At the beginning of August Lee Young gave a talk via Zoom to the Essex Egyptology Group about the artist Lance Thackeray. Young is an independent researcher whose interests are primarily in the archaeological artists in Egypt, particularly the women. She said that most of the time she gives talks about people who have had a major contribution to Egyptology – this is debatable in the case of Lance Thackeray but he certainly made people laugh and be interested in Egypt!
At the beginning of July Robert Morkot gave a talk to the Essex Egyptology Group (and guests) via Zoom. He'd previously visited us to talk about the 25th Dynasty of Egypt who were from Kush, and this talk followed on from that to tell us about the culture in what is now Sudan after the 25th Dynasty were forced from Egypt in the mid-1st Millennium BCE.
At the beginning of March Paolo Scremin came to the Essex Egyptology Group to talk to us about his work photographing the Old Kingdom nobles tombs at Saqqara, with the Oxford Expedition to Egypt (OEE). He began by telling us a bit about the OEE - the founding members of the expedition are himself and Yvonne Harpur.
At the beginning of September Konstantin Ivanov visited us at the Essex Egyptology Group to talk to us about scenes showing purification of the Pharaoh in Graeco-Roman period temples. He began by talking about why he was studying these scenes. Firstly because they are telling us something about an important part of Egyptian culture - purity was a requirement before someone could enter the temple, so the Pharaoh must also be purified when he comes to the temple.
At the beginning of July Antonio J. Morales visited the Essex Egyptology Group to tell us about the work of the Middle Kingdom Theban Project which he is the leader of. The project began in 2014 when he was working for Freie University in Berlin, and when he moved to the University of Alacá (outside Madrid) in 2017 the project continued under their sponsorship.
At the beginning of June Marcel Marée came to talk to the Essex Egyptology Group about the criteria he uses to authenticate Ancient Egyptian artifacts and detect modern forgeries. A lot of people bring artifacts to the British Museum to be authenticated, including art dealers, and so he's interested in improving and systematising the authentication process.