Tag: Hamilton, Edmond

“Before the Golden Age 3” ed. Isaac Asimov

The third and final volume of Isaac Asimov’s autobiographical anthology of short stories from the 1930s covers 1935-1938. And as with the other volumes it’s a bit hit & miss. Some of the misses have aged poorly, some I suspect I’d never’ve enjoyed even if I were a young lad in the 1930s.

I’ve been re-reading this with an eye to diversity – partly, I confess, because it’s easier to see here than it is in fiction from my own era. The original impetus is that there’s a fair amount of conversation around SFF fandom in the last few years about this sort of issue – like this post in Elizabeth Bear’s livejournal which addresses the idea that somehow if you have a protagonist or primary character who isn’t able-bodied/white/Western/straight/cis-male then you need to justify it otherwise you’re just “being PC”. Rather than, you know, writing a story about a person who’s as much of a person as any other person. And as I say, it’s easier in general to pay attention to in these stories because I’m not steeped in the culture of the 1930s like I am in my own (and the only difference between me & the “default” is that I’m female so it’s easy to have a blind spot). Sort of practising the thought patterns for future use.

So I’d been looking for women or lack thereof in these stories. And the racism jumped out at me, and would’ve done if I was looking or not – that’s something where we’ve really come a long way since the 30s. But I haven’t really mentioned the other sorts of categories where people get elided into non-existence or caricatured. People with disabilities & transpeople are mostly Sir Not Appearing in this Universe – although there’s some pretty poor portrayals of mental illness (like the madman in “Minus Planet”). And really I’m not sure I can say much more than that about it.

Sexuality is an odd one though – in the vast majority of these stories it doesn’t feel like any of the people have any sort of sexuality, they’re not even asexual it just isn’t a thing. Even some of the ones with “romance subplots” (like the dreadful Meek stories in volume 1), you aren’t left with an impression that these people fancy each other, or even like each other. It feels like the author is aware that people get married, but has no idea why. A large part of that is style, of course, and differences in the culture of what’s appropriate to talk about. But some of the stories do manage to build that feeling even without anything explicit – taking an example from this volume “Proxima Centauri” has a love match that feels like a(n overwrought, fairly chaste) love match. And then there’s the ones like “Minus Planet” where to my modern eyes the two male protagonists read as gay (in a chaste & understated way). Particularly in comparison to “Proxima Centauri”. In both cases the main character goes off on a mission/trip that may well end in death, and in each case the “love interest” goes with him. The woman because she can’t live without him, the man because he can’t let him go alone. And I’m left wondering if that’s a modern reading pushed back inappropriately, or if it was a deliberate but subtle hint that would’ve been picked up by someone of the time. I’m not sure where, if anywhere, I’m going with this but it’s something that struck me.

A note on the notes that follow – I read this on the plane to & from Berlin, and only took notes on the way out so the second half are written after a few weeks gap.

1935

“The Parasite Planet” Stanley G. Weinbaum

Tale of derring do on the frontier – this frontier being Venus. Strength of the story is the exotic, alien & deadly wildlife. Weakness of the story is the romance plot, although if the last paragraph about how they would get married immediately wasn’t there then it’d be a little less out of nowhere.

“Proxima Centauri” Murray Leinster

Ship travels to other star to colonise. Might not be a generation ship as it was only 7 years, but that’s the feel. Tedium leads to social breakdown, leads to segregation between officers & crew – this sets up the “love triangle” as the daughter of the commander is in love with a crew member but the second in command would like to marry her. Main plot is more interesting – the planet is inhabited by intelligent carnivorous plants who value animal flesh more than we value gold. Death & Doom follow (though our plucky heroes win the day, kinda).

“The Accursed Galaxy” Edmond Hamilton

Meteor lands, turns out to be a strange polyhedron. Reporter who finds it calls in a scientist who opens it under instruction from the being within, who tells its story before being freed. And reveals the “awful truth” about our galaxy. Neat but implausible explanation for the expanding universe. Back to “women what are they?” tho, but at least that means no 1930s romance subplot.

