and potential solutions around some well known archaeological sites or artifacts.

Kate Adie’s Women of World War One – a one off programme about what British women did during the war, and the difficulties and prejudices they faced in doing it. And also about how that taste of freedom and demonstration of their capability did change women’s lives in the future, no matter how much the establishment tried to return to the status quo after the war.

Episode 2 of Lost Kingdoms of Central America – Jago Cooper talks about four different ancient civilisations in Central America.

Episode 1 of Jungle Atlantis – two part series about new archaeological discoveries at Angkor Wat.

Episode 1 of The World’s War: Forgotten Soldiers of Empire – two part series about the soldiers from the Empires of the European powers who fought in World War One.

Episode 5 of Wild China – series about Chinese wildlife & people.

Harlots, Housewives & Heroines

Harlots, Housewives and Heroines: A 17th Century History for Girls is a three part series about women in Restoration England, presented by Lucy Worsley. The three episodes each focus on a sort of woman – the harlots, housewives and heroines of the title; although the last of these categories is a bit forced. Worley’s thesis was that the second half of the 17th Century was actually a rather good time to be a woman (relatively speaking). The Civil War was in part responsible for this due to the high levels of mortality – the highest rate in English history before the First World War – and it was interesting watching this around the same time as Britain’s Great War (post) because some of the ideas about how mortality leads to social change were the same. This being a Worsley series there was a certain amount of dressing up through all three episodes – ostensibly to show us the different sorts of clothes worn by different sorts of women but in reality I think it’s because she finds it fun! This isn’t criticism, I’d be inclined to do the same if I had the opportunity 🙂

The first episode (the harlots) was actually about upper class women, who were labelled this way to reflect the notorious licentiousness of Charles II’s court. He had many mistresses and these women wielded great power. The second episode looked at what it was like to be a more ordinary woman in Restoration England – a housewife. Worsley also talked about how the shortage of men due to the wars meant that this era was when the concept of the spinster and the old maid arose and were labelled. The final episode took some of the notable women of the age as its jumping off point (Nell Gwyn, Margaret Cavendish, Aphra Benn etc) but really it was about the women who didn’t fit into the other two categories – what was it like to be a young woman in service in London, for instance. And also a discussion of the new career of actress as women were for the first time allowed on stage.

An interesting series, worth watching.

Other TV watched this week:

Episode 3 of Treasures Decoded – Channel 4 series looking at puzzles and potential solutions around some well known archaeological sites or artifacts.

Episode 4 of Wild China – series about Chinese wildlife & people.

Episode 1 of Bright Lights, Brilliant Minds: A Tale of Three Cities – 3 part series looking at three key cities each in a different key year in the 20th Century.

Episode 1 of Lost Kingdoms of Central America – Jago Cooper talks about four different ancient civilisations in Central America.

Operation Stonehenge: What Lies Beneath; British Great War

Operation Stonehenge: What Lies Beneath was a rather disappointing two part series about new work on the site around Stonehenge. The basic premise was that Stonehenge shouldn’t be considered in isolation, instead it’s important to understand the whole area around it. So a team of archaeologists from Austria have done a site wide survey of 10km2 using non-invasive modern techniques – geophys and the like. The programmes were heavy on shots of archaeologists driving tractors with scientific equipment attached, and computer reconstructions of possible buildings, and very light on explaining where their theories came from. For instance they confidently told us about the sequence of the various things that had been detected, but never mentioned how they were dating them – something inherent in the data? style of building corresponds to an era? pulled a number out of thin air? They were also pretty good at taking speculation and presenting it as close to factual. Like the confident pronouncement that the site in general was sacred because there’s a weird chemical reaction between something in the river and flint that means flint from the river goes bright pink after it dries. But a) we don’t know if that weirdness happened then (or maybe we do, but they just didn’t explain it well enough) and b) it’s a possibility, but really we still have no idea why the site became sacred.

Overall, not terribly impressed.

We also finished off another of the World War I series which was aired earlier this year – Britain’s Great War. This series focused on what happened in Britain during the war – so while there were some segments about the actual fighting in France and elsewhere, these were mostly to provide context and very focussed on what happened to British people and British families as a result. Some of the ground covered was stuff I already knew of, but there was a lot of stuff that was new to me. This included things like the development of plastic surgery due to the high number of casualties with mutilated faces. Another example from the last episode was the rise in seances after the war.

As well as reporting the historical facts, Paxman’s main point was to show that modern Britain was born during the First World War – that the upheaval and changes to society that were driven by the war underpin our current society. Some of this is good – more equality for women for instance, because they’d had to work during the war and more of them were independent after the war. The lives of the poor were also improved – for some it was because if they’d survived war then they’d had four years of real meals so returned more fit and capable than they’d been before. For some it was because the government started to intervene to prevent rapacious rent increases. Some things were less good – much more government intervention and interest in people’s lives, like who they slept with or whether they went out drinking (and if so, when & how much). This had been seen as necessary to avoid lost work hours during the war due to diseases or hangovers.

A good series although frequently rather grim viewing, and a good counterpoint to the other WWI series we recorded at the same time (The First World War, the second section in this post).

Other TV watched this week:

Episode 2 of Treasures Decoded – Channel 4 series looking at puzzles and potential solutions around some well known archaeological sites or artifacts.

Episode 2 of Harlots, Housewives and Heroines: A 17th Century History for Girls – Lucy Worsley talking about late 17th Century British women.

Episode 3 of Wild China – series about Chinese wildlife & people.