Tag: spain

Armada: 12 Days to Save England

Back in June of this year the BBC did a three part series about the Spanish Armada and how (astonishingly) England wasn’t conquered by Spain in 1588. It was billed as “part dramatisation, part documentary” so I was a bit concerned in advance that it wouldn’t be my cup of tea. But it turned out to be on the right side of the line for my tastes – a selection of set pieces but mostly a straightforward documentary series. The main presenter was Dan Snow, who we’ve seen do a selection of history documentaries in the past, more than one with a naval theme. There were several talking heads throughout the series – the primary one was Geoffrey Parker, who is an expert on James II of Spain. He’s discovered & researched a lot of documentation kept by James II on the Armada including a report from the second in command of the fleet which gave his opinions on why the invasion failed. Another strand of the documentary segments was two naval historians discussing the tactics the Spanish & English fleets used, and showed us them by pushing ships about on a battle map. Of the two, I recognised Sam Willis who we’ve seen present other documentaries and I forget who the other chap was. The conversations between the two of them were sadly a bit stilted and at times made it feel like Willis was explaining himself and his theories to his PhD supervisor in a meeting!

The two main threads running through the series were the naval tactics of the two sides and the more human side of the personalities & foibles of the key players in the war. I’m not really interested in military history per se so I hadn’t looked into the details of the Armada before – just absorbed the narrative of “superpower of the day goes up against plucky minor country and somehow fails, mostly due to inclement weather”. God Is On Our Side, and all that sort of thing. The reality is, of course, more nuanced than that. Whilst the storms around the north & west of the British Isles are what finally finished off a lot of the Spainish fleet, they’d actually already lost before they sailed through the storms. The English had got the upper hand through better tech and new tactics to go with it (including sailing in to their own gun range to fire on the Spanish, then sailing away before getting to a range where the Spanish could reply). However supply issues (Elizabeth I was both unwilling and unable to pay for sufficient ammo, or even food for the sailors) meant that this wasn’t decisive. The Spanish also lost by their own actions, largely due to a strict adherence to the original plan by the commander despite that plan having fatal flaws from its conception let alone after they met the opposing fleet.

The two fleets had similar command structures – political appointment at the top, second in command an experienced seaman. The key difference was that Francis Drake (the English second in command) was actually listened to. The Duke of Medina Sidonia (commander of the Spanish fleet) had been Spain’s second choice and wasn’t keen on taking the job because he had no naval expertise – but sadly for the Spanish his reservations about his own abilities meant he insisted on following James II of Spain’s original plan to the letter. This plan was that the fleet would sail round to the English Channel and pick up the Spanish army in Holland, together the combined forces would invade England (from Kent, iirc). But the plan didn’t include any detail for how the navy & the army would combine and communication between the two was not established in time for the plan to be put into action. And eventually after several failures to co-ordinate with the army, and battles with the English where the Spanish were at a disadvantage to begin with and then loss, finally the Duke’s nerve broke and he took the fleet round to the north & west to get away from the English fleet and back to Spain. His second in command repeatedly suggested alternate courses of action: a pre-emptive strike on Portsmouth to bottle up the English fleet; capture a deep harbour on the English coast and settle in to figure out how to meet up with the army in relative safety; etc. But the Duke wouldn’t deviate from the plan, and so they lost.

Part of the Duke of Medina Sidonia’s problem was that James II was something of a control freak. I knew pretty much nothing about James prior to this program other than: married Mary I of England, failed to have children; tried to marry Elizabeth, was refused; tried to conquer England, failed. So the characterisation of James in this documentary was particularly interesting to me (and I should really add a biography of him to my to-read mountain). He was a deeply pious man, and this fuelled much of his desire to get England under his control – rescuing it from the taint of Protestant heresy. He was also a micro-manager. In this case he’d laid down a Plan, and left the Duke of Medina Sidonia in no doubt that if he deviated from The Plan then there would be trouble. He was also a compulsive note-taker and prefered to communicate with his underlings by the written word. Which is why we know he was a micro-manager – there are archives full of his notes.

I liked the characterisation of Elizabeth I in this programme – the Gloriana myth she and her PR team promoted was talked about, but they portrayed the woman herself as the Tudor she was. Mean (in the financial sense), paranoid and a control freak. Made me think of the biography of Henry VII that I read several years ago (and am convinced I wrote up a review for a previous incarnation of this blog, but now cannot find): “Winter King” by Thomas Penn.