1936

“He Who Shrank” Henry Hasse

Lab assistant to a mad scientist is injected with a potion that makes him perpetually shrink (and includes all sorts of things that keep him alive too). The atoms of each universe are the solar systems of the next. This is one of the stories that stuck in my mind over the years since I last read this – it holds up, I think.

“The Human Pets of Mars” Leslie Frances Stone

UFO lands, aliens have a look around, take a motley crew of humans back as pets. Eventually our plucky hero organises an escape. Too many of the secondary characters felt like types to me – the pompous privileged politician, the older organising matron, the shiftless black workman, the half-crazed black spiritual woman, the sweet girl child etc etc. The protagonist and the other primary characters aren’t much better, to be honest. I think this falls into the “neat idea, shame about the execution” category.

“The Brain Stealers of Mars” John W. Campbell, Jr

This reminded me a lot of Ray Bradbury and of Philip K. Dick. Claustrophobic paranoid story about chameleon type aliens living amongst the Martians. The (human) protagonists land, and discover these creatures who start mimicking them – 20 of each man, how do you tell which one was the real one? The solutions felt a little too neat (and the story feels like it worked, rather than being ambiguous), but this is Campbell and as I recall he liked the human protagonists of stories he bought as an editor to win. (And now I’m trying to remember where I’ve picked up my ideas about Campbell’s preferred tropes – maybe I’ll find a book on my shelves during my re-read that tells me.)

“Devolution” Edmond Hamilton

Pessimistic little story about the “true origins” of the human race. This seems to be a Hamilton theme, and he does do them well. Completely preposterous, mind you.

“Big Game” Isaac Asimov

Short-short by the man himself, as of age 21 – written in 1941 and unpublished before this anthology. It’s the “true story about what killed the dinosaurs”, and is as pessimistic as Hamilton (by whom it was inspired).

1937

“Other Eyes Watching” John W. Campbell Jr.

Non-fiction article about Jupiter. I confess to skimming this, and I think I’ve done so every single time I read this anthology. It’s in the purplest of purple prose, and I just can’t be bothered to pick the facts out of the flowers. It starts:

All space was flamed with an intolerable incandescence; for two thousand million miles, titanic streamers of flame shot out, wove and twined, streamers that flared dull-red and cooling where they stretched to breaking, then great clots that swirled in blue-white heat of new creation. Dimming slowly in the distance, the Wrecker was vanishing, the vagrant star that had lashed worlds out of the Sun as it swept by.

It makes my over-use of commas and run-on sentences look tame … Apparently it, and others like it, inspired Asimov to further being interested in science, tho.

“Minus Planet” John D. Clark

Antimatter planet approaches the Earth and will hit & cause catastrophe, but our plucky heroes spot it in time and save the day. Despite the best efforts of a random madman who’d like to stop them. Suffers terribly from “women, what are they??”. Not that memorable to be honest, I preferred “Born of the Sun” in the last volume (which was more science fantasy/horror than this, but at least it had a fun catastrophe).

“Past, Present and Future” Nat Schachner

Man of ancient Greece who winds up in the future Inca lands uses the “secrets of the Egyptians” to enter suspended animation looking for a better future. He’s joined (accidentally) by a (white) man of the 1930s. They wake up in the far future in an enclosed habitat because “the rest of the world is destroyed” – it’s a dystopia reminiscent of Huxley’s “Brave New World” with its castes of people for particular societal functions. Our heroes are better because they’re not stratified like this, they’re more human. And along with a throwback from the upper echelons of the future society they escape to explore the outside world. Interesting premise, but it feels like the story stops before it starts.

