At the beginning of June Sergio Alarcón Robledo came to talk to us at the Essex Egyptology Group about the work he's doing as part of the Polish-Egyptian Mission at Hatshepsut's temple at Deir el Bahri. His talk was in two parts - first the theoretical underpinnings, then the practical work he's been doing at the site. And after the formal talk was over he also showed us some unpublished imagery he's been making of various tombs.
At the May meeting of the Essex Egyptology Group Robert Loynes talked to us about his work on Ancient Egyptian mummies. He's a retired orthopaedic surgeon who has subsequently achieved a PhD in Egyptology (from Manchester) using modern medical technology to investigate ancient mummies.
At the beginning of April Manon Y. Schutz came to talk to us at the Essex Egyptology Group about beds in Ancient Egypt. She's a D.Phil student at Oxford University, and beds in an Ancient Egyptian funerary context are the subject of her thesis. She has chosen to look at the funerary context because most of the evidence of beds that survives is from tombs. Her talk was divided into two parts - first an introduction to the topic of beds in Ancient Egypt, and then an overview of beds throughout Ancient Egyptian history.
In February Carol Andrews came to talk to the Essex Egyptology Group about Ancient Egyptian jewellery - in particular that worn by women. She structured her talk as an overview of the various types of jewellery and for each type she looked at both the archaeological evidence and at the artistic representations of the jewellery. Men wore as much jewellery as women, and in fact there are very few if any forms that were specific to women.
At the November meeting of the Essex Egyptology Group Vincent Oeters talked to us about the Step Pyramid of Djoser - in particular the inside of it. He doesn't himself work on the Step Pyramid, but while he was working (as an archaeologist) nearby he was able to go into it three times (with the permission of and accompanied by an Inspector from the Ministry of Antiquities, as it's not generally open to tourists). And one of those times he was also allowed to take photos! And it was those photos that formed the core of his talk.
At the beginning of this month Lee Young came to the Essex Egyptology Group to talk about Howard Carter as an artist (rather than as an archaeologist). She is an independent researcher associated with the Griffith Institute in Oxford where the bulk of Carter's notes and archives are kept. Although she was talking to us today about Carter she said that her real research interest is in the female artists whose works are represented in the Griffith Institute collections.
The last part of this chapter of the Middle East book covers the end of the 2nd Millennium BCE, it first looks at the return of Assyria as a power in the region. Then it talks about Bronze Age Collapse which occurs in the 12th Century BCE and ushers in what is sometimes called a "dark age". The big powers (Egypt, Assyria) wobble but many of the smaller states suffer a severe crisis. The power vacuum this leaves sets the stage for the "Age of Empires" as the next chapter of the book refers to it.
At the end of 2015 the British Museum put on an exhibition about the Celts, looking at both the original culture in its historical context and the way it was later re-imagined. The overall take home message from the exhibition was that the ancient people we now call Celts probably didn't think of themselves as such, and the modern peoples who we call Celts don't necessarily have that much to do with the ancient Celts.