Overall I enjoyed this series – made me aware how little I actually knew about the Spanish Armada (and Spanish history) and then educated me about it 🙂

Baroque! – From St Peter’s to St Paul’s; Guilty Pleasures

Baroque! – From St Peter’s to St Paul’s was a three part series presented by Waldemar Januszczak about Baroque art and architecture. The three programmes moved in geography (covering Italy, Spain & the Netherlands, and Britain respectively) and forwards in time. He started off with the story of how baroque art has its roots in the Counter Reformation – basically intended to propagate the “right” Christian message via eye-catching art. In particular as a response to the more austere Protestant sensibility, a sort of “you say we have too much art? we’ll show you too much art!”. As the movement took off in Spain (via Naples – a Spanish colony) the religious subject matter became darker and more visceral. Baroque artists also became the court painters of the era. Januszczak was entertainingly dismissive of the Hapsburg rulers of Spain & the Spanish Netherlands (and to be fair, there’s a lot there to to be dismissive of) while extolling the virtues of their taste in art. The Spanish court paintings were one of the vectors that introduced baroque art & architecture to England – Charles I’s visit to Spain when he was hoping to marry a Spanish princess brought him into contact with the court culture and painting. This wasn’t to be the baroque movement’s first jump to a Protestant nation – that was the Netherlands. Once the baroque took a hold in England it was given extra space to grow because of the Great Fire of London – about half of the last episode of this series was about the various churches (including St Paul’s) which were rebuilt in a baroque style after that disaster.

I’ve found it hard to write about what was in the programmes, because a lot of the point was (unsurprisingly) the visuals – Januszczak showed us a lot of paintings and buildings both well known and not. The style of the programme was gloriously over the top, as befits the subject matter. Well worth watching 🙂

This week we also watched both parts of a series that we’ve had on the PVR for ages – Guilty Pleasures. This series was about how modern attitudes to luxury have been shaped by our cultural roots. It was presented by Michael Scott, who’s a classicist, so it’s no surprise that the first episode was about the influence of the Ancient Greeks; the second episode was about the influence of medieval Christianity. In Ancient Greece he followed three strands of Greek attitudes to luxury – the first of these was the Athenian democracy that spent time and legislation on trying to prevent ostentatious private luxuries by channeling the urge to consume into public luxuries. And tried to tie society together by having ritual communal luxuries – like sacrificing large numbers of cows which would then give every citizen some meat. The Spartans in some ways had their downfall through unsuccessfully navigating this tension between public & private luxury. As prominent Spartan citizens began to gather wealth to themselves rather than live in the spartan communal fashion their society began to decline. And the last society he touched on in that episode was the Macedonians who embrace luxury (for the ruler) much more than the Athenians or Spartans – they use their wealth as a propaganda tool and to enhance the division between the ruler and the ruled (unlike the more egalitarian principles of Athens or Sparta).

By the middle ages luxury has become a sin. Having contact with luxurious things is supposed to lead you into ever worse sin – fine foods, fine clothing is just a precursor to other indulgences. Scott also talked about how the Black Death actually led to increased luxury for the people who survived. People at the lower reaches of society in particular gained land and better pay because there was a lack of labour available. Which increased the feelings of guilt around luxury. Another factor was that the plague was seen as God’s punishment on people, and so at higher levels of society people took a second look at their lives and came to the conclusion that God was not pleased about their sinfulness (including their luxuries).

And Scott tied it together at the end by thinking a little about modern attitudes to luxury, in particular in the wake of the 2008 banking crisis. The Greek influences can been seen in how we generally react to conspicuous consumption as divisive, and the medieval influences are most obvious in the very idea of a “guilty pleasure”.

Other TV watched this week:

Episode 2 of The Stuarts – a series about the Stuart Kings of England & Scotland, presented by Clare Jackson, and about how they shaped the United Kingdom and how they were shaped by it. Broadcast on the Scottish version of BBC2 only.

Episode 1 of Bible Hunters – series about the search for early texts of the Bible in Egypt.

Episode 1 of Time Traveller’s Guide to Elizabethan England – this was part of the BBC’s Tudor Season in 2013. It’s a series about life in Elizabethan times from the perspective of the differences between now and then, what you’d need to know if you could travel back there.

New Secrets of the Terracotta Warriors – Channel 4 one-off programme about the terracotta army found buried near the Emperor Qin’s grave in China. Partly about the history of Qin era China (the first unification of the country in c.200BC, and partly about the techniques currently being used to learn more about the terracotta soldiers. A little shallow.

Episode 1 of The Great British Year – series about British wildlife and countryside over the whole year. Lots of gorgeous shots of animals, and timelapse sequences of landscapes.

Britain’s Most Fragile Treasure – Janina Ramirez programme about the East Window in York Cathedral. How it was made, who made it, how it’s being conserved, and what the various scenes and stories are.