1938

“The Men and the Mirror” Ross Rocklynne

It’s a shame this is the story that ends the anthology, because I’ve never liked it. Two men, one a policeman chasing the other an outlaw. They are perfect gentlemen, being gentlemanly. And they discover an impossible physics problem in outer space, having gotten into a pickle they get out of it again by co-operating and using their superior intelligence. They are gentlemanly gentlemen once more. I tend to forget the plot between readings, because the soulless physics problem is actually marginally more interesting despite my general lack of interest in physics.

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“Before the Golden Age 1” ed. Isaac Asimov

The Golden Age of Science Fiction is a phrase that commonly has two definitions – the first of these is the era when Campbell was editing Astounding Stories and the writers included people like Isaac Asimov. The other definition is that the golden age of science fiction is 12. That the stories that you read around that sort of age when you’re just discovering your own tastes in fiction are the ones that stick with you through your life. This anthology is a selection of stories that Isaac Asimov remembers reading in the 1930s – in his own personal golden age – that had an influence on his writing and thus on “The Golden Age”.

As an aside, I’m not sure I quite agree with either definition – both that those 1940s stories of The Golden Age aren’t (in large part because of my own age) going to be the best thing ever for me. And also that I think I’m still discovering new books & stories I think are as good or better than the things I read in my teens.

But still, as a conceit for an anthology it’s a good one, and as well as reprinting the stories Asimov writes about his own life. He comes across as very full of himself, but also aware of that and poking fun at his own ego. I suspect if I’d ever met him I’d’ve found him irritatingly smug, but the tone works OK in an autobiography.

This volume covers the years 1931 & 1932, when Asimov is 11 & 12. I bought it sometime in the mid-80s, about ten years after it was published. Its been years since I last read it, and mostly what I remembered was that the stories seemed dated, a few were still quite good but most were pretty “meh” to my more modern eyes. That’s a fairly accurate summary – with the addition that some are downright bad to my more grown-up modern eyes. The science tends to be wrong (either because we now know more, or because the author didn’t know what was known then), they tend to be full of info-dumps and “As you know, Bob” conversations. Some of them work despite this.

And they all have what one might euphemistically call “the attitudes of their time”. The sexism tends to be in the absence of women, and in the lack of personality for the women in those few stories with any female characters – the sort of thing you can excuse for any one story as being that the author just happened to choose a male protagonist. But when you look at the collection as a whole there’s a pattern – nobody thought a woman to be interesting enough to be the protagonist or even a primary character (with the exception of the alien in the Williamson story at the end). The racism is … mostly of the same sort. I wrote the little notes on the stories before I wrote this intro & you’ll spot the bit where I’m suddenly taken aback. There are three stories in the middle that are appallingly explicitly racist, two of them (a duology by Meek) to a degree where if you took the racism out there’d be no story left. I skim read the second of those, and wouldn’t’ve even done that if I hadn’t been going to write about the book.

I’ll be keeping the book, but boxed up – primarily for the autobiography and for the nostalgia.

1931

“The Man Who Evolved” Edmond Hamilton

Story about the future evolution of humanity, a morality tale of the “meddle not with things you do not understand” type. Also felt like the H. G. Wells story “The Time Machine”, in that it was a scientist building a contraption to find out how the human race developed & demonstrating it to his friends. The science is dreadful (evolution Does. Not. Work. Like. That. and I suspect even a biologist in the 1930s would wince at it) but the story is still compelling.

“The Jameson Satellite” Neil R. Jones

Another “what will it be like in the far future” tale. In this one a man works out how to perfectly preserve his body after he dies, by shooting it into space in a rocket to orbit the Earth. Much much later he’s discovered by aliens, who are metal men (Zoromes from the planet Zor, I kid you not) who were once biological but have transplanted their brains into metal bodies and now live forever. The science is equally as wince-making as the last one but I have a higher tolerance for bad orbital mechanics etc than I do for bad biology 😉 The “radium repulsion rays” to prevent meteors hitting the rocket were a bit much tho … It was still a fun story to read, I keep wanting to use the word “charming”.

“Submicroscopic”, “Awlo of Ulm” Capt. S. P. Meek

Woah, these two were very much a “product of their time” to an extent that they didn’t have anything to recommend them today. Man builds machine to shrink himself, finds submicroscopic land inhabited by beautiful white people who are being attacked by brutish black savages who want to eat them. The sequel introduces scientifically advanced cruel yellow people with slanty eyes who’d like to enslave them. The hero wins the day because he’s the WASPiest WASP that ever WASPed, and also has guns but if he hadn’t he’d still’ve won. Asimov notes in his afterword that he was uncomfortable with the “touches of racism” he noticed in his re-read, but I’d say that “touches” is inadequate to even begin to describe the level of racism. Oh, and sexist too – these are the first stories in the book to have a woman mentioned at all, but she’s not a person she’s a plot coupon. Save the princess, marry the princess, save the princess (again), duel someone to the death for the princess, duel someone (else) to the death for the princess, reflect on how you didn’t kill them brutally enough because of what they threatened to do to the princess… So I think that’s actually a step back from the woman-free state.

“Tetrahedra of Space” P. Schulyer Miller

A story in the tradition of Wells’ “War of the Worlds” – aliens land, some plucky earth men persuade them to move on when something common on Earth turns out to be poison to them. Astonishingly purple prose, which made me giggle out loud at times because it was so overwrought. Here’s a sample:

It was beyond all reason — all possibility! And yet — it was! Now I could see them clearly, rank on rank of them in orderly file, some hundred of them, strewn in great concentric rings about the softly glowing spheres — harsh as the black rock itself, hard, and glittering, and angular — a man’s height and more from summit to base — great, glittering tetrahedra — tetrahedra of terror!

Unfortunately, also a very racist story 🙁 I kept trying to give it a pass coz I was enjoying the main plot, but it kept getting worse – there’s a nasty subplot to do with a South American native/Portuguese “breed” on the “wrong side” (i.e. his mother was white). However, in contrast to Meek’s stories I feel that it could be edited to remove the racist attitudes & the racist subplot and at the end you’d have a story where the essential plot was the same, just stripped of the 1930’s unpleasantness. (The science would still mark it out as from that time period, mind you …).

“The World of the Red Sun” Clifford D. Simak

Time travel in the style of H. G. Wells – with a well thought out machine that has believable flaws. Plucky 20th Century men save the world of the far future! Given how thought through the time machine was it was startling that the men of the far future still spoke English. An enjoyable story.

1932

“Tumithak of the Corridors” Charles R. Tanner

Far future Earth, long post-invasion by Venusians & the start of the story of how people won back their planet. The framing story is that this is a reconstruction of “how it must’ve been” told from even further in the future. This is one of the stories that had stuck in my mind from reading this book when I was a teenager and I think I like it just as much as an adult – caveats about 1930s story telling styles still apply, tho, and I can’t exactly call it non-sexist or non-racist. It does actually have a couple of women with speaking parts who have about as much personality as the male secondary characters – but that means pretty much none. No overt racism & even an explicit statement that people come in many sorts, good & bad, regardless of nation or era – but everyone’s white except the savages who live in the dark (who are slate-coloured) which is somewhat problematic. Well thought through consequences of the living arrangements of the people, tho the science/arts divide made me roll my eyes a little. My favourite of this volume.

“The Moon Era” Jack Williamson

Another man in a machine goes on an adventure story – this time the machine is invented by an old wealthy childless man who summons his never met before impoverished nephew and announces that if he takes the trip in the machine he will inherit the fortune. The trip is supposed to be to the Moon & back, and indeed he goes to the Moon but the time he arrives is not the time he left the Earth. The alien he meets is female – has to be for the plot to work, but she’s no plot coupon she has a personality of her own. A melancholy story, which I liked although I didn’t quite buy the ending.

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